LED Online Seminar 2019 - Working Group 2

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Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!

Assignment 1 - Reading and Synthesizing Core Terminology

  • You can read more details about this assignment here
  • Readings are accessible via the resources page

Step 1: Your Landscape Democracy Manifestoes

  • Vicky's manifesto

    Vicky's manifesto

  • Giulia's manifesto

    Giulia's manifesto

  • Nicole's manifesto

    Nicole's manifesto

  • Javier's manifesto

    Javier's manifesto

Step 2: Define your readings

  • Please add your readings selection for the terminology exercise before April 24:


A: Landscape and Democracy

Burckhardt, Lucius (1979): Why is landscape beautiful? in: Fezer/Schmitz (Eds.) Rethinking Man-made Environments (2012) [Nicole]

The New Urban Agenda, Quito Declaration on Sustainable Cities and Human Settlements for All, UN resolution from December 2016 [Giulia]


B: Concepts of Participation

Burckhardt, Lucius (1974): Who plans the planning? in: Fezer/Schmitz (Eds.) Rethinking Man-made Environments (2012) [Nicole]

Sanoff, Henry (2014): Multiple Views of Participatory Design, Focus [Javier]


C: Community and Identity

Francis, Mark: A Case Study Method for Landscape Architecture [Nicole]

Welk Von Mossner, Alexa (2014): Cinematic Landscapes, In: Topos, No. 88, 2014. [Giulia]

Hester, Randolph (2006): Design for Ecological Democracy, The MIT Press [Javier]

SEISMIC project, An animated discussion: Eight primetime toon titans examine their booming biz. [Vicky]


D: Designing

Hester, Randolph: Life, Liberty and the Pursuit of Sustainable Happiness [Giulia]

Kot, Douglas and Ruggeri, Deni: Westport Case Study [Vicky]


E: Communicating a Vision

Boer, Florian, Jens Jorritsma, and Dirk van Peijpe. 2010. De Urbanisten and the wondrous water square. Rotterdam: 010 Publishers. Webpage and Video. [Javier]

Online toolbox with the most important engagement tools and their descriptions. https://www.publicengagement.ac.uk/do-it/techniquesapproaches [Vicky]

Steps 3 and 4: Concepts Selection and definition

  • Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by May 15, 2019
  • Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by June 12, 2019.
  • Other group members will be able to comment on the definitions until June 30, 2019
  • Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until July 12, 2019

Concepts and definitions

Author 1: Giulia Gazzotti

  • #NewUrbanAgenda: cultural diversity is a resource for humanmankind; cities for all; equal rights and opportunities; equal pay for equal work; protect and conserve the biodiversity; link people, places and goods; leave no one behind
  • #Wrongside: the landscape is used to express the racial, gender and economic power dynamics
  • #Wearelost: resources convey status and have become a primary basis of our personal identity and security; no community connection; sustainability will require us to reformulate our society; cities need to be fair with their past and history; create large spaces where we can live and buildings that are able to touch our spirit and enrich our lives; active participation

Author 2: ...

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Author 3: ...

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Author 4: ...

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Step 5: Reflection

Step 6: Revised manifestoes

  • please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar
  • Author's updated manifesto

    Author's updated manifesto

  • Author's updated manifesto

    Author's updated manifesto

  • Author's updated manifesto

    Author's updated manifesto

  • Author's updated manifesto

    Author's updated manifesto

Assignment 2 - Your Landscape Symbols

  • You can read more details about this assignment here

Landscape Symbols Author 1: Vicky Moreno

  • The Salamander Stadtpark is located in the center of Kornwestheim, across the City Hall. The historical and cultural meaning of the Salamander Enterprise donation for the creation of this park is huge, with some statues and inscriptions all over the park, inviting you to search the history of Kornwestheim more. The symbolism of this act is obvious. Salamander contributed to innovation giving thousands of working spaces, increasing the economy of the district, creating green infrastructure and its actions have an impact to the citizens till today.

    The Salamander Stadtpark is located in the center of Kornwestheim, across the City Hall. The historical and cultural meaning of the Salamander Enterprise donation for the creation of this park is huge, with some statues and inscriptions all over the park, inviting you to search the history of Kornwestheim more. The symbolism of this act is obvious. Salamander contributed to innovation giving thousands of working spaces, increasing the economy of the district, creating green infrastructure and its actions have an impact to the citizens till today.

  • Salamander Stadtpark in Korwestheim owns an artificial lake. The three landscape elements of this park: water, meadow and woodland are creating an interesting contrast in a harmonious way of nature. But especially water as a vivid element, has a very special quality in landscape design. Depending on the season it is representing freedom, family values, cultural and well-being activities, and more or less the feeling of equality. In winter when the lake freezes, in the eyes of many, prevails a harmonic sense of peace. In conclusion, water in the landscape is viewed as a symbol synomymous with development, economic progress, modernization and national prestige.

    Salamander Stadtpark in Korwestheim owns an artificial lake. The three landscape elements of this park: water, meadow and woodland are creating an interesting contrast in a harmonious way of nature. But especially water as a vivid element, has a very special quality in landscape design. Depending on the season it is representing freedom, family values, cultural and well-being activities, and more or less the feeling of equality. In winter when the lake freezes, in the eyes of many, prevails a harmonic sense of peace. In conclusion, water in the landscape is viewed as a symbol synomymous with development, economic progress, modernization and national prestige.

  • This sculpture, located at the roundabout on Stuttgarterstraße and Lindenstrasse, in the entrance of Kornwestheim city, was created to honor the mechanical clergyman and genius Philipp Matthäus Hahn and it symbolizes the cohesion among all the different sciences and spirituality. Only with strong fundamentals can someone innovate, create and invent for the public and not only for personal profits.

    This sculpture, located at the roundabout on Stuttgarterstraße and Lindenstrasse, in the entrance of Kornwestheim city, was created to honor the mechanical clergyman and genius Philipp Matthäus Hahn and it symbolizes the cohesion among all the different sciences and spirituality. Only with strong fundamentals can someone innovate, create and invent for the public and not only for personal profits.

Landscape Symbols Author 2: Giulia Gazzotti

  • I am going to show three pictures related to three different places I lived. The first one was taken in Veggia, Italy, the place where I was born. I called it "Purity" because I feel this is a primal place, still not invaded by human kind.

    I am going to show three pictures related to three different places I lived. The first one was taken in Veggia, Italy, the place where I was born. I called it "Purity" because I feel this is a primal place, still not invaded by human kind.

  • The second picure is from Bologna, Italy, the place where I have studied for four years and I’m currently living. Its title is "The Beauty in the Dirtiness" because it rapresents the unique architectures and cultural heritage of Bologna that are normally surrounded by waste.

    The second picure is from Bologna, Italy, the place where I have studied for four years and I’m currently living. Its title is "The Beauty in the Dirtiness" because it rapresents the unique architectures and cultural heritage of Bologna that are normally surrounded by waste.

  • The last picture is from Lund, Sweden, the place of my exchange for five months. I named it "Efficiency", because in Sweden, differently from my country, public things, paid with public money, work perfectly. The conclusion is that Democracy gives the chance to culture and people to express theirselves freely in the landscape and this is clearly shown in the three pictures. They are the proof of a completely different result on which we should reflect.

    The last picture is from Lund, Sweden, the place of my exchange for five months. I named it "Efficiency", because in Sweden, differently from my country, public things, paid with public money, work perfectly. The conclusion is that Democracy gives the chance to culture and people to express theirselves freely in the landscape and this is clearly shown in the three pictures. They are the proof of a completely different result on which we should reflect.

Landscape Symbols Auther 3: Nicole (Ho Ching Leung)

  • (48° 46' 30.732" N 9° 10' 40.068" E) Photo was taken in Schlossplatz, in the open space in one of the busiest shopping streets in Stuttgart. The landscape symbol identified is the graffiti on benches. Graffiti is not only perceived as a hip-hip culture but also a way for youngsters to express their opinions to the society in recent decades. It is a symbol of the integration of social democracy and public space.

    (48° 46' 30.732" N 9° 10' 40.068" E) Photo was taken in Schlossplatz, in the open space in one of the busiest shopping streets in Stuttgart. The landscape symbol identified is the graffiti on benches. Graffiti is not only perceived as a hip-hip culture but also a way for youngsters to express their opinions to the society in recent decades. It is a symbol of the integration of social democracy and public space.

  • (48° 46' 42.582" N 9° 10' 42.912" E) Photo was taken in Schlossplatz, Stuttgart. The photo symbolises human control over nature. Parts of the existing lawn were replaced with decorative flower beds as visual attractions to celebrate the upcoming Easter. It not only reflects the role of landscape in cultural celebrations, but also human’s manipulation to nature, questioning the degree of democracy of the landscape itself.

    (48° 46' 42.582" N 9° 10' 42.912" E) Photo was taken in Schlossplatz, Stuttgart. The photo symbolises human control over nature. Parts of the existing lawn were replaced with decorative flower beds as visual attractions to celebrate the upcoming Easter. It not only reflects the role of landscape in cultural celebrations, but also human’s manipulation to nature, questioning the degree of democracy of the landscape itself.

  • (48° 44' 42.588" N 9° 6' 9.34" E) Photo was taken in University of Stuttgart. The photo reflects how different users perceive the same piece of landscape and give different symbolic meanings to it. This bridge with love-locks might be a romantic place for couples but just a normal bridge for single people. It reflects that the unique symbolic meanings of each landscape subject to users’ definitions and perceptions.

    (48° 44' 42.588" N 9° 6' 9.34" E) Photo was taken in University of Stuttgart. The photo reflects how different users perceive the same piece of landscape and give different symbolic meanings to it. This bridge with love-locks might be a romantic place for couples but just a normal bridge for single people. It reflects that the unique symbolic meanings of each landscape subject to users’ definitions and perceptions.

Landscape Symbols Author 4: Javier (Tirone)

  • I live in Pilar, Buenos Aires, Argentina. It is a place where the contrast between classes is notorious. This first picture shows a higher class family who has private security and amenities. This symobolizes how a big part of the society is excluded, by these private neighbourhoods, due to their incapacity of affording these services.

    I live in Pilar, Buenos Aires, Argentina. It is a place where the contrast between classes is notorious. This first picture shows a higher class family who has private security and amenities. This symobolizes how a big part of the society is excluded, by these private neighbourhoods, due to their incapacity of affording these services.

  • This second picture represents a place of shops and households, is where most part of the people live. This symbolizes an integration of the society with the public space. Here citizens are meant to participate equally and have similar rights. In my opinion is the fairest way of living.

    This second picture represents a place of shops and households, is where most part of the people live. This symbolizes an integration of the society with the public space. Here citizens are meant to participate equally and have similar rights. In my opinion is the fairest way of living.

  • This last picture shows the lower social class neighbourhood in my city. Here people live in precarious ways , without almost any rights. No public transport and rubish truck enter there. This shows how in a same place you can find so much inequality and contrast between the ways of living.

    This last picture shows the lower social class neighbourhood in my city. Here people live in precarious ways , without almost any rights. No public transport and rubish truck enter there. This shows how in a same place you can find so much inequality and contrast between the ways of living.

Reflection

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Conclusion:

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Your references

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