LED Online Seminar 2018 - Working Group 4

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Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!

Assignment 1 - Reading and Synthesizing Core Terminology

  • You can read more details about this assignment here
  • Readings are accessible via the resources page

Step 1: Your Landscape Democracy Manifestoes

  • Araceli Quempumil's manifesto

    Araceli Quempumil's manifesto

  • Ivan's manifesto

    Ivan's manifesto

  • Jonas's manifesto

    Jonas's manifesto

  • Elnaz's manifesto 1

    Elnaz's manifesto 1

  • Elnaz's manifesto 2

    Elnaz's manifesto 2

  • Souleima's manifesto

    Souleima's manifesto

Step 2: Define your readings

  • Please add your readings selection for the terminology exercise before April 18:

A: Landscape and Democracy - Lynch, Kevin. (1960): The Image of the City, Cambridge, Mass.: MIT Press (IvanOskian) - Olwig, Kenneth R. (1996): "Recovering the Substantive Nature of Landscape" In: Annals of the Association of American Geographers, 86 (4), pp. 630-653. Cambridge/Oxford: Blackwell Publishers. (Souleima Damak) - Kucan, Ana (2007). Constructing Landscape Conceptions. In: ECLAS (ed.). JoLA spring 2007, 30-41. Munich: Callwey. (Souleima Damak)

B: Concepts of Participation - Day, Christopher (2002): Consensus Design, Architectural Press (Elnaz Imani)


C: Community and Identity - URBACT programme, The European Territorial Cooperation programme aiming to foster sustainable integrated urban development across Europe (Jonas Löhle) - Welk Von Mossner, Alexa (2014): Cinematic Landscapes, In: Topos, No. 88, 2014 (Elnaz Imani) - Gafford, Farrah D. (2013): It Was a Real Village: Community Identity Formation Among Black Middle-Class Residents in Pontchartrain Park, Journal of Urban History (Araceli Quempumil) - Nassauer, Joan Iverson (1995): Culture and Changing Landscape Structure, Landscape Ecology, vol. 10 no. 4 (IvanOskian)

D: Designing - Smith, Nicola Dawn(2012): Design Charrette: A Vehicle for Consultation or Collaboration (Araceli Quempumil)

E: Communicating a Vision - Goldstein, B. E., A. T. Wessells, R. Lejano, and W. Butler. 2015. Narrating Resilience: Transforming Urban Systems Through Collaborative Storytelling. Urban Studies. 52 (7): 1285-1303 (Elnaz Imani)

Steps 3 and 4: Concepts Selection and definition

  • Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by May 9, 2018
  • Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by June 6, 2018.
  • Other group members will be able to comment on the definitions until June 12, 2018
  • Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until June 20, 2018

Concepts and definitions

Author 1: ...

  • ......
  • .......
  • .......

Author 2: ...

  • ......
  • .......
  • .......

Author 3: ...

  • ......
  • .......
  • .......

Author 4: ...

  • ......
  • .......
  • .......

Author 5: ...

  • ......
  • .......
  • .......

Step 5: Reflection

Step 6: Revised manifestoes

  • please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar
  • Author1's updated manifesto

    Author1's updated manifesto

  • Author2's updated manifesto

    Author2's updated manifesto

  • Author3's updated manifesto

    Author3's updated manifesto

  • Author4's updated manifesto

    Author4's updated manifesto

  • Author5's updated manifesto

    Author5's updated manifesto

Assignment 2 - Your Landscape Symbols

  • You can read more details about this assignment here

Landscape Symbols Author 1: Araceli Quempumil

  • This is the Opera house in Bjørvika, Oslo. It has become a landmark (as a symbol) and a main attraction for both habitants and tourists in Oslo. The outside of the Opera house symbolizes a new form of a public space, without threes and plants, but geometrical shapes and Italian marble, to illustrate a mountain coming up from the water. The mountains and the nature in Norway is known through: “Allemansretten”. It means that everyone has the right to roam and stay in the outlying areas.

    This is the Opera house in Bjørvika, Oslo. It has become a landmark (as a symbol) and a main attraction for both habitants and tourists in Oslo. The outside of the Opera house symbolizes a new form of a public space, without threes and plants, but geometrical shapes and Italian marble, to illustrate a mountain coming up from the water. The mountains and the nature in Norway is known through: “Allemansretten”. It means that everyone has the right to roam and stay in the outlying areas.

  • Until the last years, this area was almost empty, consisting only an old and ruined pier from the 1900s. Now it has become one of the most "hip" and developed areas in Oslo, with top modern apartments and buildings. In the next years, it will probably become one of Oslos most popular areas. This picture symbolizes changes and development. Geo-location: Bjørvika-Sørenga, Oslo. LAMBDA (new Munch-museum) and apartment-buildings.

    Until the last years, this area was almost empty, consisting only an old and ruined pier from the 1900s. Now it has become one of the most "hip" and developed areas in Oslo, with top modern apartments and buildings. In the next years, it will probably become one of Oslos most popular areas. This picture symbolizes changes and development. Geo-location: Bjørvika-Sørenga, Oslo. LAMBDA (new Munch-museum) and apartment-buildings.

  • Last autumn, these gigantic pots of plants were placed in front of the Oslo central station, as a protection against possible terror threats. Even though they are objects with a specific term of use, they have become a symbol of national security in Oslo.

    Last autumn, these gigantic pots of plants were placed in front of the Oslo central station, as a protection against possible terror threats. Even though they are objects with a specific term of use, they have become a symbol of national security in Oslo.

Landscape Symbols Author 2: IvanO

  • The history of the country is shaped when the red army took over power in 1920, ever since the face of the war devastated country has changed. Yerevan the capital of Armenia was built on Soviet Ideologies, but the paradigms were shifted after the fall of the USSR. Now Armenia is in the phase of trying to find its own identity.

    The history of the country is shaped when the red army took over power in 1920, ever since the face of the war devastated country has changed. Yerevan the capital of Armenia was built on Soviet Ideologies, but the paradigms were shifted after the fall of the USSR. Now Armenia is in the phase of trying to find its own identity.

Landscape Symbols Auther 3: Jonas Löhle

  • add a caption (one paragraph max) description of the symbolism, interpretation, as well as geo-location

    add a caption (one paragraph max) description of the symbolism, interpretation, as well as geo-location

  • add a caption (one paragraph max) description of the symbolism, interpretation, as well as geo-location

    add a caption (one paragraph max) description of the symbolism, interpretation, as well as geo-location

  • add a caption (one paragraph max) description of the symbolism, interpretation, as well as geo-location

    add a caption (one paragraph max) description of the symbolism, interpretation, as well as geo-location

Landscape Symbols Author 4: Elnaz Imani

  • Arg-e-Alishah was a big citadel in downtown, Tabriz which has been destroyed during the time due to earthquakes, wars, seizures and new constructions. Now only a part of the southern wall of this historical landscape has remained which is called as the Symbol of Tabriz. This remnant is the symbol of greatness, power, prosperity, patience, endurance, innocence, dignity and modesty. Because Tabriz has had many ups and downs throughout history, has experienced difficult times and many events and this building has been with Tabriz and the people of Tabriz during all these times and still shines in Tabriz.

    Arg-e-Alishah was a big citadel in downtown, Tabriz which has been destroyed during the time due to earthquakes, wars, seizures and new constructions. Now only a part of the southern wall of this historical landscape has remained which is called as the Symbol of Tabriz. This remnant is the symbol of greatness, power, prosperity, patience, endurance, innocence, dignity and modesty. Because Tabriz has had many ups and downs throughout history, has experienced difficult times and many events and this building has been with Tabriz and the people of Tabriz during all these times and still shines in Tabriz.

  • Tarbiat Street is one of the old and famous streets in downtown, Tabriz. This pathway was a branch of the Silk Road and has a certain reputation. Tarbiat Street nowadays is a walkway which includes many shopping stores, new malls, accesses to a part of Tabriz old Bazar, Tabriz old neighborhoods and some historical houses. This walkway plays an important role in the perception of space, the feeling of belonging to the environment and the reception of environmental qualities. Tarbiat Street also has a great roll in improvement of collective activity, especially in relation to the city's economy, the quality of the environment and the health of the community. This landscape is a symbol of feeling the passion and mobility in life, discovering the values and attractions in the environment.

    Tarbiat Street is one of the old and famous streets in downtown, Tabriz. This pathway was a branch of the Silk Road and has a certain reputation. Tarbiat Street nowadays is a walkway which includes many shopping stores, new malls, accesses to a part of Tabriz old Bazar, Tabriz old neighborhoods and some historical houses. This walkway plays an important role in the perception of space, the feeling of belonging to the environment and the reception of environmental qualities. Tarbiat Street also has a great roll in improvement of collective activity, especially in relation to the city's economy, the quality of the environment and the health of the community. This landscape is a symbol of feeling the passion and mobility in life, discovering the values and attractions in the environment.

  • El-Golu Mansion is located in the El-Golu garden and lake, which is one of the most important attractions of Tabriz. This historical mansion has special design and position. That is a octangular building in the center of the lake and has openings all its around towards the lake and the garden. The building was previously a royal residence for Qajar courtiers and now is used as a hall for ceremonies. This lake is a beautiful landscape blended with light and color and the mentioned transparent mansion is like a diamond in this bright layer. This landscape is a symbol of purity, clarity, intimacy, generosity, kindness, generality and universality.

    El-Golu Mansion is located in the El-Golu garden and lake, which is one of the most important attractions of Tabriz. This historical mansion has special design and position. That is a octangular building in the center of the lake and has openings all its around towards the lake and the garden. The building was previously a royal residence for Qajar courtiers and now is used as a hall for ceremonies. This lake is a beautiful landscape blended with light and color and the mentioned transparent mansion is like a diamond in this bright layer. This landscape is a symbol of purity, clarity, intimacy, generosity, kindness, generality and universality.

  • === Landscape Symbols Author 5: ... ===
  • add a caption (one paragraph max) description of the symbolism, interpretation, as well as geo-location

    add a caption (one paragraph max) description of the symbolism, interpretation, as well as geo-location

  • Symbol yourname photovoice2

    add a caption (one paragraph max) description of the symbolism, interpretation, as well as geo-location

  • Symbol yourname photovoice3

    add a caption (one paragraph max) description of the symbolism, interpretation, as well as geo-location

Assignment 3 - Role Play on Landscape Democracy "movers and shakers"

  • You can read more details about this assignment here

Assignment 4 - Your Landscape Democracy Challenge

  • You can read more details about this assignment here
  • Each group member will specify a landscape democracy challenge in his/her environment

Landscape Democracy Challenge 1

  • Give a title to your challenge
  • Yourname challenge 1.jpg

    caption: why did you select this case?

  • Yourname challenge 2.jpg

    caption: what is the issue/conflict (1)

  • Yourname challenge 3.jpg

    caption: what is the issue/conflict (2)

  • Yourname challenge 4.jpg

    caption: who are the actors?

Your references:

  • ...
  • ...

Landscape Democracy Challenge 2

  • Give a title to your challenge
  • Yourname challenge 1.jpg

    caption: why did you select this case?

  • Yourname challenge 2.jpg

    caption: what is the issue/conflict (1)

  • Yourname challenge 3.jpg

    caption: what is the issue/conflict (2)

  • Yourname challenge 4.jpg

    caption: who are the actors?

Your references:

  • ...
  • ...

Landscape Democracy Challenge 3

  • Give a title to your challenge
  • Yourname challenge 1.jpg

    caption: why did you select this case?

  • Yourname challenge 2.jpg

    caption: what is the issue/conflict (1)

  • Yourname challenge 3.jpg

    caption: what is the issue/conflict (2)

  • Yourname challenge 4.jpg

    caption: who are the actors?

Your references:

  • ...
  • ...

Landscape Democracy Challenge 4

  • Give a title to your challenge
  • Yourname challenge 1.jpg

    caption: why did you select this case?

  • Yourname challenge 2.jpg

    caption: what is the issue/conflict (1)

  • Yourname challenge 3.jpg

    caption: what is the issue/conflict (2)

  • Yourname challenge 4.jpg

    caption: who are the actors?

Your references:

  • ...
  • ...

Landscape Democracy Challenge 5

  • Give a title to your challenge
  • Yourname challenge 1.jpg

    caption: why did you select this case?

  • Yourname challenge 2.jpg

    caption: what is the issue/conflict (1)

  • Yourname challenge 3.jpg

    caption: what is the issue/conflict (2)

  • Yourname challenge 4.jpg

    caption: who are the actors?

Your references:

  • ...
  • ...

Assignment 5 - Your Democratic Change Process

  • You can read more details about this assignment here
  • After documenting and reflecting on your challenges you will continue jointly with one of these challenges and design a democratic change process

Your Democratic Change Process

  • Add Title
  • Your Democratic Change Process Slide1.jpg

    caption: ...

  • Your Democratic Change Process Slide2.jpg

    caption: ...

  • Your Democratic Change Process Slide3.jpg

    caption: ...

  • Your Democratic Change Process Slide4.jpg

    caption: ...

Reflection

  • ....
  • ....
  • ....

Conclusion:

  • ....
  • ....
  • ....

Your references

  • ...
  • ...
  • ...


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