LED Online Seminar 2019 - Working Group 5

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Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!

Assignment 1 - Reading and Synthesizing Core Terminology

  • You can read more details about this assignment here
  • Readings are accessible via the resources page

Step 1: Your Landscape Democracy Manifestoes

  • Nafiz's manifesto

    Nafiz's manifesto

  • Haris's manifesto

    Haris's manifesto

  • Amala's manifesto

    Amala's manifesto

  • Gianni's manifesto

    Gianni's manifesto

Step 2: Define your readings

  • Please add your readings selection for the terminology exercise before April 24:

A: Landscape and Democracy

Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene." In: The Interpretation of Ordinary Landscapes: Geographical Essays, edited by D. W. Meinig and John Brinckerhoff Jackson, 33-48. New York: Oxford University Press. [Gianmarco]

Lynch, Kevin. (1960): The Image of the City, Cambridge, Mass.: MIT Press. [Amala]

B: Concepts of Participation

Hester, Randolph (2012): Evaluating Community Design, Landscape Journal [Gianmarco]

Day, Christopher (2002): Consensus Design, Architectural Press [Amala]

Sanoff, Henry (2014): Multiple Views of Participatory Design, Focus [Nafiz Rahat]

C: Community and Identity

Hester, Randolph (2006): Design for Ecological Democracy, The MIT Press [Nafiz Rahat]


D: Designing

Smith, Nicola Dawn(2012): Design Charrette: A Vehicle for Consultation or Collaboration [Gianmarco]

Pritzker Prize winning architect Alejandro Aravena on sustainable design and community involvement in Chile [Amala]

Massachusetts Institute of Technology (2013): Places in the Making: How Placemaking Builds Places and Communities [Nafiz Rahat]

E: Communicating a Vision

Steps 3 and 4: Concepts Selection and definition

  • Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by May 15, 2019
  • Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by June 12, 2019.
  • Other group members will be able to comment on the definitions until June 30, 2019
  • Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until July 12, 2019

Concepts and definitions

Author 1: ...

  • ......
  • .......
  • .......

Author 2: ...

  • ......
  • .......
  • .......

Author 3: ...

  • ......
  • .......
  • .......

Author 4: ...

  • ......
  • .......
  • .......

Step 5: Reflection

Step 6: Revised manifestoes

  • please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar
  • Author's updated manifesto

    Author's updated manifesto

  • Author's updated manifesto

    Author's updated manifesto

  • Author's updated manifesto

    Author's updated manifesto

  • Author's updated manifesto

    Author's updated manifesto

Assignment 2 - Your Landscape Symbols

  • You can read more details about this assignment here

Landscape Symbols Author 1: ...

  • Hadis Park, Khulna, Bangladesh

    Hadis Park, Khulna, Bangladesh

  • One of the historical park in Khulna city Bangladesh. In 1925 Mahatma Gandhi gave his speech in this park.
  • Later after independence this park became unused, dirty place & a zone of criminal activity day by day.
  • In 2011, Khulna City Corporation (KCC) took innitiative steps to intervent the park based on the demand of Khulna city people.
  • Solar Park, Khulna, Bangladesh. Which is also a good example of successful urban public space. People are coming frequently to pass their time & walk through the waterfront.

    Solar Park, Khulna, Bangladesh. Which is also a good example of successful urban public space. People are coming frequently to pass their time & walk through the waterfront.

  • United nation park in Khulna Bangladesh. Last intervention has turned the park into successful urban public space. A landscape should belong to all walk of people. This is one of the examples.

    United nation park in Khulna Bangladesh. Last intervention has turned the park into successful urban public space. A landscape should belong to all walk of people. This is one of the examples.

Landscape Symbols Author 2: AMALA

  • WAYANAD TREE HOUSES:generally built by the tribes to guard them against the attacks of the wild animals.The quaint thatch roofs and bamboo walls , locally sourced materials, contain all domestic comforts and are designed to utilize natural spring water that flows down from the surroundings hills and uses solar energy as a power source.ECO FRIENDLY TREE HOUSES:Connect with nature.Increase the level of outdoor activity.Travelers can also have the benefit of exhilarating nature beauty deep in the verdant woods to discover the prosperity of the flora and fauna of the area

    WAYANAD TREE HOUSES:generally built by the tribes to guard them against the attacks of the wild animals.The quaint thatch roofs and bamboo walls , locally sourced materials, contain all domestic comforts and are designed to utilize natural spring water that flows down from the surroundings hills and uses solar energy as a power source.ECO FRIENDLY TREE HOUSES:Connect with nature.Increase the level of outdoor activity.Travelers can also have the benefit of exhilarating nature beauty deep in the verdant woods to discover the prosperity of the flora and fauna of the area

  • a symbol of "the Observation Tower" which is a rarity.It was an important military station for TIPU SULTHAN-the king and a land where history meshes with myths and legends-been famous for its diversity in culture, history and language.The vast natural landscapes, beaches, tribal population and its folk arts and music compose a heaven out of this place. landscape symbolise blending with nature.The Fort appears to have been built up from the sea since almost three fourth of its exteriors is drenched and the waves continually stroke the citadel.

    a symbol of "the Observation Tower" which is a rarity.It was an important military station for TIPU SULTHAN-the king and a land where history meshes with myths and legends-been famous for its diversity in culture, history and language.The vast natural landscapes, beaches, tribal population and its folk arts and music compose a heaven out of this place. landscape symbolise blending with nature.The Fort appears to have been built up from the sea since almost three fourth of its exteriors is drenched and the waves continually stroke the citadel.

  • LIFE CIRCLES IN CONNECTION WITH NATURE

    LIFE CIRCLES IN CONNECTION WITH NATURE

Landscape Symbols Auther 3: ...

  • LED Landscape Symbol Pezic Haris .jpg
  • Symbol yourname photovoice1

    add a caption (one paragraph max) description of the symbolism, interpretation, as well as geo-location

  • Symbol yourname photovoice2

    add a caption (one paragraph max) description of the symbolism, interpretation, as well as geo-location

  • Symbol yourname photovoice3

    add a caption (one paragraph max) description of the symbolism, interpretation, as well as geo-location

Gianmarco Gianni

  • FISHERMAN WIFE - (44°04'54.6"N 12°34'36.2"E) In Rimini is possible to find this statue made of bronze, placed at the tip of the dock facing the open sea. The statue represent a woman with children on the shore waiting for her husband fishing in the sea. The scene is drammatic.The woman is aiming a point on the horizon trying to figure out where the husband fishing boat is, probably hoping to to see him coming back safely to the port. Till the XIX century this kind of risks were a big concern for families, in fact the sails of the fishing boats were all different from each other in order to make them recognizable from the shore. Each boat had its own particular sign on the sail, smartphones and GPS weren’t available back then. Fishing had always been part of Rimini's culture since it's on the coast, but in the last years it started losing its identity because of massive tourism from all over Europe. This sculpture wants to remember us our past, our origins, the respect for tough jobs such as fishing and most of all the respect for the sea as a force of nature and as a resource.FISHERMAN WIFE

    FISHERMAN WIFE - (44°04'54.6"N 12°34'36.2"E) In Rimini is possible to find this statue made of bronze, placed at the tip of the dock facing the open sea. The statue represent a woman with children on the shore waiting for her husband fishing in the sea. The scene is drammatic.The woman is aiming a point on the horizon trying to figure out where the husband fishing boat is, probably hoping to to see him coming back safely to the port. Till the XIX century this kind of risks were a big concern for families, in fact the sails of the fishing boats were all different from each other in order to make them recognizable from the shore. Each boat had its own particular sign on the sail, smartphones and GPS weren’t available back then. Fishing had always been part of Rimini's culture since it's on the coast, but in the last years it started losing its identity because of massive tourism from all over Europe. This sculpture wants to remember us our past, our origins, the respect for tough jobs such as fishing and most of all the respect for the sea as a force of nature and as a resource.FISHERMAN WIFE

  • FINESTRELLA DI VIA PIELLA - (44°29'54.8"N 11°20'43.1"E)The Finestrella from Bologna can be considered as a symbol because it gives us a view from the past and remember us that we should preserve our environment and cultural background against an easy and irresponsible progress. Bologna between the XIII and XVII century was famous for the production of fabrics made of silk and had 15 watermills that were providing energy to move the mules. These watermills were powered by many rivers passing through the city. The city should’ve looked like an inland Venice. During the ‘50s the local administration decided to cover all the rivers and to release wastewater into them in the name of a quick progress. Since that moment Bologna changed completely its aspect. Only in 1998 the local administration started a new project with the intent to regain that lost beauty. The river we can see through the window is the Fiume Reno that was uncovered and cleaned from the dirt. Moreover the small window was placed to create an inspiring point of view and to give the sense of what it should’ve been.FINESTRELLA DI VIA PIELLA

    FINESTRELLA DI VIA PIELLA - (44°29'54.8"N 11°20'43.1"E)The Finestrella from Bologna can be considered as a symbol because it gives us a view from the past and remember us that we should preserve our environment and cultural background against an easy and irresponsible progress. Bologna between the XIII and XVII century was famous for the production of fabrics made of silk and had 15 watermills that were providing energy to move the mules. These watermills were powered by many rivers passing through the city. The city should’ve looked like an inland Venice. During the ‘50s the local administration decided to cover all the rivers and to release wastewater into them in the name of a quick progress. Since that moment Bologna changed completely its aspect. Only in 1998 the local administration started a new project with the intent to regain that lost beauty. The river we can see through the window is the Fiume Reno that was uncovered and cleaned from the dirt. Moreover the small window was placed to create an inspiring point of view and to give the sense of what it should’ve been.FINESTRELLA DI VIA PIELLA

  • BOLOGNA’S URBAN FABRIC - (44°29'37.9"N 11°20'33.8"E) Bologna itself and its urban fabric can be considered as a landscape symbol because, despite its monuments and so on, the main aspect that makes Bologna stand in the comparison with other cities is its urban planning. The will to preserve its medieval pattern throughout the centuries had always been part of citizens sensibilities. This includes materials, colours and many other features. Meanwhile in Europe at the end of the XIX century was developing a sense of discard to the past urban set up, Bologna instead found its own way to renew itself respecting its origins. The best way to experience Bologna in fact is to take a walk around the city center, enjoy its porches and be amazed by the continuity of its glimpses despite built in different periods.BOLOGNA’S URBAN FABRIC

    BOLOGNA’S URBAN FABRIC - (44°29'37.9"N 11°20'33.8"E) Bologna itself and its urban fabric can be considered as a landscape symbol because, despite its monuments and so on, the main aspect that makes Bologna stand in the comparison with other cities is its urban planning. The will to preserve its medieval pattern throughout the centuries had always been part of citizens sensibilities. This includes materials, colours and many other features. Meanwhile in Europe at the end of the XIX century was developing a sense of discard to the past urban set up, Bologna instead found its own way to renew itself respecting its origins. The best way to experience Bologna in fact is to take a walk around the city center, enjoy its porches and be amazed by the continuity of its glimpses despite built in different periods.BOLOGNA’S URBAN FABRIC

Assignment 3 - Role Play on Landscape Democracy "movers and shakers"

  • You can read more details about this assignment here

Assignment 4 - Your Landscape Democracy Challenge

  • You can read more details about this assignment here
  • Each group member will specify a landscape democracy challenge in his/her environment

Landscape Democracy Challenge 1

  • Give a title to your challenge
  • Yourname challenge 1.jpg

    caption: why did you select this case?

  • Yourname challenge 2.jpg

    caption: what is the issue/conflict (1)

  • Yourname challenge 3.jpg

    caption: what is the issue/conflict (2)

  • Yourname challenge 4.jpg

    caption: who are the actors?

Your references:

  • ...
  • ...

Landscape Democracy Challenge 2

  • Give a title to your challenge
  • Yourname challenge 1.jpg

    caption: why did you select this case?

  • Yourname challenge 2.jpg

    caption: what is the issue/conflict (1)

  • Yourname challenge 3.jpg

    caption: what is the issue/conflict (2)

  • Yourname challenge 4.jpg

    caption: who are the actors?

Your references:

  • ...
  • ...

Landscape Democracy Challenge 3

  • Give a title to your challenge
  • Yourname challenge 1.jpg

    caption: why did you select this case?

  • Yourname challenge 2.jpg

    caption: what is the issue/conflict (1)

  • Yourname challenge 3.jpg

    caption: what is the issue/conflict (2)

  • Yourname challenge 4.jpg

    caption: who are the actors?

Your references:

  • ...
  • ...

Landscape Democracy Challenge 4

  • Give a title to your challenge
  • Yourname challenge 1.jpg

    caption: why did you select this case?

  • Yourname challenge 2.jpg

    caption: what is the issue/conflict (1)

  • Yourname challenge 3.jpg

    caption: what is the issue/conflict (2)

  • Yourname challenge 4.jpg

    caption: who are the actors?

Your references:

  • ...
  • ...


Your Democratic Change Process

  • Add Title
  • Your Democratic Change Process Slide1.jpg

    caption: ...

  • Your Democratic Change Process Slide2.jpg

    caption: ...

  • Your Democratic Change Process Slide3.jpg

    caption: ...

  • Your Democratic Change Process Slide4.jpg

    caption: ...

Reflection

  • ....
  • ....
  • ....

Conclusion:

  • ....
  • ....
  • ....

Your references

  • ...
  • ...
  • ...


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