Ledwiki - User contributions [en]

LED Online Seminar 2019 - Working Group 7

2019-07-21T12:52:08Z

Nahian.zoabid: /* Landscape Democracy Challenge 4 */

'''--> Back to [[LED_Online_Seminar_Working_Groups_2019|working group overview]]'''

''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

<div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed;
bottom:32px; left:2%; z-index:9999; padding:0; margin:0;"><span style="color:blue;
font-size:8pt; font-face:verdana,sans-serif; border:0.2em outset #ceebf7;
padding:0.1em; font-weight:bolder; -moz-border-radius:8px; ">
[[#top| Back to the Top ]]</span></div>

== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape Democracy Manifesto-Tehran.jpg|Amir's manifesto
Image:Manifesto Nahian-min.jpg|Nahian's manifesto
Image:Manifesto gaiauguccioni.png|Gaia's manifesto
File:LED Assigment 1 Kozma Ildiko Julia.png |Júlia's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''

1. Amir - Why is landscape beautiful? - Burckhardt, Lucius (1979)

2. Júlia - Urban Planning and Democracy - Júlia (1957)

3. Gaia - Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene."

'''B: Concepts of Participation'''

1. Amir - Consensus Design - Day, Christopher (2002)

2. Gaia - Gaventa, John: The Powerful, the Powerless, and the Experts

3. Nahian - Hester, Randolph (2005): Whose Politics, Landscape Architecture

'''C: Community and Identity'''

1. Amir - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)

2. Nahian - Nassauer, Joan Iverson (1995): Culture and Changing Landscape Structure, Landscape Ecology, vol. 10 no. 4.

'''D: Designing'''

1. Júlia - Design for Ecological Democracy - Randolph T. Hester (2006)

2. Gaia - Hester, Randolph: Life, Liberty and the Pursuit of Sustainable Happiness

3. Nahian - Pritzker Prize winning architect Alejandro Aravena on sustainable design and community involvement in Chile

'''E: Communicating a Vision'''
1. Júlia - - (0)

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: S.Amir H.Shahrestani '''
*Landscape and Democracy - Why is landscape beautiful? - Burckhardt, Lucius (1979)
The outcome of the people view of the same landscape is doubtless highly individual and every person has different aspect and criteria of it. The opinion of beautiful or ugly landscape comes from the people previous idea (childhood stories), therefore the people have different judgments.
*Concepts of Participation - Consensus Design - Day, Christopher (2002)
Better way to make ethical decisions is defined as a democratic way and consensual approach.
In the democracy the majority's demands are influential and the minority’s requests are disregarded. Getting a more comprehensive solution (equitable, productive, conscious, participator) compromising is defined as a step to reach collective decisions and consensus.
*Community and Identity - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)
Image of the landscape allows us to establish a relationship with the place through the sense of belonging. It performs an effective role in the transmission of the story by reflecting the identity of the space.

'''Author 2: Ildikó Júlia Kozma'''
*Landscape and Democracy
The role of the public in urbanism should be stronger. If we want more democratic cities, city dwellers must have more knowledge about the built environment which surround them. Without that they can’t live with their democratic rights.
*Designing
Ecology and democracy is to separate thing, but together they can give a better solution to many problems of urbanism. With well defined principles we can use ecological methods during designing.
*Communicating a Vision
In participatory design communicating your vision is a key element. Presentations hold by professionals, coauthoring design and all different kind of verbal and nonverbal communication method are needed to understand each other.

'''Author 3: Gaia Uguccioni '''
*Landscape and Democracy
Every landscape hides a meaning that is not explicit in the ordinary forms. Is a concept that lies utterly beyond science, that holds ideas, impressions and ineffable complexities that depends on how we are affected by it and from the values we associate to it.

*Concepts of Participation
Partecipatory processes are a form of access to a paradigm which the people had a little part in creating. Starts with the reappropriation of knowledge by those who are affected by it and evolves as a strategy in which the powerless develop, create, gain control and systematize their own science.

*Designing
In the modern broad cities is evident the disassociation from community and environment and the human behavior appear antagonistic to sustainability. Holistic insight should be pursuit to guide the design of urban forms and to find new directions for a reformulation of intents and ideals of fulfillment.

'''Author 4: Nahian Zobaid'''
*Concepts of Participation
A participatory approach in any development involves the community in Design
process and give them the right to express their thought, vision and need. This
concept can empower the unprivileged group of society if sensibly chosen in the
design process.

*Community and Identity
Community identity is shaped by the custom, social and geographical
environment of a particular place. Vernacular landscape are good example of
community identity, as it represents the adaptation and thought process of local
farm workers, land developers, home owners and other local professionals.

*Designing
Designing is the combination of multiple problems that leads to a simple yet
innovative solution. The Designer needs to translate the force of people, common
sense and nature into form to built a socially and climatically responsive design.

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:LED Manifesto-S.Amir H.Shahrestani.jpg.jpg|Amir's manifesto
Image:Re-mainfesto Nahian.jpg|Nahian's manifesto
Image:Final manifesto landscape democracy.jpg|Gaia's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: Júlia Ildikó Kozma ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape symbol 1 Kozma Ildiko Julia.jpg|“Szabihíd” project, Liberty Bridge urban picnic “Szabihíd” project started in 2017 when the Libert Bridge was closed due to constartion work. City dwellers and turist went there to enjoy the unique opportunity. At the beggining the city administration couldn’t handel the situation so they forbide to go there, but after a local orgaziation embraced this need and convienced the municipality to make a legal from. Since then the birdge is free from cars during the summer weekends and there are all different kind of activites makes this project more and more popular. 47.485755, 19.054959
File:Landscape symbol 2 Kozma Ildiko Julia.jpg|Buda Castle, Hungarian National Gallery, Széchenyi National Library During the historical times the castle was the place for the king, but these days it is open for the public. People not only can see the castle but the Hungarian National Gallery and also a Széchenyi National Library take place there. It symbolize a democratyc change which maybe not obvios if you doesn’t have some knowledge about the place. 47.502262, 19.032800
File:Landscape symbol 3 Kozma Ildiko Julia.JPG|Vegetable stands In the countryside small vegetable stands offer opportunity to buy fresh crop right form the a infield. Sometimes the owner is selling to you, sometimes only a box is there to collect the cost. I think it is also a symbol of trust and trust is something essentail for democracy. This system would not work without respect and understantment of the value of work. 47.557538, 10.749554

</gallery>

=== Landscape Symbols Author 2: Gaia Uguccioni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1 Wetropolitana.jpg‎|Bologna città [W]etropolitana_Not a subway access, but a sign of artistic performances that took place in those spaces and that has become part of a stratified landscape. A modern monument that represents the aesthetics of the provisional, infiltrates our landscape in a work of continuous adaptation, with a tangible subliminal act plausible enough to become familiar and mimically incorporated.
File:Nettuno.jpeg‎|al Żigànt_The Fountain of Neptune, also known as "the Giant", is a renaissance opera that stands into Piazza Maggiore, the most important square in Bologna. It was designed to glorify the papal government (as Neptune dominates the waters, so the Pope dominates the world). It is currently one of the most famous and recognized symbols of the city.
File:Bolognalagrassa.jpeg|La Grassa_ Capital of a region of great culinary passions, Bologna is associated with the imaginary perception of the city as a paradise for food delicacies. Traditional local specialty shops are the perfect example of Bolognese hedonism.

</gallery>

=== Landscape Symbols Auther 3: Seyed Amir Hosseini Shahrestani ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1.LED Landscape Symbol Shahrestani Amir.JPG|Roof garden of Exhibition hall Stuttgart.The place which people can take rest from chaos of Exhibition hall, to get together, talk and know each other. most of the time people contact each other after a short conversation. I would like to name this place ‘’the place of socializing and business’’. 48.693282, 9.186010
File:2.LED Landscape Symbol Shahrestani Amir.JPG|Main Square of Stuttgart. The spring, the time to go out and feel like birds, to chat, to make conversation, to look at the nature which is trying to be alive again, to feel it, to do the same ‘’being Alive Again’’. Happiness, green and free spaces. 48.778679, 9.180055
File:3.LED Landscape Symbol Shahrestani Amir.JPG|Nürtingen. Be river, never stop, be bless for your path and around, and get bless from your path. Give live and take it in other way. 48.627918, 9.345074

</gallery>

=== Landscape Symbols Author 4: Nahian Zobaid ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:12963763 10156738107310133 2790535050829475682 n.jpg|This photograph clicked by me in Bangladesh. As we know that Bangladesh is a riverine country and it is very common to get new land (river sand bed / Char) in the river. Sometimes some of these new lands last for long and sometimes some of those vanish in a short time. As a agricultural country (Bangladesh) most of the country men are farmers and when they see that there are little bit green (like the photograph) on the river sand bed / char, then they get hope to get new agricultural land. These green are the symbol of hope for these farmers. Geo-location 20'34N to 26'38N latitude, 88'01E to 92'41E longitude

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg|The main attraction of the Swadhinata Stambha is the Stambha / monument itself. Stambha means pillar or tower in Bengali. The tower was built on the place where the commander-in-chief of East Pakistan Army Amir Abdullah Khan Niazi signed the papers of his surrender. During night, the tower looks elegant as the rays of light come out from every single inches of the tower. The whole tower turns into a white pillar. The tower is square according to the plan and is 16 feet wide from every side with an area of 64 inches. The underground museum of the project comprises several photographs with historical significance. There are a number of terracotta murals on war-heroes and the events of the Liberation War, a 2000-seat auditorium, and an open-air theater. The eternal flame stands beside the tower. The water body of the project reflects the whole tower all the day and increases the beauty of the project. But the water body is under potential threat as the local slum-dwellers use it for their daily needs. This monument is representing the past , present and future of Bangladesh at a time. Geo location: 23°42′N 90°22′E

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Ratargul, Sylhet.jpeg|In this picture, we can see the water channels in land. The place is in Sylhet, one of the district of Bangladesh. People use the boats for commuting. Also they have the access to the land but they are comfortable with the water boats. The evergreen forest is situated by the river Goain and linked with the channel Chengir Khal. Most of the trees growing here are the Millettia pinnata. The forest is submerged under 20–30 feet water in the rainy season. For the rest of the year, the water level is about 10 feet deep. Geo location: 25°00.025′N 91°58.180′E
</gallery>

== Assignment 3 - Role Play on Landscape Democracy "movers and shakers" ==
*You can read more details about this assignment [[Assignment_3:_Role_Play_on_Landscape_Democracy_"movers_and_shakers"_(2019)|here]]

== Assignment 4 - Your Landscape Democracy Challenge ==
*You can read more details about this assignment [[Assignment_4:_Your_Landscape_Democracy_Challenge_(2019)|here]]
*Each group member will specify a landscape democracy challenge in his/her environment

=== Landscape Democracy Challenge 1: Ildikó Júlia Kozma ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:IldikoJuliaKozma Challenge 01.jpg|caption: why did you select this case?
Image:IldikoJuliaKozma Challenge 02.jpg|caption: what is the issue/conflict (1)
Image:IldikoJuliaKozma Challenge 03.jpg|caption: what is the issue/conflict (2)
Image:: who are the actors?
</gallery>
'''Your references:'''
*https://index.hu/belfold/2019/06/11/kapitany_holttest_hableany_kiemeles/
*...

=== Landscape Democracy Challenge 2: Gaia Uguccioni ===
<gallery caption="Sharing economy - Housing emergency in Bologna" widths="150px" heights="150px" perrow="5">
Image:1-Gaia LED Assigment 4 Group 7.png|Sharing economy, tourism and housing emergency
Image:1-Gaia LED Assigment 2.png|Global issue
Image:1-Gaia LED Assigment 3.png|Local issue
</gallery>
'''Your references:'''
*http://www.pensareurbano.it/

=== Landscape Democracy Challenge 3: S.Amir H.Shahrestani ===
<gallery caption="The location of the Roßdorf (quarter) in Nürtingen, Germany" widths="150px" heights="150px" perrow="5">
Image:AmirShahrestani Challenge 01.jpg|caption: why did you select this case? - During last months that I’m living and studying in this city, I realized this quarter, which has less identity to other settlement in this area. The idea of developing the city in this specific place (about 40 years ago) was: to build Modern Architecture buildings with the aspect of better future. But the thing that Architects and designers forgot to concentrate on it was: are the citizen comfort/satisfaction with this kind of Architecture? But this is not the only reason that this project is not succeeding.
Image:AmirShahrestani Challenge 02.jpg|caption: what is the issue/conflict - Living up the hill and in new and modern architecture building is fascinating, but public transportation is the main problem, if you are the person who loves to ride bicycle, it would be difficult to ride on slope, if you are aging it becomes more and more difficult then. The first train-station is the downhill, and the bus comes every hour. In this case the people fill they are out of the city, they never think they are part of this city at all.
Image:AmirShahrestani Challenge 03.jpg|caption: what is the issue/conflict (2) - The idea was developing city in this part, but from the first time, most of foreigners who were living in the city moved to this zone and most of inhabitants are not German. Few years ago government built a refugee house there and made this situation more complicated. The idea of helping refugees are brilliant, but how refugees can migrate in this country when they are living just with foreigners in a zone (like isolated zone of the city).
Image:AmirShahrestani Challenge 04.jpg|caption: who are the actors? - Initially government, Architects, Landscape Architects/planners were responsible. But for now people are also actors. For this situation communities can be more active and with government and Architects help (New ideas) this problem can be solved. But it takes time.
</gallery>
'''Your references:'''
*...
*...
*...
*https://www.pexels.com/photo/photo-of-four-persons-uniting-hands-943630/

=== Landscape Democracy Challenge 4 ===
<gallery caption="Reviving Canals" widths="150px" heights="150px" perrow="5">
Image:01.jpg|caption: Dhaka City has been suffering from many environmental problems including flooding, water logging and other related problems. Urbanization, which is occurring very fast and with larger magnitude in Dhaka, is the intrinsic reason behind these problems. High rate of urbanization causes extensive urban area expansion and as a result canals, wetland and other water bodies are quickly vanishing from the landscape. This study shows the present physical condition of the canals; identifies the processes of canal encroachment; represents the consequences of canal encroachment. 13 canals of 50 were surveyed; local people were surveyed to identify the impact and processes of encroachment. Canals are being encroached in various styles and this study identifies five: unauthorized land filling, illegal construction over canal, expansion of slum, solid waste dumping, taking advantage of lack of awareness of local people as well as government agencies.
Image:31c5eb5f-50f6-4d4b-b9ac-f410886ff03d.jpg|caption: what is the issue/conflict? The 1st issue is the POLLUTION! For water logging and flooding, different kind of health problem arise very fast for the inhabitants. Natural drinking water sources decreasing day by day.
Image:Water141 (1).jpg|caption: what is the issue/conflict? The 2nd issue is road blocking in rainy season due to the flood. It is now very common scenario of Dhaka city.Flooding and water clogging create this and the people suffers a lot in rainy season.
Image:Nahian 4.jpg|caption: who are the actors? There are many actors for this case. The most important actor is the 'People'. Uneducated and unaware people destroy the wet land and cancels for their settlement. Government is also plays role as an actor for teir policy and dictated development. Some high class land developer also involve.Beside these, unplanned growth of the population filled the water bodies and wet land for their settlement.
</gallery>
'''Your references:'''
*https://www.dhakatribune.com/bangladesh/dhaka/2017/09/12/sorry-state-dhaka-city-canals/
*...

== Your Democratic Change Process ==

<gallery caption="Inaccessible Danube in Budapest" widths="600px" heights="300px" perrow="1">
Inaccessible Danube in Budapest Slide0.jpg|Challenge - Inaccessible Danube in Budapest
Inaccessible Danube in Budapest Slide1.jpg|Challenge - Inaccessible Danube in Budapest
Inaccessible Danube in Budapest Slide2.jpg|Power map - Stakeholders/Interests/Users
Inaccessible Danube in Budapest Slide3.jpg|Change process - Partecipation Map
Inaccessible Danube in Budapest Slide4.jpg|Main findings - Posibilites
Inaccessible Danube in Budapest Slide5.jpg|Overall reflection and outlook - Findings-Unresolved issue-Message
Inaccessible Danube in Budapest Slide6.jpg|
</gallery>

== Reflection ==
* The process should happen very slowly, to be sure to change the perception of the people and to educate them to the participatory methods and to the real possibility that they have to change their environment.
* Because of heritage saving the outcome of the project won’t be so visible, as the built structure is protected.
* ....

Conclusion:
* Even in a very complex situation there is place to involve the community, the key element is to find in which part they can be involved in the process.
* Gathering information by the locals and tourist helps the decision makers to understand the needs and perspectives of the users.
* ....

== Your references ==
* ...
* ...
* ...

----
[[Category:Landscape Democracy Working Group 2019]]

LED Online Seminar 2019 - Working Group 7

2019-07-21T12:51:05Z

Nahian.zoabid: /* Landscape Democracy Challenge 4 */

'''--> Back to [[LED_Online_Seminar_Working_Groups_2019|working group overview]]'''

''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

<div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed;
bottom:32px; left:2%; z-index:9999; padding:0; margin:0;"><span style="color:blue;
font-size:8pt; font-face:verdana,sans-serif; border:0.2em outset #ceebf7;
padding:0.1em; font-weight:bolder; -moz-border-radius:8px; ">
[[#top| Back to the Top ]]</span></div>

== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape Democracy Manifesto-Tehran.jpg|Amir's manifesto
Image:Manifesto Nahian-min.jpg|Nahian's manifesto
Image:Manifesto gaiauguccioni.png|Gaia's manifesto
File:LED Assigment 1 Kozma Ildiko Julia.png |Júlia's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''

1. Amir - Why is landscape beautiful? - Burckhardt, Lucius (1979)

2. Júlia - Urban Planning and Democracy - Júlia (1957)

3. Gaia - Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene."

'''B: Concepts of Participation'''

1. Amir - Consensus Design - Day, Christopher (2002)

2. Gaia - Gaventa, John: The Powerful, the Powerless, and the Experts

3. Nahian - Hester, Randolph (2005): Whose Politics, Landscape Architecture

'''C: Community and Identity'''

1. Amir - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)

2. Nahian - Nassauer, Joan Iverson (1995): Culture and Changing Landscape Structure, Landscape Ecology, vol. 10 no. 4.

'''D: Designing'''

1. Júlia - Design for Ecological Democracy - Randolph T. Hester (2006)

2. Gaia - Hester, Randolph: Life, Liberty and the Pursuit of Sustainable Happiness

3. Nahian - Pritzker Prize winning architect Alejandro Aravena on sustainable design and community involvement in Chile

'''E: Communicating a Vision'''
1. Júlia - - (0)

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: S.Amir H.Shahrestani '''
*Landscape and Democracy - Why is landscape beautiful? - Burckhardt, Lucius (1979)
The outcome of the people view of the same landscape is doubtless highly individual and every person has different aspect and criteria of it. The opinion of beautiful or ugly landscape comes from the people previous idea (childhood stories), therefore the people have different judgments.
*Concepts of Participation - Consensus Design - Day, Christopher (2002)
Better way to make ethical decisions is defined as a democratic way and consensual approach.
In the democracy the majority's demands are influential and the minority’s requests are disregarded. Getting a more comprehensive solution (equitable, productive, conscious, participator) compromising is defined as a step to reach collective decisions and consensus.
*Community and Identity - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)
Image of the landscape allows us to establish a relationship with the place through the sense of belonging. It performs an effective role in the transmission of the story by reflecting the identity of the space.

'''Author 2: Ildikó Júlia Kozma'''
*Landscape and Democracy
The role of the public in urbanism should be stronger. If we want more democratic cities, city dwellers must have more knowledge about the built environment which surround them. Without that they can’t live with their democratic rights.
*Designing
Ecology and democracy is to separate thing, but together they can give a better solution to many problems of urbanism. With well defined principles we can use ecological methods during designing.
*Communicating a Vision
In participatory design communicating your vision is a key element. Presentations hold by professionals, coauthoring design and all different kind of verbal and nonverbal communication method are needed to understand each other.

'''Author 3: Gaia Uguccioni '''
*Landscape and Democracy
Every landscape hides a meaning that is not explicit in the ordinary forms. Is a concept that lies utterly beyond science, that holds ideas, impressions and ineffable complexities that depends on how we are affected by it and from the values we associate to it.

*Concepts of Participation
Partecipatory processes are a form of access to a paradigm which the people had a little part in creating. Starts with the reappropriation of knowledge by those who are affected by it and evolves as a strategy in which the powerless develop, create, gain control and systematize their own science.

*Designing
In the modern broad cities is evident the disassociation from community and environment and the human behavior appear antagonistic to sustainability. Holistic insight should be pursuit to guide the design of urban forms and to find new directions for a reformulation of intents and ideals of fulfillment.

'''Author 4: Nahian Zobaid'''
*Concepts of Participation
A participatory approach in any development involves the community in Design
process and give them the right to express their thought, vision and need. This
concept can empower the unprivileged group of society if sensibly chosen in the
design process.

*Community and Identity
Community identity is shaped by the custom, social and geographical
environment of a particular place. Vernacular landscape are good example of
community identity, as it represents the adaptation and thought process of local
farm workers, land developers, home owners and other local professionals.

*Designing
Designing is the combination of multiple problems that leads to a simple yet
innovative solution. The Designer needs to translate the force of people, common
sense and nature into form to built a socially and climatically responsive design.

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:LED Manifesto-S.Amir H.Shahrestani.jpg.jpg|Amir's manifesto
Image:Re-mainfesto Nahian.jpg|Nahian's manifesto
Image:Final manifesto landscape democracy.jpg|Gaia's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: Júlia Ildikó Kozma ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape symbol 1 Kozma Ildiko Julia.jpg|“Szabihíd” project, Liberty Bridge urban picnic “Szabihíd” project started in 2017 when the Libert Bridge was closed due to constartion work. City dwellers and turist went there to enjoy the unique opportunity. At the beggining the city administration couldn’t handel the situation so they forbide to go there, but after a local orgaziation embraced this need and convienced the municipality to make a legal from. Since then the birdge is free from cars during the summer weekends and there are all different kind of activites makes this project more and more popular. 47.485755, 19.054959
File:Landscape symbol 2 Kozma Ildiko Julia.jpg|Buda Castle, Hungarian National Gallery, Széchenyi National Library During the historical times the castle was the place for the king, but these days it is open for the public. People not only can see the castle but the Hungarian National Gallery and also a Széchenyi National Library take place there. It symbolize a democratyc change which maybe not obvios if you doesn’t have some knowledge about the place. 47.502262, 19.032800
File:Landscape symbol 3 Kozma Ildiko Julia.JPG|Vegetable stands In the countryside small vegetable stands offer opportunity to buy fresh crop right form the a infield. Sometimes the owner is selling to you, sometimes only a box is there to collect the cost. I think it is also a symbol of trust and trust is something essentail for democracy. This system would not work without respect and understantment of the value of work. 47.557538, 10.749554

</gallery>

=== Landscape Symbols Author 2: Gaia Uguccioni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1 Wetropolitana.jpg‎|Bologna città [W]etropolitana_Not a subway access, but a sign of artistic performances that took place in those spaces and that has become part of a stratified landscape. A modern monument that represents the aesthetics of the provisional, infiltrates our landscape in a work of continuous adaptation, with a tangible subliminal act plausible enough to become familiar and mimically incorporated.
File:Nettuno.jpeg‎|al Żigànt_The Fountain of Neptune, also known as "the Giant", is a renaissance opera that stands into Piazza Maggiore, the most important square in Bologna. It was designed to glorify the papal government (as Neptune dominates the waters, so the Pope dominates the world). It is currently one of the most famous and recognized symbols of the city.
File:Bolognalagrassa.jpeg|La Grassa_ Capital of a region of great culinary passions, Bologna is associated with the imaginary perception of the city as a paradise for food delicacies. Traditional local specialty shops are the perfect example of Bolognese hedonism.

</gallery>

=== Landscape Symbols Auther 3: Seyed Amir Hosseini Shahrestani ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1.LED Landscape Symbol Shahrestani Amir.JPG|Roof garden of Exhibition hall Stuttgart.The place which people can take rest from chaos of Exhibition hall, to get together, talk and know each other. most of the time people contact each other after a short conversation. I would like to name this place ‘’the place of socializing and business’’. 48.693282, 9.186010
File:2.LED Landscape Symbol Shahrestani Amir.JPG|Main Square of Stuttgart. The spring, the time to go out and feel like birds, to chat, to make conversation, to look at the nature which is trying to be alive again, to feel it, to do the same ‘’being Alive Again’’. Happiness, green and free spaces. 48.778679, 9.180055
File:3.LED Landscape Symbol Shahrestani Amir.JPG|Nürtingen. Be river, never stop, be bless for your path and around, and get bless from your path. Give live and take it in other way. 48.627918, 9.345074

</gallery>

=== Landscape Symbols Author 4: Nahian Zobaid ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:12963763 10156738107310133 2790535050829475682 n.jpg|This photograph clicked by me in Bangladesh. As we know that Bangladesh is a riverine country and it is very common to get new land (river sand bed / Char) in the river. Sometimes some of these new lands last for long and sometimes some of those vanish in a short time. As a agricultural country (Bangladesh) most of the country men are farmers and when they see that there are little bit green (like the photograph) on the river sand bed / char, then they get hope to get new agricultural land. These green are the symbol of hope for these farmers. Geo-location 20'34N to 26'38N latitude, 88'01E to 92'41E longitude

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg|The main attraction of the Swadhinata Stambha is the Stambha / monument itself. Stambha means pillar or tower in Bengali. The tower was built on the place where the commander-in-chief of East Pakistan Army Amir Abdullah Khan Niazi signed the papers of his surrender. During night, the tower looks elegant as the rays of light come out from every single inches of the tower. The whole tower turns into a white pillar. The tower is square according to the plan and is 16 feet wide from every side with an area of 64 inches. The underground museum of the project comprises several photographs with historical significance. There are a number of terracotta murals on war-heroes and the events of the Liberation War, a 2000-seat auditorium, and an open-air theater. The eternal flame stands beside the tower. The water body of the project reflects the whole tower all the day and increases the beauty of the project. But the water body is under potential threat as the local slum-dwellers use it for their daily needs. This monument is representing the past , present and future of Bangladesh at a time. Geo location: 23°42′N 90°22′E

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Ratargul, Sylhet.jpeg|In this picture, we can see the water channels in land. The place is in Sylhet, one of the district of Bangladesh. People use the boats for commuting. Also they have the access to the land but they are comfortable with the water boats. The evergreen forest is situated by the river Goain and linked with the channel Chengir Khal. Most of the trees growing here are the Millettia pinnata. The forest is submerged under 20–30 feet water in the rainy season. For the rest of the year, the water level is about 10 feet deep. Geo location: 25°00.025′N 91°58.180′E
</gallery>

== Assignment 3 - Role Play on Landscape Democracy "movers and shakers" ==
*You can read more details about this assignment [[Assignment_3:_Role_Play_on_Landscape_Democracy_"movers_and_shakers"_(2019)|here]]

== Assignment 4 - Your Landscape Democracy Challenge ==
*You can read more details about this assignment [[Assignment_4:_Your_Landscape_Democracy_Challenge_(2019)|here]]
*Each group member will specify a landscape democracy challenge in his/her environment

=== Landscape Democracy Challenge 1: Ildikó Júlia Kozma ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:IldikoJuliaKozma Challenge 01.jpg|caption: why did you select this case?
Image:IldikoJuliaKozma Challenge 02.jpg|caption: what is the issue/conflict (1)
Image:IldikoJuliaKozma Challenge 03.jpg|caption: what is the issue/conflict (2)
Image:: who are the actors?
</gallery>
'''Your references:'''
*https://index.hu/belfold/2019/06/11/kapitany_holttest_hableany_kiemeles/
*...

=== Landscape Democracy Challenge 2: Gaia Uguccioni ===
<gallery caption="Sharing economy - Housing emergency in Bologna" widths="150px" heights="150px" perrow="5">
Image:1-Gaia LED Assigment 4 Group 7.png|Sharing economy, tourism and housing emergency
Image:1-Gaia LED Assigment 2.png|Global issue
Image:1-Gaia LED Assigment 3.png|Local issue
</gallery>
'''Your references:'''
*http://www.pensareurbano.it/

=== Landscape Democracy Challenge 3: S.Amir H.Shahrestani ===
<gallery caption="The location of the Roßdorf (quarter) in Nürtingen, Germany" widths="150px" heights="150px" perrow="5">
Image:AmirShahrestani Challenge 01.jpg|caption: why did you select this case? - During last months that I’m living and studying in this city, I realized this quarter, which has less identity to other settlement in this area. The idea of developing the city in this specific place (about 40 years ago) was: to build Modern Architecture buildings with the aspect of better future. But the thing that Architects and designers forgot to concentrate on it was: are the citizen comfort/satisfaction with this kind of Architecture? But this is not the only reason that this project is not succeeding.
Image:AmirShahrestani Challenge 02.jpg|caption: what is the issue/conflict - Living up the hill and in new and modern architecture building is fascinating, but public transportation is the main problem, if you are the person who loves to ride bicycle, it would be difficult to ride on slope, if you are aging it becomes more and more difficult then. The first train-station is the downhill, and the bus comes every hour. In this case the people fill they are out of the city, they never think they are part of this city at all.
Image:AmirShahrestani Challenge 03.jpg|caption: what is the issue/conflict (2) - The idea was developing city in this part, but from the first time, most of foreigners who were living in the city moved to this zone and most of inhabitants are not German. Few years ago government built a refugee house there and made this situation more complicated. The idea of helping refugees are brilliant, but how refugees can migrate in this country when they are living just with foreigners in a zone (like isolated zone of the city).
Image:AmirShahrestani Challenge 04.jpg|caption: who are the actors? - Initially government, Architects, Landscape Architects/planners were responsible. But for now people are also actors. For this situation communities can be more active and with government and Architects help (New ideas) this problem can be solved. But it takes time.
</gallery>
'''Your references:'''
*...
*...
*...
*https://www.pexels.com/photo/photo-of-four-persons-uniting-hands-943630/

=== Landscape Democracy Challenge 4 ===
<gallery caption="Reviving Canals" widths="150px" heights="150px" perrow="5">
Image:01.jpg|caption: Dhaka City has been suffering from many environmental problems including flooding, water logging and other related problems. Urbanization, which is occurring very fast and with larger magnitude in Dhaka, is the intrinsic reason behind these problems. High rate of urbanization causes extensive urban area expansion and as a result canals, wetland and other water bodies are quickly vanishing from the landscape. This study shows the present physical condition of the canals; identifies the processes of canal encroachment; represents the consequences of canal encroachment. 13 canals of 50 were surveyed; local people were surveyed to identify the impact and processes of encroachment. Canals are being encroached in various styles and this study identifies five: unauthorized land filling, illegal construction over canal, expansion of slum, solid waste dumping, taking advantage of lack of awareness of local people as well as government agencies.
Image:31c5eb5f-50f6-4d4b-b9ac-f410886ff03d.jpg|caption: what is the issue/conflict? The 1st issue is the POLLUTION! For water logging and flooding, different kind of health problem arise very fast for the inhabitants. Natural drinking water sources decreasing day by day.
Image:Water141 (1).jpg|caption: what is the issue/conflict? The 2nd issue is road blocking in rainy season due to the flood. It is now very common scenario of Dhaka city.Flooding and water clogging create this and the people suffers a lot in rainy season.
Image:Nahian 4.jpg|caption: who are the actors? There are many actors for this case. The most important actor is the 'People'. Uneducated and unaware people destroy the wet land and cancels for their settlement. Government is also plays role as an actor for teir policy and dictated development. Some high class land developer also involve.Beside these, unplanned growth of the population filled the water bodies and wet land for their settlement.
</gallery>
'''Your references:'''
*...
*...

== Your Democratic Change Process ==

<gallery caption="Inaccessible Danube in Budapest" widths="600px" heights="300px" perrow="1">
Inaccessible Danube in Budapest Slide0.jpg|Challenge - Inaccessible Danube in Budapest
Inaccessible Danube in Budapest Slide1.jpg|Challenge - Inaccessible Danube in Budapest
Inaccessible Danube in Budapest Slide2.jpg|Power map - Stakeholders/Interests/Users
Inaccessible Danube in Budapest Slide3.jpg|Change process - Partecipation Map
Inaccessible Danube in Budapest Slide4.jpg|Main findings - Posibilites
Inaccessible Danube in Budapest Slide5.jpg|Overall reflection and outlook - Findings-Unresolved issue-Message
Inaccessible Danube in Budapest Slide6.jpg|
</gallery>

== Reflection ==
* The process should happen very slowly, to be sure to change the perception of the people and to educate them to the participatory methods and to the real possibility that they have to change their environment.
* Because of heritage saving the outcome of the project won’t be so visible, as the built structure is protected.
* ....

Conclusion:
* Even in a very complex situation there is place to involve the community, the key element is to find in which part they can be involved in the process.
* Gathering information by the locals and tourist helps the decision makers to understand the needs and perspectives of the users.
* ....

== Your references ==
* ...
* ...
* ...

----
[[Category:Landscape Democracy Working Group 2019]]

LED Online Seminar 2019 - Working Group 7

2019-07-21T12:46:10Z

Nahian.zoabid: /* Landscape Democracy Challenge 4 */

'''--> Back to [[LED_Online_Seminar_Working_Groups_2019|working group overview]]'''

''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

<div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed;
bottom:32px; left:2%; z-index:9999; padding:0; margin:0;"><span style="color:blue;
font-size:8pt; font-face:verdana,sans-serif; border:0.2em outset #ceebf7;
padding:0.1em; font-weight:bolder; -moz-border-radius:8px; ">
[[#top| Back to the Top ]]</span></div>

== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape Democracy Manifesto-Tehran.jpg|Amir's manifesto
Image:Manifesto Nahian-min.jpg|Nahian's manifesto
Image:Manifesto gaiauguccioni.png|Gaia's manifesto
File:LED Assigment 1 Kozma Ildiko Julia.png |Júlia's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''

1. Amir - Why is landscape beautiful? - Burckhardt, Lucius (1979)

2. Júlia - Urban Planning and Democracy - Júlia (1957)

3. Gaia - Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene."

'''B: Concepts of Participation'''

1. Amir - Consensus Design - Day, Christopher (2002)

2. Gaia - Gaventa, John: The Powerful, the Powerless, and the Experts

3. Nahian - Hester, Randolph (2005): Whose Politics, Landscape Architecture

'''C: Community and Identity'''

1. Amir - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)

2. Nahian - Nassauer, Joan Iverson (1995): Culture and Changing Landscape Structure, Landscape Ecology, vol. 10 no. 4.

'''D: Designing'''

1. Júlia - Design for Ecological Democracy - Randolph T. Hester (2006)

2. Gaia - Hester, Randolph: Life, Liberty and the Pursuit of Sustainable Happiness

3. Nahian - Pritzker Prize winning architect Alejandro Aravena on sustainable design and community involvement in Chile

'''E: Communicating a Vision'''
1. Júlia - - (0)

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: S.Amir H.Shahrestani '''
*Landscape and Democracy - Why is landscape beautiful? - Burckhardt, Lucius (1979)
The outcome of the people view of the same landscape is doubtless highly individual and every person has different aspect and criteria of it. The opinion of beautiful or ugly landscape comes from the people previous idea (childhood stories), therefore the people have different judgments.
*Concepts of Participation - Consensus Design - Day, Christopher (2002)
Better way to make ethical decisions is defined as a democratic way and consensual approach.
In the democracy the majority's demands are influential and the minority’s requests are disregarded. Getting a more comprehensive solution (equitable, productive, conscious, participator) compromising is defined as a step to reach collective decisions and consensus.
*Community and Identity - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)
Image of the landscape allows us to establish a relationship with the place through the sense of belonging. It performs an effective role in the transmission of the story by reflecting the identity of the space.

'''Author 2: Ildikó Júlia Kozma'''
*Landscape and Democracy
The role of the public in urbanism should be stronger. If we want more democratic cities, city dwellers must have more knowledge about the built environment which surround them. Without that they can’t live with their democratic rights.
*Designing
Ecology and democracy is to separate thing, but together they can give a better solution to many problems of urbanism. With well defined principles we can use ecological methods during designing.
*Communicating a Vision
In participatory design communicating your vision is a key element. Presentations hold by professionals, coauthoring design and all different kind of verbal and nonverbal communication method are needed to understand each other.

'''Author 3: Gaia Uguccioni '''
*Landscape and Democracy
Every landscape hides a meaning that is not explicit in the ordinary forms. Is a concept that lies utterly beyond science, that holds ideas, impressions and ineffable complexities that depends on how we are affected by it and from the values we associate to it.

*Concepts of Participation
Partecipatory processes are a form of access to a paradigm which the people had a little part in creating. Starts with the reappropriation of knowledge by those who are affected by it and evolves as a strategy in which the powerless develop, create, gain control and systematize their own science.

*Designing
In the modern broad cities is evident the disassociation from community and environment and the human behavior appear antagonistic to sustainability. Holistic insight should be pursuit to guide the design of urban forms and to find new directions for a reformulation of intents and ideals of fulfillment.

'''Author 4: Nahian Zobaid'''
*Concepts of Participation
A participatory approach in any development involves the community in Design
process and give them the right to express their thought, vision and need. This
concept can empower the unprivileged group of society if sensibly chosen in the
design process.

*Community and Identity
Community identity is shaped by the custom, social and geographical
environment of a particular place. Vernacular landscape are good example of
community identity, as it represents the adaptation and thought process of local
farm workers, land developers, home owners and other local professionals.

*Designing
Designing is the combination of multiple problems that leads to a simple yet
innovative solution. The Designer needs to translate the force of people, common
sense and nature into form to built a socially and climatically responsive design.

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:LED Manifesto-S.Amir H.Shahrestani.jpg.jpg|Amir's manifesto
Image:Re-mainfesto Nahian.jpg|Nahian's manifesto
Image:Final manifesto landscape democracy.jpg|Gaia's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: Júlia Ildikó Kozma ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape symbol 1 Kozma Ildiko Julia.jpg|“Szabihíd” project, Liberty Bridge urban picnic “Szabihíd” project started in 2017 when the Libert Bridge was closed due to constartion work. City dwellers and turist went there to enjoy the unique opportunity. At the beggining the city administration couldn’t handel the situation so they forbide to go there, but after a local orgaziation embraced this need and convienced the municipality to make a legal from. Since then the birdge is free from cars during the summer weekends and there are all different kind of activites makes this project more and more popular. 47.485755, 19.054959
File:Landscape symbol 2 Kozma Ildiko Julia.jpg|Buda Castle, Hungarian National Gallery, Széchenyi National Library During the historical times the castle was the place for the king, but these days it is open for the public. People not only can see the castle but the Hungarian National Gallery and also a Széchenyi National Library take place there. It symbolize a democratyc change which maybe not obvios if you doesn’t have some knowledge about the place. 47.502262, 19.032800
File:Landscape symbol 3 Kozma Ildiko Julia.JPG|Vegetable stands In the countryside small vegetable stands offer opportunity to buy fresh crop right form the a infield. Sometimes the owner is selling to you, sometimes only a box is there to collect the cost. I think it is also a symbol of trust and trust is something essentail for democracy. This system would not work without respect and understantment of the value of work. 47.557538, 10.749554

</gallery>

=== Landscape Symbols Author 2: Gaia Uguccioni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1 Wetropolitana.jpg‎|Bologna città [W]etropolitana_Not a subway access, but a sign of artistic performances that took place in those spaces and that has become part of a stratified landscape. A modern monument that represents the aesthetics of the provisional, infiltrates our landscape in a work of continuous adaptation, with a tangible subliminal act plausible enough to become familiar and mimically incorporated.
File:Nettuno.jpeg‎|al Żigànt_The Fountain of Neptune, also known as "the Giant", is a renaissance opera that stands into Piazza Maggiore, the most important square in Bologna. It was designed to glorify the papal government (as Neptune dominates the waters, so the Pope dominates the world). It is currently one of the most famous and recognized symbols of the city.
File:Bolognalagrassa.jpeg|La Grassa_ Capital of a region of great culinary passions, Bologna is associated with the imaginary perception of the city as a paradise for food delicacies. Traditional local specialty shops are the perfect example of Bolognese hedonism.

</gallery>

=== Landscape Symbols Auther 3: Seyed Amir Hosseini Shahrestani ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1.LED Landscape Symbol Shahrestani Amir.JPG|Roof garden of Exhibition hall Stuttgart.The place which people can take rest from chaos of Exhibition hall, to get together, talk and know each other. most of the time people contact each other after a short conversation. I would like to name this place ‘’the place of socializing and business’’. 48.693282, 9.186010
File:2.LED Landscape Symbol Shahrestani Amir.JPG|Main Square of Stuttgart. The spring, the time to go out and feel like birds, to chat, to make conversation, to look at the nature which is trying to be alive again, to feel it, to do the same ‘’being Alive Again’’. Happiness, green and free spaces. 48.778679, 9.180055
File:3.LED Landscape Symbol Shahrestani Amir.JPG|Nürtingen. Be river, never stop, be bless for your path and around, and get bless from your path. Give live and take it in other way. 48.627918, 9.345074

</gallery>

=== Landscape Symbols Author 4: Nahian Zobaid ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:12963763 10156738107310133 2790535050829475682 n.jpg|This photograph clicked by me in Bangladesh. As we know that Bangladesh is a riverine country and it is very common to get new land (river sand bed / Char) in the river. Sometimes some of these new lands last for long and sometimes some of those vanish in a short time. As a agricultural country (Bangladesh) most of the country men are farmers and when they see that there are little bit green (like the photograph) on the river sand bed / char, then they get hope to get new agricultural land. These green are the symbol of hope for these farmers. Geo-location 20'34N to 26'38N latitude, 88'01E to 92'41E longitude

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg|The main attraction of the Swadhinata Stambha is the Stambha / monument itself. Stambha means pillar or tower in Bengali. The tower was built on the place where the commander-in-chief of East Pakistan Army Amir Abdullah Khan Niazi signed the papers of his surrender. During night, the tower looks elegant as the rays of light come out from every single inches of the tower. The whole tower turns into a white pillar. The tower is square according to the plan and is 16 feet wide from every side with an area of 64 inches. The underground museum of the project comprises several photographs with historical significance. There are a number of terracotta murals on war-heroes and the events of the Liberation War, a 2000-seat auditorium, and an open-air theater. The eternal flame stands beside the tower. The water body of the project reflects the whole tower all the day and increases the beauty of the project. But the water body is under potential threat as the local slum-dwellers use it for their daily needs. This monument is representing the past , present and future of Bangladesh at a time. Geo location: 23°42′N 90°22′E

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Ratargul, Sylhet.jpeg|In this picture, we can see the water channels in land. The place is in Sylhet, one of the district of Bangladesh. People use the boats for commuting. Also they have the access to the land but they are comfortable with the water boats. The evergreen forest is situated by the river Goain and linked with the channel Chengir Khal. Most of the trees growing here are the Millettia pinnata. The forest is submerged under 20–30 feet water in the rainy season. For the rest of the year, the water level is about 10 feet deep. Geo location: 25°00.025′N 91°58.180′E
</gallery>

== Assignment 3 - Role Play on Landscape Democracy "movers and shakers" ==
*You can read more details about this assignment [[Assignment_3:_Role_Play_on_Landscape_Democracy_"movers_and_shakers"_(2019)|here]]

== Assignment 4 - Your Landscape Democracy Challenge ==
*You can read more details about this assignment [[Assignment_4:_Your_Landscape_Democracy_Challenge_(2019)|here]]
*Each group member will specify a landscape democracy challenge in his/her environment

=== Landscape Democracy Challenge 1: Ildikó Júlia Kozma ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:IldikoJuliaKozma Challenge 01.jpg|caption: why did you select this case?
Image:IldikoJuliaKozma Challenge 02.jpg|caption: what is the issue/conflict (1)
Image:IldikoJuliaKozma Challenge 03.jpg|caption: what is the issue/conflict (2)
Image:: who are the actors?
</gallery>
'''Your references:'''
*https://index.hu/belfold/2019/06/11/kapitany_holttest_hableany_kiemeles/
*...

=== Landscape Democracy Challenge 2: Gaia Uguccioni ===
<gallery caption="Sharing economy - Housing emergency in Bologna" widths="150px" heights="150px" perrow="5">
Image:1-Gaia LED Assigment 4 Group 7.png|Sharing economy, tourism and housing emergency
Image:1-Gaia LED Assigment 2.png|Global issue
Image:1-Gaia LED Assigment 3.png|Local issue
</gallery>
'''Your references:'''
*http://www.pensareurbano.it/

=== Landscape Democracy Challenge 3: S.Amir H.Shahrestani ===
<gallery caption="The location of the Roßdorf (quarter) in Nürtingen, Germany" widths="150px" heights="150px" perrow="5">
Image:AmirShahrestani Challenge 01.jpg|caption: why did you select this case? - During last months that I’m living and studying in this city, I realized this quarter, which has less identity to other settlement in this area. The idea of developing the city in this specific place (about 40 years ago) was: to build Modern Architecture buildings with the aspect of better future. But the thing that Architects and designers forgot to concentrate on it was: are the citizen comfort/satisfaction with this kind of Architecture? But this is not the only reason that this project is not succeeding.
Image:AmirShahrestani Challenge 02.jpg|caption: what is the issue/conflict - Living up the hill and in new and modern architecture building is fascinating, but public transportation is the main problem, if you are the person who loves to ride bicycle, it would be difficult to ride on slope, if you are aging it becomes more and more difficult then. The first train-station is the downhill, and the bus comes every hour. In this case the people fill they are out of the city, they never think they are part of this city at all.
Image:AmirShahrestani Challenge 03.jpg|caption: what is the issue/conflict (2) - The idea was developing city in this part, but from the first time, most of foreigners who were living in the city moved to this zone and most of inhabitants are not German. Few years ago government built a refugee house there and made this situation more complicated. The idea of helping refugees are brilliant, but how refugees can migrate in this country when they are living just with foreigners in a zone (like isolated zone of the city).
Image:AmirShahrestani Challenge 04.jpg|caption: who are the actors? - Initially government, Architects, Landscape Architects/planners were responsible. But for now people are also actors. For this situation communities can be more active and with government and Architects help (New ideas) this problem can be solved. But it takes time.
</gallery>
'''Your references:'''
*...
*...
*...
*https://www.pexels.com/photo/photo-of-four-persons-uniting-hands-943630/

=== Landscape Democracy Challenge 4 ===
<gallery caption="Reviving Canals" widths="150px" heights="150px" perrow="5">
Image:01.jpg|caption: Dhaka City has been suffering from many environmental problems including flooding, water logging and other related problems. Urbanization, which is occurring very fast and with larger magnitude in Dhaka, is the intrinsic reason behind these problems. High rate of urbanization causes extensive urban area expansion and as a result canals, wetland and other water bodies are quickly vanishing from the landscape. This study shows the present physical condition of the canals; identifies the processes of canal encroachment; represents the consequences of canal encroachment. 13 canals of 50 were surveyed; local people were surveyed to identify the impact and processes of encroachment. Canals are being encroached in various styles and this study identifies five: unauthorized land filling, illegal construction over canal, expansion of slum, solid waste dumping, taking advantage of lack of awareness of local people as well as government agencies.
Image:31c5eb5f-50f6-4d4b-b9ac-f410886ff03d.jpg|caption: what is the issue/conflict? The 1st issue is the POLLUTION! For water logging and flooding, different kind of health problem arise very fast for the inhabitants. Natural drinking water sources decreasing day by day.
Image:Water141 (1).jpg|caption: what is the issue/conflict? The 2nd issue is road blocking in rainy season due to the flood. It is now very common scenario of Dhaka city.Flooding and water clogging create this and the people suffers a lot in rainy season.
Image:Nahian 4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

== Your Democratic Change Process ==

<gallery caption="Inaccessible Danube in Budapest" widths="600px" heights="300px" perrow="1">
Inaccessible Danube in Budapest Slide0.jpg|Challenge - Inaccessible Danube in Budapest
Inaccessible Danube in Budapest Slide1.jpg|Challenge - Inaccessible Danube in Budapest
Inaccessible Danube in Budapest Slide2.jpg|Power map - Stakeholders/Interests/Users
Inaccessible Danube in Budapest Slide3.jpg|Change process - Partecipation Map
Inaccessible Danube in Budapest Slide4.jpg|Main findings - Posibilites
Inaccessible Danube in Budapest Slide5.jpg|Overall reflection and outlook - Findings-Unresolved issue-Message
Inaccessible Danube in Budapest Slide6.jpg|
</gallery>

== Reflection ==
* The process should happen very slowly, to be sure to change the perception of the people and to educate them to the participatory methods and to the real possibility that they have to change their environment.
* Because of heritage saving the outcome of the project won’t be so visible, as the built structure is protected.
* ....

Conclusion:
* Even in a very complex situation there is place to involve the community, the key element is to find in which part they can be involved in the process.
* Gathering information by the locals and tourist helps the decision makers to understand the needs and perspectives of the users.
* ....

== Your references ==
* ...
* ...
* ...

----
[[Category:Landscape Democracy Working Group 2019]]

File:Nahian 4.jpg

2019-07-21T12:45:45Z

Nahian.zoabid:

LED Online Seminar 2019 - Working Group 7

2019-07-21T12:19:20Z

Nahian.zoabid: /* Landscape Democracy Challenge 4 */

'''--> Back to [[LED_Online_Seminar_Working_Groups_2019|working group overview]]'''

''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

<div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed;
bottom:32px; left:2%; z-index:9999; padding:0; margin:0;"><span style="color:blue;
font-size:8pt; font-face:verdana,sans-serif; border:0.2em outset #ceebf7;
padding:0.1em; font-weight:bolder; -moz-border-radius:8px; ">
[[#top| Back to the Top ]]</span></div>

== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape Democracy Manifesto-Tehran.jpg|Amir's manifesto
Image:Manifesto Nahian-min.jpg|Nahian's manifesto
Image:Manifesto gaiauguccioni.png|Gaia's manifesto
File:LED Assigment 1 Kozma Ildiko Julia.png |Júlia's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''

1. Amir - Why is landscape beautiful? - Burckhardt, Lucius (1979)

2. Júlia - Urban Planning and Democracy - Júlia (1957)

3. Gaia - Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene."

'''B: Concepts of Participation'''

1. Amir - Consensus Design - Day, Christopher (2002)

2. Gaia - Gaventa, John: The Powerful, the Powerless, and the Experts

3. Nahian - Hester, Randolph (2005): Whose Politics, Landscape Architecture

'''C: Community and Identity'''

1. Amir - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)

2. Nahian - Nassauer, Joan Iverson (1995): Culture and Changing Landscape Structure, Landscape Ecology, vol. 10 no. 4.

'''D: Designing'''

1. Júlia - Design for Ecological Democracy - Randolph T. Hester (2006)

2. Gaia - Hester, Randolph: Life, Liberty and the Pursuit of Sustainable Happiness

3. Nahian - Pritzker Prize winning architect Alejandro Aravena on sustainable design and community involvement in Chile

'''E: Communicating a Vision'''
1. Júlia - - (0)

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: S.Amir H.Shahrestani '''
*Landscape and Democracy - Why is landscape beautiful? - Burckhardt, Lucius (1979)
The outcome of the people view of the same landscape is doubtless highly individual and every person has different aspect and criteria of it. The opinion of beautiful or ugly landscape comes from the people previous idea (childhood stories), therefore the people have different judgments.
*Concepts of Participation - Consensus Design - Day, Christopher (2002)
Better way to make ethical decisions is defined as a democratic way and consensual approach.
In the democracy the majority's demands are influential and the minority’s requests are disregarded. Getting a more comprehensive solution (equitable, productive, conscious, participator) compromising is defined as a step to reach collective decisions and consensus.
*Community and Identity - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)
Image of the landscape allows us to establish a relationship with the place through the sense of belonging. It performs an effective role in the transmission of the story by reflecting the identity of the space.

'''Author 2: Ildikó Júlia Kozma'''
*Landscape and Democracy
The role of the public in urbanism should be stronger. If we want more democratic cities, city dwellers must have more knowledge about the built environment which surround them. Without that they can’t live with their democratic rights.
*Designing
Ecology and democracy is to separate thing, but together they can give a better solution to many problems of urbanism. With well defined principles we can use ecological methods during designing.
*Communicating a Vision
In participatory design communicating your vision is a key element. Presentations hold by professionals, coauthoring design and all different kind of verbal and nonverbal communication method are needed to understand each other.

'''Author 3: Gaia Uguccioni '''
*Landscape and Democracy
Every landscape hides a meaning that is not explicit in the ordinary forms. Is a concept that lies utterly beyond science, that holds ideas, impressions and ineffable complexities that depends on how we are affected by it and from the values we associate to it.

*Concepts of Participation
Partecipatory processes are a form of access to a paradigm which the people had a little part in creating. Starts with the reappropriation of knowledge by those who are affected by it and evolves as a strategy in which the powerless develop, create, gain control and systematize their own science.

*Designing
In the modern broad cities is evident the disassociation from community and environment and the human behavior appear antagonistic to sustainability. Holistic insight should be pursuit to guide the design of urban forms and to find new directions for a reformulation of intents and ideals of fulfillment.

'''Author 4: Nahian Zobaid'''
*Concepts of Participation
A participatory approach in any development involves the community in Design
process and give them the right to express their thought, vision and need. This
concept can empower the unprivileged group of society if sensibly chosen in the
design process.

*Community and Identity
Community identity is shaped by the custom, social and geographical
environment of a particular place. Vernacular landscape are good example of
community identity, as it represents the adaptation and thought process of local
farm workers, land developers, home owners and other local professionals.

*Designing
Designing is the combination of multiple problems that leads to a simple yet
innovative solution. The Designer needs to translate the force of people, common
sense and nature into form to built a socially and climatically responsive design.

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:LED Manifesto-S.Amir H.Shahrestani.jpg.jpg|Amir's manifesto
Image:Re-mainfesto Nahian.jpg|Nahian's manifesto
Image:Final manifesto landscape democracy.jpg|Gaia's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: Júlia Ildikó Kozma ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape symbol 1 Kozma Ildiko Julia.jpg|“Szabihíd” project, Liberty Bridge urban picnic “Szabihíd” project started in 2017 when the Libert Bridge was closed due to constartion work. City dwellers and turist went there to enjoy the unique opportunity. At the beggining the city administration couldn’t handel the situation so they forbide to go there, but after a local orgaziation embraced this need and convienced the municipality to make a legal from. Since then the birdge is free from cars during the summer weekends and there are all different kind of activites makes this project more and more popular. 47.485755, 19.054959
File:Landscape symbol 2 Kozma Ildiko Julia.jpg|Buda Castle, Hungarian National Gallery, Széchenyi National Library During the historical times the castle was the place for the king, but these days it is open for the public. People not only can see the castle but the Hungarian National Gallery and also a Széchenyi National Library take place there. It symbolize a democratyc change which maybe not obvios if you doesn’t have some knowledge about the place. 47.502262, 19.032800
File:Landscape symbol 3 Kozma Ildiko Julia.JPG|Vegetable stands In the countryside small vegetable stands offer opportunity to buy fresh crop right form the a infield. Sometimes the owner is selling to you, sometimes only a box is there to collect the cost. I think it is also a symbol of trust and trust is something essentail for democracy. This system would not work without respect and understantment of the value of work. 47.557538, 10.749554

</gallery>

=== Landscape Symbols Author 2: Gaia Uguccioni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1 Wetropolitana.jpg‎|Bologna città [W]etropolitana_Not a subway access, but a sign of artistic performances that took place in those spaces and that has become part of a stratified landscape. A modern monument that represents the aesthetics of the provisional, infiltrates our landscape in a work of continuous adaptation, with a tangible subliminal act plausible enough to become familiar and mimically incorporated.
File:Nettuno.jpeg‎|al Żigànt_The Fountain of Neptune, also known as "the Giant", is a renaissance opera that stands into Piazza Maggiore, the most important square in Bologna. It was designed to glorify the papal government (as Neptune dominates the waters, so the Pope dominates the world). It is currently one of the most famous and recognized symbols of the city.
File:Bolognalagrassa.jpeg|La Grassa_ Capital of a region of great culinary passions, Bologna is associated with the imaginary perception of the city as a paradise for food delicacies. Traditional local specialty shops are the perfect example of Bolognese hedonism.

</gallery>

=== Landscape Symbols Auther 3: Seyed Amir Hosseini Shahrestani ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1.LED Landscape Symbol Shahrestani Amir.JPG|Roof garden of Exhibition hall Stuttgart.The place which people can take rest from chaos of Exhibition hall, to get together, talk and know each other. most of the time people contact each other after a short conversation. I would like to name this place ‘’the place of socializing and business’’. 48.693282, 9.186010
File:2.LED Landscape Symbol Shahrestani Amir.JPG|Main Square of Stuttgart. The spring, the time to go out and feel like birds, to chat, to make conversation, to look at the nature which is trying to be alive again, to feel it, to do the same ‘’being Alive Again’’. Happiness, green and free spaces. 48.778679, 9.180055
File:3.LED Landscape Symbol Shahrestani Amir.JPG|Nürtingen. Be river, never stop, be bless for your path and around, and get bless from your path. Give live and take it in other way. 48.627918, 9.345074

</gallery>

=== Landscape Symbols Author 4: Nahian Zobaid ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:12963763 10156738107310133 2790535050829475682 n.jpg|This photograph clicked by me in Bangladesh. As we know that Bangladesh is a riverine country and it is very common to get new land (river sand bed / Char) in the river. Sometimes some of these new lands last for long and sometimes some of those vanish in a short time. As a agricultural country (Bangladesh) most of the country men are farmers and when they see that there are little bit green (like the photograph) on the river sand bed / char, then they get hope to get new agricultural land. These green are the symbol of hope for these farmers. Geo-location 20'34N to 26'38N latitude, 88'01E to 92'41E longitude

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg|The main attraction of the Swadhinata Stambha is the Stambha / monument itself. Stambha means pillar or tower in Bengali. The tower was built on the place where the commander-in-chief of East Pakistan Army Amir Abdullah Khan Niazi signed the papers of his surrender. During night, the tower looks elegant as the rays of light come out from every single inches of the tower. The whole tower turns into a white pillar. The tower is square according to the plan and is 16 feet wide from every side with an area of 64 inches. The underground museum of the project comprises several photographs with historical significance. There are a number of terracotta murals on war-heroes and the events of the Liberation War, a 2000-seat auditorium, and an open-air theater. The eternal flame stands beside the tower. The water body of the project reflects the whole tower all the day and increases the beauty of the project. But the water body is under potential threat as the local slum-dwellers use it for their daily needs. This monument is representing the past , present and future of Bangladesh at a time. Geo location: 23°42′N 90°22′E

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Ratargul, Sylhet.jpeg|In this picture, we can see the water channels in land. The place is in Sylhet, one of the district of Bangladesh. People use the boats for commuting. Also they have the access to the land but they are comfortable with the water boats. The evergreen forest is situated by the river Goain and linked with the channel Chengir Khal. Most of the trees growing here are the Millettia pinnata. The forest is submerged under 20–30 feet water in the rainy season. For the rest of the year, the water level is about 10 feet deep. Geo location: 25°00.025′N 91°58.180′E
</gallery>

== Assignment 3 - Role Play on Landscape Democracy "movers and shakers" ==
*You can read more details about this assignment [[Assignment_3:_Role_Play_on_Landscape_Democracy_"movers_and_shakers"_(2019)|here]]

== Assignment 4 - Your Landscape Democracy Challenge ==
*You can read more details about this assignment [[Assignment_4:_Your_Landscape_Democracy_Challenge_(2019)|here]]
*Each group member will specify a landscape democracy challenge in his/her environment

=== Landscape Democracy Challenge 1: Ildikó Júlia Kozma ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:IldikoJuliaKozma Challenge 01.jpg|caption: why did you select this case?
Image:IldikoJuliaKozma Challenge 02.jpg|caption: what is the issue/conflict (1)
Image:IldikoJuliaKozma Challenge 03.jpg|caption: what is the issue/conflict (2)
Image:: who are the actors?
</gallery>
'''Your references:'''
*https://index.hu/belfold/2019/06/11/kapitany_holttest_hableany_kiemeles/
*...

=== Landscape Democracy Challenge 2: Gaia Uguccioni ===
<gallery caption="Sharing economy - Housing emergency in Bologna" widths="150px" heights="150px" perrow="5">
Image:1-Gaia LED Assigment 4 Group 7.png|Sharing economy, tourism and housing emergency
Image:1-Gaia LED Assigment 2.png|Global issue
Image:1-Gaia LED Assigment 3.png|Local issue
</gallery>
'''Your references:'''
*http://www.pensareurbano.it/

=== Landscape Democracy Challenge 3: S.Amir H.Shahrestani ===
<gallery caption="The location of the Roßdorf (quarter) in Nürtingen, Germany" widths="150px" heights="150px" perrow="5">
Image:AmirShahrestani Challenge 01.jpg|caption: why did you select this case? - During last months that I’m living and studying in this city, I realized this quarter, which has less identity to other settlement in this area. The idea of developing the city in this specific place (about 40 years ago) was: to build Modern Architecture buildings with the aspect of better future. But the thing that Architects and designers forgot to concentrate on it was: are the citizen comfort/satisfaction with this kind of Architecture? But this is not the only reason that this project is not succeeding.
Image:AmirShahrestani Challenge 02.jpg|caption: what is the issue/conflict - Living up the hill and in new and modern architecture building is fascinating, but public transportation is the main problem, if you are the person who loves to ride bicycle, it would be difficult to ride on slope, if you are aging it becomes more and more difficult then. The first train-station is the downhill, and the bus comes every hour. In this case the people fill they are out of the city, they never think they are part of this city at all.
Image:AmirShahrestani Challenge 03.jpg|caption: what is the issue/conflict (2) - The idea was developing city in this part, but from the first time, most of foreigners who were living in the city moved to this zone and most of inhabitants are not German. Few years ago government built a refugee house there and made this situation more complicated. The idea of helping refugees are brilliant, but how refugees can migrate in this country when they are living just with foreigners in a zone (like isolated zone of the city).
Image:AmirShahrestani Challenge 04.jpg|caption: who are the actors? - Initially government, Architects, Landscape Architects/planners were responsible. But for now people are also actors. For this situation communities can be more active and with government and Architects help (New ideas) this problem can be solved. But it takes time.
</gallery>
'''Your references:'''
*...
*...
*...
*https://www.pexels.com/photo/photo-of-four-persons-uniting-hands-943630/

=== Landscape Democracy Challenge 4 ===
<gallery caption="Reviving Canals" widths="150px" heights="150px" perrow="5">
Image:01.jpg|caption: Dhaka City has been suffering from many environmental problems including flooding, water logging and other related problems. Urbanization, which is occurring very fast and with larger magnitude in Dhaka, is the intrinsic reason behind these problems. High rate of urbanization causes extensive urban area expansion and as a result canals, wetland and other water bodies are quickly vanishing from the landscape. This study shows the present physical condition of the canals; identifies the processes of canal encroachment; represents the consequences of canal encroachment. 13 canals of 50 were surveyed; local people were surveyed to identify the impact and processes of encroachment. Canals are being encroached in various styles and this study identifies five: unauthorized land filling, illegal construction over canal, expansion of slum, solid waste dumping, taking advantage of lack of awareness of local people as well as government agencies.
Image:31c5eb5f-50f6-4d4b-b9ac-f410886ff03d.jpg|caption: what is the issue/conflict? The 1st issue is the POLLUTION! For water logging and flooding, different kind of health problem arise very fast for the inhabitants. Natural drinking water sources decreasing day by day.
Image:Water141 (1).jpg|caption: what is the issue/conflict? The 2nd issue is road blocking in rainy season due to the flood. It is now very common scenario of Dhaka city.Flooding and water clogging create this and the people suffers a lot in rainy season.
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

== Your Democratic Change Process ==

<gallery caption="Inaccessible Danube in Budapest" widths="600px" heights="300px" perrow="1">
Inaccessible Danube in Budapest Slide0.jpg|Challenge - Inaccessible Danube in Budapest
Inaccessible Danube in Budapest Slide1.jpg|Challenge - Inaccessible Danube in Budapest
Inaccessible Danube in Budapest Slide2.jpg|Power map - Stakeholders/Interests/Users
Inaccessible Danube in Budapest Slide3.jpg|Change process - Partecipation Map
Inaccessible Danube in Budapest Slide4.jpg|Main findings - Posibilites
Inaccessible Danube in Budapest Slide5.jpg|Overall reflection and outlook - Findings-Unresolved issue-Message
Inaccessible Danube in Budapest Slide6.jpg|
</gallery>

== Reflection ==
* The process should happen very slowly, to be sure to change the perception of the people and to educate them to the participatory methods and to the real possibility that they have to change their environment.
* Because of heritage saving the outcome of the project won’t be so visible, as the built structure is protected.
* ....

Conclusion:
* Even in a very complex situation there is place to involve the community, the key element is to find in which part they can be involved in the process.
* Gathering information by the locals and tourist helps the decision makers to understand the needs and perspectives of the users.
* ....

== Your references ==
* ...
* ...
* ...

----
[[Category:Landscape Democracy Working Group 2019]]

LED Online Seminar 2019 - Working Group 7

2019-07-21T12:18:38Z

Nahian.zoabid: /* Landscape Democracy Challenge 4 */

'''--> Back to [[LED_Online_Seminar_Working_Groups_2019|working group overview]]'''

''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

<div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed;
bottom:32px; left:2%; z-index:9999; padding:0; margin:0;"><span style="color:blue;
font-size:8pt; font-face:verdana,sans-serif; border:0.2em outset #ceebf7;
padding:0.1em; font-weight:bolder; -moz-border-radius:8px; ">
[[#top| Back to the Top ]]</span></div>

== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape Democracy Manifesto-Tehran.jpg|Amir's manifesto
Image:Manifesto Nahian-min.jpg|Nahian's manifesto
Image:Manifesto gaiauguccioni.png|Gaia's manifesto
File:LED Assigment 1 Kozma Ildiko Julia.png |Júlia's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''

1. Amir - Why is landscape beautiful? - Burckhardt, Lucius (1979)

2. Júlia - Urban Planning and Democracy - Júlia (1957)

3. Gaia - Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene."

'''B: Concepts of Participation'''

1. Amir - Consensus Design - Day, Christopher (2002)

2. Gaia - Gaventa, John: The Powerful, the Powerless, and the Experts

3. Nahian - Hester, Randolph (2005): Whose Politics, Landscape Architecture

'''C: Community and Identity'''

1. Amir - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)

2. Nahian - Nassauer, Joan Iverson (1995): Culture and Changing Landscape Structure, Landscape Ecology, vol. 10 no. 4.

'''D: Designing'''

1. Júlia - Design for Ecological Democracy - Randolph T. Hester (2006)

2. Gaia - Hester, Randolph: Life, Liberty and the Pursuit of Sustainable Happiness

3. Nahian - Pritzker Prize winning architect Alejandro Aravena on sustainable design and community involvement in Chile

'''E: Communicating a Vision'''
1. Júlia - - (0)

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: S.Amir H.Shahrestani '''
*Landscape and Democracy - Why is landscape beautiful? - Burckhardt, Lucius (1979)
The outcome of the people view of the same landscape is doubtless highly individual and every person has different aspect and criteria of it. The opinion of beautiful or ugly landscape comes from the people previous idea (childhood stories), therefore the people have different judgments.
*Concepts of Participation - Consensus Design - Day, Christopher (2002)
Better way to make ethical decisions is defined as a democratic way and consensual approach.
In the democracy the majority's demands are influential and the minority’s requests are disregarded. Getting a more comprehensive solution (equitable, productive, conscious, participator) compromising is defined as a step to reach collective decisions and consensus.
*Community and Identity - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)
Image of the landscape allows us to establish a relationship with the place through the sense of belonging. It performs an effective role in the transmission of the story by reflecting the identity of the space.

'''Author 2: Ildikó Júlia Kozma'''
*Landscape and Democracy
The role of the public in urbanism should be stronger. If we want more democratic cities, city dwellers must have more knowledge about the built environment which surround them. Without that they can’t live with their democratic rights.
*Designing
Ecology and democracy is to separate thing, but together they can give a better solution to many problems of urbanism. With well defined principles we can use ecological methods during designing.
*Communicating a Vision
In participatory design communicating your vision is a key element. Presentations hold by professionals, coauthoring design and all different kind of verbal and nonverbal communication method are needed to understand each other.

'''Author 3: Gaia Uguccioni '''
*Landscape and Democracy
Every landscape hides a meaning that is not explicit in the ordinary forms. Is a concept that lies utterly beyond science, that holds ideas, impressions and ineffable complexities that depends on how we are affected by it and from the values we associate to it.

*Concepts of Participation
Partecipatory processes are a form of access to a paradigm which the people had a little part in creating. Starts with the reappropriation of knowledge by those who are affected by it and evolves as a strategy in which the powerless develop, create, gain control and systematize their own science.

*Designing
In the modern broad cities is evident the disassociation from community and environment and the human behavior appear antagonistic to sustainability. Holistic insight should be pursuit to guide the design of urban forms and to find new directions for a reformulation of intents and ideals of fulfillment.

'''Author 4: Nahian Zobaid'''
*Concepts of Participation
A participatory approach in any development involves the community in Design
process and give them the right to express their thought, vision and need. This
concept can empower the unprivileged group of society if sensibly chosen in the
design process.

*Community and Identity
Community identity is shaped by the custom, social and geographical
environment of a particular place. Vernacular landscape are good example of
community identity, as it represents the adaptation and thought process of local
farm workers, land developers, home owners and other local professionals.

*Designing
Designing is the combination of multiple problems that leads to a simple yet
innovative solution. The Designer needs to translate the force of people, common
sense and nature into form to built a socially and climatically responsive design.

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:LED Manifesto-S.Amir H.Shahrestani.jpg.jpg|Amir's manifesto
Image:Re-mainfesto Nahian.jpg|Nahian's manifesto
Image:Final manifesto landscape democracy.jpg|Gaia's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: Júlia Ildikó Kozma ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape symbol 1 Kozma Ildiko Julia.jpg|“Szabihíd” project, Liberty Bridge urban picnic “Szabihíd” project started in 2017 when the Libert Bridge was closed due to constartion work. City dwellers and turist went there to enjoy the unique opportunity. At the beggining the city administration couldn’t handel the situation so they forbide to go there, but after a local orgaziation embraced this need and convienced the municipality to make a legal from. Since then the birdge is free from cars during the summer weekends and there are all different kind of activites makes this project more and more popular. 47.485755, 19.054959
File:Landscape symbol 2 Kozma Ildiko Julia.jpg|Buda Castle, Hungarian National Gallery, Széchenyi National Library During the historical times the castle was the place for the king, but these days it is open for the public. People not only can see the castle but the Hungarian National Gallery and also a Széchenyi National Library take place there. It symbolize a democratyc change which maybe not obvios if you doesn’t have some knowledge about the place. 47.502262, 19.032800
File:Landscape symbol 3 Kozma Ildiko Julia.JPG|Vegetable stands In the countryside small vegetable stands offer opportunity to buy fresh crop right form the a infield. Sometimes the owner is selling to you, sometimes only a box is there to collect the cost. I think it is also a symbol of trust and trust is something essentail for democracy. This system would not work without respect and understantment of the value of work. 47.557538, 10.749554

</gallery>

=== Landscape Symbols Author 2: Gaia Uguccioni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1 Wetropolitana.jpg‎|Bologna città [W]etropolitana_Not a subway access, but a sign of artistic performances that took place in those spaces and that has become part of a stratified landscape. A modern monument that represents the aesthetics of the provisional, infiltrates our landscape in a work of continuous adaptation, with a tangible subliminal act plausible enough to become familiar and mimically incorporated.
File:Nettuno.jpeg‎|al Żigànt_The Fountain of Neptune, also known as "the Giant", is a renaissance opera that stands into Piazza Maggiore, the most important square in Bologna. It was designed to glorify the papal government (as Neptune dominates the waters, so the Pope dominates the world). It is currently one of the most famous and recognized symbols of the city.
File:Bolognalagrassa.jpeg|La Grassa_ Capital of a region of great culinary passions, Bologna is associated with the imaginary perception of the city as a paradise for food delicacies. Traditional local specialty shops are the perfect example of Bolognese hedonism.

</gallery>

=== Landscape Symbols Auther 3: Seyed Amir Hosseini Shahrestani ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1.LED Landscape Symbol Shahrestani Amir.JPG|Roof garden of Exhibition hall Stuttgart.The place which people can take rest from chaos of Exhibition hall, to get together, talk and know each other. most of the time people contact each other after a short conversation. I would like to name this place ‘’the place of socializing and business’’. 48.693282, 9.186010
File:2.LED Landscape Symbol Shahrestani Amir.JPG|Main Square of Stuttgart. The spring, the time to go out and feel like birds, to chat, to make conversation, to look at the nature which is trying to be alive again, to feel it, to do the same ‘’being Alive Again’’. Happiness, green and free spaces. 48.778679, 9.180055
File:3.LED Landscape Symbol Shahrestani Amir.JPG|Nürtingen. Be river, never stop, be bless for your path and around, and get bless from your path. Give live and take it in other way. 48.627918, 9.345074

</gallery>

=== Landscape Symbols Author 4: Nahian Zobaid ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:12963763 10156738107310133 2790535050829475682 n.jpg|This photograph clicked by me in Bangladesh. As we know that Bangladesh is a riverine country and it is very common to get new land (river sand bed / Char) in the river. Sometimes some of these new lands last for long and sometimes some of those vanish in a short time. As a agricultural country (Bangladesh) most of the country men are farmers and when they see that there are little bit green (like the photograph) on the river sand bed / char, then they get hope to get new agricultural land. These green are the symbol of hope for these farmers. Geo-location 20'34N to 26'38N latitude, 88'01E to 92'41E longitude

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg|The main attraction of the Swadhinata Stambha is the Stambha / monument itself. Stambha means pillar or tower in Bengali. The tower was built on the place where the commander-in-chief of East Pakistan Army Amir Abdullah Khan Niazi signed the papers of his surrender. During night, the tower looks elegant as the rays of light come out from every single inches of the tower. The whole tower turns into a white pillar. The tower is square according to the plan and is 16 feet wide from every side with an area of 64 inches. The underground museum of the project comprises several photographs with historical significance. There are a number of terracotta murals on war-heroes and the events of the Liberation War, a 2000-seat auditorium, and an open-air theater. The eternal flame stands beside the tower. The water body of the project reflects the whole tower all the day and increases the beauty of the project. But the water body is under potential threat as the local slum-dwellers use it for their daily needs. This monument is representing the past , present and future of Bangladesh at a time. Geo location: 23°42′N 90°22′E

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Ratargul, Sylhet.jpeg|In this picture, we can see the water channels in land. The place is in Sylhet, one of the district of Bangladesh. People use the boats for commuting. Also they have the access to the land but they are comfortable with the water boats. The evergreen forest is situated by the river Goain and linked with the channel Chengir Khal. Most of the trees growing here are the Millettia pinnata. The forest is submerged under 20–30 feet water in the rainy season. For the rest of the year, the water level is about 10 feet deep. Geo location: 25°00.025′N 91°58.180′E
</gallery>

== Assignment 3 - Role Play on Landscape Democracy "movers and shakers" ==
*You can read more details about this assignment [[Assignment_3:_Role_Play_on_Landscape_Democracy_"movers_and_shakers"_(2019)|here]]

== Assignment 4 - Your Landscape Democracy Challenge ==
*You can read more details about this assignment [[Assignment_4:_Your_Landscape_Democracy_Challenge_(2019)|here]]
*Each group member will specify a landscape democracy challenge in his/her environment

=== Landscape Democracy Challenge 1: Ildikó Júlia Kozma ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:IldikoJuliaKozma Challenge 01.jpg|caption: why did you select this case?
Image:IldikoJuliaKozma Challenge 02.jpg|caption: what is the issue/conflict (1)
Image:IldikoJuliaKozma Challenge 03.jpg|caption: what is the issue/conflict (2)
Image:: who are the actors?
</gallery>
'''Your references:'''
*https://index.hu/belfold/2019/06/11/kapitany_holttest_hableany_kiemeles/
*...

=== Landscape Democracy Challenge 2: Gaia Uguccioni ===
<gallery caption="Sharing economy - Housing emergency in Bologna" widths="150px" heights="150px" perrow="5">
Image:1-Gaia LED Assigment 4 Group 7.png|Sharing economy, tourism and housing emergency
Image:1-Gaia LED Assigment 2.png|Global issue
Image:1-Gaia LED Assigment 3.png|Local issue
</gallery>
'''Your references:'''
*http://www.pensareurbano.it/

=== Landscape Democracy Challenge 3: S.Amir H.Shahrestani ===
<gallery caption="The location of the Roßdorf (quarter) in Nürtingen, Germany" widths="150px" heights="150px" perrow="5">
Image:AmirShahrestani Challenge 01.jpg|caption: why did you select this case? - During last months that I’m living and studying in this city, I realized this quarter, which has less identity to other settlement in this area. The idea of developing the city in this specific place (about 40 years ago) was: to build Modern Architecture buildings with the aspect of better future. But the thing that Architects and designers forgot to concentrate on it was: are the citizen comfort/satisfaction with this kind of Architecture? But this is not the only reason that this project is not succeeding.
Image:AmirShahrestani Challenge 02.jpg|caption: what is the issue/conflict - Living up the hill and in new and modern architecture building is fascinating, but public transportation is the main problem, if you are the person who loves to ride bicycle, it would be difficult to ride on slope, if you are aging it becomes more and more difficult then. The first train-station is the downhill, and the bus comes every hour. In this case the people fill they are out of the city, they never think they are part of this city at all.
Image:AmirShahrestani Challenge 03.jpg|caption: what is the issue/conflict (2) - The idea was developing city in this part, but from the first time, most of foreigners who were living in the city moved to this zone and most of inhabitants are not German. Few years ago government built a refugee house there and made this situation more complicated. The idea of helping refugees are brilliant, but how refugees can migrate in this country when they are living just with foreigners in a zone (like isolated zone of the city).
Image:AmirShahrestani Challenge 04.jpg|caption: who are the actors? - Initially government, Architects, Landscape Architects/planners were responsible. But for now people are also actors. For this situation communities can be more active and with government and Architects help (New ideas) this problem can be solved. But it takes time.
</gallery>
'''Your references:'''
*...
*...
*...
*https://www.pexels.com/photo/photo-of-four-persons-uniting-hands-943630/

=== Landscape Democracy Challenge 4 ===
<gallery caption="Reviving Canals" widths="150px" heights="150px" perrow="5">
Image:01.jpg|caption: Dhaka City has been suffering from many environmental problems including flooding, water logging and other related problems. Urbanization, which is occurring very fast and with larger magnitude in Dhaka, is the intrinsic reason behind these problems. High rate of urbanization causes extensive urban area expansion and as a result canals, wetland and other water bodies are quickly vanishing from the landscape. This study shows the present physical condition of the canals; identifies the processes of canal encroachment; represents the consequences of canal encroachment. 13 canals of 50 were surveyed; local people were surveyed to identify the impact and processes of encroachment. Canals are being encroached in various styles and this study identifies five: unauthorized land filling, illegal construction over canal, expansion of slum, solid waste dumping, taking advantage of lack of awareness of local people as well as government agencies. However, this study also discusses the grave consequences of canal encroachment: increasing flood vulnerability, wane of ground water recharge area and ground water level, collapse of natural drainage system, loss of local ecology and biodiversity.
Image:31c5eb5f-50f6-4d4b-b9ac-f410886ff03d.jpg|caption: what is the issue/conflict? The 1st issue is the POLLUTION! For water logging and flooding, different kind of health problem arise very fast for the inhabitants. Natural drinking water sources decreasing day by day.
Image:Water141 (1).jpg|caption: what is the issue/conflict? The 2nd issue is road blocking in rainy season due to the flood. It is now very common scenario of Dhaka city.Flooding and water clogging create this and the people suffers a lot in rainy season.
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

== Your Democratic Change Process ==

<gallery caption="Inaccessible Danube in Budapest" widths="600px" heights="300px" perrow="1">
Inaccessible Danube in Budapest Slide0.jpg|Challenge - Inaccessible Danube in Budapest
Inaccessible Danube in Budapest Slide1.jpg|Challenge - Inaccessible Danube in Budapest
Inaccessible Danube in Budapest Slide2.jpg|Power map - Stakeholders/Interests/Users
Inaccessible Danube in Budapest Slide3.jpg|Change process - Partecipation Map
Inaccessible Danube in Budapest Slide4.jpg|Main findings - Posibilites
Inaccessible Danube in Budapest Slide5.jpg|Overall reflection and outlook - Findings-Unresolved issue-Message
Inaccessible Danube in Budapest Slide6.jpg|
</gallery>

== Reflection ==
* The process should happen very slowly, to be sure to change the perception of the people and to educate them to the participatory methods and to the real possibility that they have to change their environment.
* Because of heritage saving the outcome of the project won’t be so visible, as the built structure is protected.
* ....

Conclusion:
* Even in a very complex situation there is place to involve the community, the key element is to find in which part they can be involved in the process.
* Gathering information by the locals and tourist helps the decision makers to understand the needs and perspectives of the users.
* ....

== Your references ==
* ...
* ...
* ...

----
[[Category:Landscape Democracy Working Group 2019]]

LED Online Seminar 2019 - Working Group 7

2019-07-21T12:15:23Z

Nahian.zoabid: /* Landscape Democracy Challenge 4 */

'''--> Back to [[LED_Online_Seminar_Working_Groups_2019|working group overview]]'''

''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

<div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed;
bottom:32px; left:2%; z-index:9999; padding:0; margin:0;"><span style="color:blue;
font-size:8pt; font-face:verdana,sans-serif; border:0.2em outset #ceebf7;
padding:0.1em; font-weight:bolder; -moz-border-radius:8px; ">
[[#top| Back to the Top ]]</span></div>

== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape Democracy Manifesto-Tehran.jpg|Amir's manifesto
Image:Manifesto Nahian-min.jpg|Nahian's manifesto
Image:Manifesto gaiauguccioni.png|Gaia's manifesto
File:LED Assigment 1 Kozma Ildiko Julia.png |Júlia's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''

1. Amir - Why is landscape beautiful? - Burckhardt, Lucius (1979)

2. Júlia - Urban Planning and Democracy - Júlia (1957)

3. Gaia - Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene."

'''B: Concepts of Participation'''

1. Amir - Consensus Design - Day, Christopher (2002)

2. Gaia - Gaventa, John: The Powerful, the Powerless, and the Experts

3. Nahian - Hester, Randolph (2005): Whose Politics, Landscape Architecture

'''C: Community and Identity'''

1. Amir - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)

2. Nahian - Nassauer, Joan Iverson (1995): Culture and Changing Landscape Structure, Landscape Ecology, vol. 10 no. 4.

'''D: Designing'''

1. Júlia - Design for Ecological Democracy - Randolph T. Hester (2006)

2. Gaia - Hester, Randolph: Life, Liberty and the Pursuit of Sustainable Happiness

3. Nahian - Pritzker Prize winning architect Alejandro Aravena on sustainable design and community involvement in Chile

'''E: Communicating a Vision'''
1. Júlia - - (0)

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: S.Amir H.Shahrestani '''
*Landscape and Democracy - Why is landscape beautiful? - Burckhardt, Lucius (1979)
The outcome of the people view of the same landscape is doubtless highly individual and every person has different aspect and criteria of it. The opinion of beautiful or ugly landscape comes from the people previous idea (childhood stories), therefore the people have different judgments.
*Concepts of Participation - Consensus Design - Day, Christopher (2002)
Better way to make ethical decisions is defined as a democratic way and consensual approach.
In the democracy the majority's demands are influential and the minority’s requests are disregarded. Getting a more comprehensive solution (equitable, productive, conscious, participator) compromising is defined as a step to reach collective decisions and consensus.
*Community and Identity - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)
Image of the landscape allows us to establish a relationship with the place through the sense of belonging. It performs an effective role in the transmission of the story by reflecting the identity of the space.

'''Author 2: Ildikó Júlia Kozma'''
*Landscape and Democracy
The role of the public in urbanism should be stronger. If we want more democratic cities, city dwellers must have more knowledge about the built environment which surround them. Without that they can’t live with their democratic rights.
*Designing
Ecology and democracy is to separate thing, but together they can give a better solution to many problems of urbanism. With well defined principles we can use ecological methods during designing.
*Communicating a Vision
In participatory design communicating your vision is a key element. Presentations hold by professionals, coauthoring design and all different kind of verbal and nonverbal communication method are needed to understand each other.

'''Author 3: Gaia Uguccioni '''
*Landscape and Democracy
Every landscape hides a meaning that is not explicit in the ordinary forms. Is a concept that lies utterly beyond science, that holds ideas, impressions and ineffable complexities that depends on how we are affected by it and from the values we associate to it.

*Concepts of Participation
Partecipatory processes are a form of access to a paradigm which the people had a little part in creating. Starts with the reappropriation of knowledge by those who are affected by it and evolves as a strategy in which the powerless develop, create, gain control and systematize their own science.

*Designing
In the modern broad cities is evident the disassociation from community and environment and the human behavior appear antagonistic to sustainability. Holistic insight should be pursuit to guide the design of urban forms and to find new directions for a reformulation of intents and ideals of fulfillment.

'''Author 4: Nahian Zobaid'''
*Concepts of Participation
A participatory approach in any development involves the community in Design
process and give them the right to express their thought, vision and need. This
concept can empower the unprivileged group of society if sensibly chosen in the
design process.

*Community and Identity
Community identity is shaped by the custom, social and geographical
environment of a particular place. Vernacular landscape are good example of
community identity, as it represents the adaptation and thought process of local
farm workers, land developers, home owners and other local professionals.

*Designing
Designing is the combination of multiple problems that leads to a simple yet
innovative solution. The Designer needs to translate the force of people, common
sense and nature into form to built a socially and climatically responsive design.

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:LED Manifesto-S.Amir H.Shahrestani.jpg.jpg|Amir's manifesto
Image:Re-mainfesto Nahian.jpg|Nahian's manifesto
Image:Final manifesto landscape democracy.jpg|Gaia's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: Júlia Ildikó Kozma ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape symbol 1 Kozma Ildiko Julia.jpg|“Szabihíd” project, Liberty Bridge urban picnic “Szabihíd” project started in 2017 when the Libert Bridge was closed due to constartion work. City dwellers and turist went there to enjoy the unique opportunity. At the beggining the city administration couldn’t handel the situation so they forbide to go there, but after a local orgaziation embraced this need and convienced the municipality to make a legal from. Since then the birdge is free from cars during the summer weekends and there are all different kind of activites makes this project more and more popular. 47.485755, 19.054959
File:Landscape symbol 2 Kozma Ildiko Julia.jpg|Buda Castle, Hungarian National Gallery, Széchenyi National Library During the historical times the castle was the place for the king, but these days it is open for the public. People not only can see the castle but the Hungarian National Gallery and also a Széchenyi National Library take place there. It symbolize a democratyc change which maybe not obvios if you doesn’t have some knowledge about the place. 47.502262, 19.032800
File:Landscape symbol 3 Kozma Ildiko Julia.JPG|Vegetable stands In the countryside small vegetable stands offer opportunity to buy fresh crop right form the a infield. Sometimes the owner is selling to you, sometimes only a box is there to collect the cost. I think it is also a symbol of trust and trust is something essentail for democracy. This system would not work without respect and understantment of the value of work. 47.557538, 10.749554

</gallery>

=== Landscape Symbols Author 2: Gaia Uguccioni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1 Wetropolitana.jpg‎|Bologna città [W]etropolitana_Not a subway access, but a sign of artistic performances that took place in those spaces and that has become part of a stratified landscape. A modern monument that represents the aesthetics of the provisional, infiltrates our landscape in a work of continuous adaptation, with a tangible subliminal act plausible enough to become familiar and mimically incorporated.
File:Nettuno.jpeg‎|al Żigànt_The Fountain of Neptune, also known as "the Giant", is a renaissance opera that stands into Piazza Maggiore, the most important square in Bologna. It was designed to glorify the papal government (as Neptune dominates the waters, so the Pope dominates the world). It is currently one of the most famous and recognized symbols of the city.
File:Bolognalagrassa.jpeg|La Grassa_ Capital of a region of great culinary passions, Bologna is associated with the imaginary perception of the city as a paradise for food delicacies. Traditional local specialty shops are the perfect example of Bolognese hedonism.

</gallery>

=== Landscape Symbols Auther 3: Seyed Amir Hosseini Shahrestani ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1.LED Landscape Symbol Shahrestani Amir.JPG|Roof garden of Exhibition hall Stuttgart.The place which people can take rest from chaos of Exhibition hall, to get together, talk and know each other. most of the time people contact each other after a short conversation. I would like to name this place ‘’the place of socializing and business’’. 48.693282, 9.186010
File:2.LED Landscape Symbol Shahrestani Amir.JPG|Main Square of Stuttgart. The spring, the time to go out and feel like birds, to chat, to make conversation, to look at the nature which is trying to be alive again, to feel it, to do the same ‘’being Alive Again’’. Happiness, green and free spaces. 48.778679, 9.180055
File:3.LED Landscape Symbol Shahrestani Amir.JPG|Nürtingen. Be river, never stop, be bless for your path and around, and get bless from your path. Give live and take it in other way. 48.627918, 9.345074

</gallery>

=== Landscape Symbols Author 4: Nahian Zobaid ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:12963763 10156738107310133 2790535050829475682 n.jpg|This photograph clicked by me in Bangladesh. As we know that Bangladesh is a riverine country and it is very common to get new land (river sand bed / Char) in the river. Sometimes some of these new lands last for long and sometimes some of those vanish in a short time. As a agricultural country (Bangladesh) most of the country men are farmers and when they see that there are little bit green (like the photograph) on the river sand bed / char, then they get hope to get new agricultural land. These green are the symbol of hope for these farmers. Geo-location 20'34N to 26'38N latitude, 88'01E to 92'41E longitude

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg|The main attraction of the Swadhinata Stambha is the Stambha / monument itself. Stambha means pillar or tower in Bengali. The tower was built on the place where the commander-in-chief of East Pakistan Army Amir Abdullah Khan Niazi signed the papers of his surrender. During night, the tower looks elegant as the rays of light come out from every single inches of the tower. The whole tower turns into a white pillar. The tower is square according to the plan and is 16 feet wide from every side with an area of 64 inches. The underground museum of the project comprises several photographs with historical significance. There are a number of terracotta murals on war-heroes and the events of the Liberation War, a 2000-seat auditorium, and an open-air theater. The eternal flame stands beside the tower. The water body of the project reflects the whole tower all the day and increases the beauty of the project. But the water body is under potential threat as the local slum-dwellers use it for their daily needs. This monument is representing the past , present and future of Bangladesh at a time. Geo location: 23°42′N 90°22′E

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Ratargul, Sylhet.jpeg|In this picture, we can see the water channels in land. The place is in Sylhet, one of the district of Bangladesh. People use the boats for commuting. Also they have the access to the land but they are comfortable with the water boats. The evergreen forest is situated by the river Goain and linked with the channel Chengir Khal. Most of the trees growing here are the Millettia pinnata. The forest is submerged under 20–30 feet water in the rainy season. For the rest of the year, the water level is about 10 feet deep. Geo location: 25°00.025′N 91°58.180′E
</gallery>

== Assignment 3 - Role Play on Landscape Democracy "movers and shakers" ==
*You can read more details about this assignment [[Assignment_3:_Role_Play_on_Landscape_Democracy_"movers_and_shakers"_(2019)|here]]

== Assignment 4 - Your Landscape Democracy Challenge ==
*You can read more details about this assignment [[Assignment_4:_Your_Landscape_Democracy_Challenge_(2019)|here]]
*Each group member will specify a landscape democracy challenge in his/her environment

=== Landscape Democracy Challenge 1: Ildikó Júlia Kozma ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:IldikoJuliaKozma Challenge 01.jpg|caption: why did you select this case?
Image:IldikoJuliaKozma Challenge 02.jpg|caption: what is the issue/conflict (1)
Image:IldikoJuliaKozma Challenge 03.jpg|caption: what is the issue/conflict (2)
Image:: who are the actors?
</gallery>
'''Your references:'''
*https://index.hu/belfold/2019/06/11/kapitany_holttest_hableany_kiemeles/
*...

=== Landscape Democracy Challenge 2: Gaia Uguccioni ===
<gallery caption="Sharing economy - Housing emergency in Bologna" widths="150px" heights="150px" perrow="5">
Image:1-Gaia LED Assigment 4 Group 7.png|Sharing economy, tourism and housing emergency
Image:1-Gaia LED Assigment 2.png|Global issue
Image:1-Gaia LED Assigment 3.png|Local issue
</gallery>
'''Your references:'''
*http://www.pensareurbano.it/

=== Landscape Democracy Challenge 3: S.Amir H.Shahrestani ===
<gallery caption="The location of the Roßdorf (quarter) in Nürtingen, Germany" widths="150px" heights="150px" perrow="5">
Image:AmirShahrestani Challenge 01.jpg|caption: why did you select this case? - During last months that I’m living and studying in this city, I realized this quarter, which has less identity to other settlement in this area. The idea of developing the city in this specific place (about 40 years ago) was: to build Modern Architecture buildings with the aspect of better future. But the thing that Architects and designers forgot to concentrate on it was: are the citizen comfort/satisfaction with this kind of Architecture? But this is not the only reason that this project is not succeeding.
Image:AmirShahrestani Challenge 02.jpg|caption: what is the issue/conflict - Living up the hill and in new and modern architecture building is fascinating, but public transportation is the main problem, if you are the person who loves to ride bicycle, it would be difficult to ride on slope, if you are aging it becomes more and more difficult then. The first train-station is the downhill, and the bus comes every hour. In this case the people fill they are out of the city, they never think they are part of this city at all.
Image:AmirShahrestani Challenge 03.jpg|caption: what is the issue/conflict (2) - The idea was developing city in this part, but from the first time, most of foreigners who were living in the city moved to this zone and most of inhabitants are not German. Few years ago government built a refugee house there and made this situation more complicated. The idea of helping refugees are brilliant, but how refugees can migrate in this country when they are living just with foreigners in a zone (like isolated zone of the city).
Image:AmirShahrestani Challenge 04.jpg|caption: who are the actors? - Initially government, Architects, Landscape Architects/planners were responsible. But for now people are also actors. For this situation communities can be more active and with government and Architects help (New ideas) this problem can be solved. But it takes time.
</gallery>
'''Your references:'''
*...
*...
*...
*https://www.pexels.com/photo/photo-of-four-persons-uniting-hands-943630/

=== Landscape Democracy Challenge 4 ===
<gallery caption="Reviving Canals" widths="150px" heights="150px" perrow="5">
Image:01.jpg|caption: Dhaka City has been suffering from many environmental problems including flooding, water logging and other related problems. Urbanization, which is occurring very fast and with larger magnitude in Dhaka, is the intrinsic reason behind these problems. High rate of urbanization causes extensive urban area expansion and as a result canals, wetland and other water bodies are quickly vanishing from the landscape. This study shows the present physical condition of the canals; identifies the processes of canal encroachment; represents the consequences of canal encroachment. 13 canals of 50 were surveyed; local people were surveyed to identify the impact and processes of encroachment. Canals are being encroached in various styles and this study identifies five: unauthorized land filling, illegal construction over canal, expansion of slum, solid waste dumping, taking advantage of lack of awareness of local people as well as government agencies. However, this study also discusses the grave consequences of canal encroachment: increasing flood vulnerability, wane of ground water recharge area and ground water level, collapse of natural drainage system, loss of local ecology and biodiversity.
Image:31c5eb5f-50f6-4d4b-b9ac-f410886ff03d.jpg|caption: what is the issue/conflict? The 1st issue is the POLLUTION! For water logging and flooding, different kind of health problem arise very fast for the inhabitants. Natural drinking water sources decreasing day by day.
Image:Water141 (1).jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

== Your Democratic Change Process ==

<gallery caption="Inaccessible Danube in Budapest" widths="600px" heights="300px" perrow="1">
Inaccessible Danube in Budapest Slide0.jpg|Challenge - Inaccessible Danube in Budapest
Inaccessible Danube in Budapest Slide1.jpg|Challenge - Inaccessible Danube in Budapest
Inaccessible Danube in Budapest Slide2.jpg|Power map - Stakeholders/Interests/Users
Inaccessible Danube in Budapest Slide3.jpg|Change process - Partecipation Map
Inaccessible Danube in Budapest Slide4.jpg|Main findings - Posibilites
Inaccessible Danube in Budapest Slide5.jpg|Overall reflection and outlook - Findings-Unresolved issue-Message
Inaccessible Danube in Budapest Slide6.jpg|
</gallery>

== Reflection ==
* The process should happen very slowly, to be sure to change the perception of the people and to educate them to the participatory methods and to the real possibility that they have to change their environment.
* Because of heritage saving the outcome of the project won’t be so visible, as the built structure is protected.
* ....

Conclusion:
* Even in a very complex situation there is place to involve the community, the key element is to find in which part they can be involved in the process.
* Gathering information by the locals and tourist helps the decision makers to understand the needs and perspectives of the users.
* ....

== Your references ==
* ...
* ...
* ...

----
[[Category:Landscape Democracy Working Group 2019]]

LED Online Seminar 2019 - Working Group 7

2019-07-21T12:05:33Z

Nahian.zoabid: /* Landscape Democracy Challenge 4 */

'''--> Back to [[LED_Online_Seminar_Working_Groups_2019|working group overview]]'''

''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

<div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed;
bottom:32px; left:2%; z-index:9999; padding:0; margin:0;"><span style="color:blue;
font-size:8pt; font-face:verdana,sans-serif; border:0.2em outset #ceebf7;
padding:0.1em; font-weight:bolder; -moz-border-radius:8px; ">
[[#top| Back to the Top ]]</span></div>

== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape Democracy Manifesto-Tehran.jpg|Amir's manifesto
Image:Manifesto Nahian-min.jpg|Nahian's manifesto
Image:Manifesto gaiauguccioni.png|Gaia's manifesto
File:LED Assigment 1 Kozma Ildiko Julia.png |Júlia's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''

1. Amir - Why is landscape beautiful? - Burckhardt, Lucius (1979)

2. Júlia - Urban Planning and Democracy - Júlia (1957)

3. Gaia - Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene."

'''B: Concepts of Participation'''

1. Amir - Consensus Design - Day, Christopher (2002)

2. Gaia - Gaventa, John: The Powerful, the Powerless, and the Experts

3. Nahian - Hester, Randolph (2005): Whose Politics, Landscape Architecture

'''C: Community and Identity'''

1. Amir - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)

2. Nahian - Nassauer, Joan Iverson (1995): Culture and Changing Landscape Structure, Landscape Ecology, vol. 10 no. 4.

'''D: Designing'''

1. Júlia - Design for Ecological Democracy - Randolph T. Hester (2006)

2. Gaia - Hester, Randolph: Life, Liberty and the Pursuit of Sustainable Happiness

3. Nahian - Pritzker Prize winning architect Alejandro Aravena on sustainable design and community involvement in Chile

'''E: Communicating a Vision'''
1. Júlia - - (0)

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: S.Amir H.Shahrestani '''
*Landscape and Democracy - Why is landscape beautiful? - Burckhardt, Lucius (1979)
The outcome of the people view of the same landscape is doubtless highly individual and every person has different aspect and criteria of it. The opinion of beautiful or ugly landscape comes from the people previous idea (childhood stories), therefore the people have different judgments.
*Concepts of Participation - Consensus Design - Day, Christopher (2002)
Better way to make ethical decisions is defined as a democratic way and consensual approach.
In the democracy the majority's demands are influential and the minority’s requests are disregarded. Getting a more comprehensive solution (equitable, productive, conscious, participator) compromising is defined as a step to reach collective decisions and consensus.
*Community and Identity - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)
Image of the landscape allows us to establish a relationship with the place through the sense of belonging. It performs an effective role in the transmission of the story by reflecting the identity of the space.

'''Author 2: Ildikó Júlia Kozma'''
*Landscape and Democracy
The role of the public in urbanism should be stronger. If we want more democratic cities, city dwellers must have more knowledge about the built environment which surround them. Without that they can’t live with their democratic rights.
*Designing
Ecology and democracy is to separate thing, but together they can give a better solution to many problems of urbanism. With well defined principles we can use ecological methods during designing.
*Communicating a Vision
In participatory design communicating your vision is a key element. Presentations hold by professionals, coauthoring design and all different kind of verbal and nonverbal communication method are needed to understand each other.

'''Author 3: Gaia Uguccioni '''
*Landscape and Democracy
Every landscape hides a meaning that is not explicit in the ordinary forms. Is a concept that lies utterly beyond science, that holds ideas, impressions and ineffable complexities that depends on how we are affected by it and from the values we associate to it.

*Concepts of Participation
Partecipatory processes are a form of access to a paradigm which the people had a little part in creating. Starts with the reappropriation of knowledge by those who are affected by it and evolves as a strategy in which the powerless develop, create, gain control and systematize their own science.

*Designing
In the modern broad cities is evident the disassociation from community and environment and the human behavior appear antagonistic to sustainability. Holistic insight should be pursuit to guide the design of urban forms and to find new directions for a reformulation of intents and ideals of fulfillment.

'''Author 4: Nahian Zobaid'''
*Concepts of Participation
A participatory approach in any development involves the community in Design
process and give them the right to express their thought, vision and need. This
concept can empower the unprivileged group of society if sensibly chosen in the
design process.

*Community and Identity
Community identity is shaped by the custom, social and geographical
environment of a particular place. Vernacular landscape are good example of
community identity, as it represents the adaptation and thought process of local
farm workers, land developers, home owners and other local professionals.

*Designing
Designing is the combination of multiple problems that leads to a simple yet
innovative solution. The Designer needs to translate the force of people, common
sense and nature into form to built a socially and climatically responsive design.

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:LED Manifesto-S.Amir H.Shahrestani.jpg.jpg|Amir's manifesto
Image:Re-mainfesto Nahian.jpg|Nahian's manifesto
Image:Final manifesto landscape democracy.jpg|Gaia's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: Júlia Ildikó Kozma ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape symbol 1 Kozma Ildiko Julia.jpg|“Szabihíd” project, Liberty Bridge urban picnic “Szabihíd” project started in 2017 when the Libert Bridge was closed due to constartion work. City dwellers and turist went there to enjoy the unique opportunity. At the beggining the city administration couldn’t handel the situation so they forbide to go there, but after a local orgaziation embraced this need and convienced the municipality to make a legal from. Since then the birdge is free from cars during the summer weekends and there are all different kind of activites makes this project more and more popular. 47.485755, 19.054959
File:Landscape symbol 2 Kozma Ildiko Julia.jpg|Buda Castle, Hungarian National Gallery, Széchenyi National Library During the historical times the castle was the place for the king, but these days it is open for the public. People not only can see the castle but the Hungarian National Gallery and also a Széchenyi National Library take place there. It symbolize a democratyc change which maybe not obvios if you doesn’t have some knowledge about the place. 47.502262, 19.032800
File:Landscape symbol 3 Kozma Ildiko Julia.JPG|Vegetable stands In the countryside small vegetable stands offer opportunity to buy fresh crop right form the a infield. Sometimes the owner is selling to you, sometimes only a box is there to collect the cost. I think it is also a symbol of trust and trust is something essentail for democracy. This system would not work without respect and understantment of the value of work. 47.557538, 10.749554

</gallery>

=== Landscape Symbols Author 2: Gaia Uguccioni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1 Wetropolitana.jpg‎|Bologna città [W]etropolitana_Not a subway access, but a sign of artistic performances that took place in those spaces and that has become part of a stratified landscape. A modern monument that represents the aesthetics of the provisional, infiltrates our landscape in a work of continuous adaptation, with a tangible subliminal act plausible enough to become familiar and mimically incorporated.
File:Nettuno.jpeg‎|al Żigànt_The Fountain of Neptune, also known as "the Giant", is a renaissance opera that stands into Piazza Maggiore, the most important square in Bologna. It was designed to glorify the papal government (as Neptune dominates the waters, so the Pope dominates the world). It is currently one of the most famous and recognized symbols of the city.
File:Bolognalagrassa.jpeg|La Grassa_ Capital of a region of great culinary passions, Bologna is associated with the imaginary perception of the city as a paradise for food delicacies. Traditional local specialty shops are the perfect example of Bolognese hedonism.

</gallery>

=== Landscape Symbols Auther 3: Seyed Amir Hosseini Shahrestani ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1.LED Landscape Symbol Shahrestani Amir.JPG|Roof garden of Exhibition hall Stuttgart.The place which people can take rest from chaos of Exhibition hall, to get together, talk and know each other. most of the time people contact each other after a short conversation. I would like to name this place ‘’the place of socializing and business’’. 48.693282, 9.186010
File:2.LED Landscape Symbol Shahrestani Amir.JPG|Main Square of Stuttgart. The spring, the time to go out and feel like birds, to chat, to make conversation, to look at the nature which is trying to be alive again, to feel it, to do the same ‘’being Alive Again’’. Happiness, green and free spaces. 48.778679, 9.180055
File:3.LED Landscape Symbol Shahrestani Amir.JPG|Nürtingen. Be river, never stop, be bless for your path and around, and get bless from your path. Give live and take it in other way. 48.627918, 9.345074

</gallery>

=== Landscape Symbols Author 4: Nahian Zobaid ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:12963763 10156738107310133 2790535050829475682 n.jpg|This photograph clicked by me in Bangladesh. As we know that Bangladesh is a riverine country and it is very common to get new land (river sand bed / Char) in the river. Sometimes some of these new lands last for long and sometimes some of those vanish in a short time. As a agricultural country (Bangladesh) most of the country men are farmers and when they see that there are little bit green (like the photograph) on the river sand bed / char, then they get hope to get new agricultural land. These green are the symbol of hope for these farmers. Geo-location 20'34N to 26'38N latitude, 88'01E to 92'41E longitude

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg|The main attraction of the Swadhinata Stambha is the Stambha / monument itself. Stambha means pillar or tower in Bengali. The tower was built on the place where the commander-in-chief of East Pakistan Army Amir Abdullah Khan Niazi signed the papers of his surrender. During night, the tower looks elegant as the rays of light come out from every single inches of the tower. The whole tower turns into a white pillar. The tower is square according to the plan and is 16 feet wide from every side with an area of 64 inches. The underground museum of the project comprises several photographs with historical significance. There are a number of terracotta murals on war-heroes and the events of the Liberation War, a 2000-seat auditorium, and an open-air theater. The eternal flame stands beside the tower. The water body of the project reflects the whole tower all the day and increases the beauty of the project. But the water body is under potential threat as the local slum-dwellers use it for their daily needs. This monument is representing the past , present and future of Bangladesh at a time. Geo location: 23°42′N 90°22′E

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Ratargul, Sylhet.jpeg|In this picture, we can see the water channels in land. The place is in Sylhet, one of the district of Bangladesh. People use the boats for commuting. Also they have the access to the land but they are comfortable with the water boats. The evergreen forest is situated by the river Goain and linked with the channel Chengir Khal. Most of the trees growing here are the Millettia pinnata. The forest is submerged under 20–30 feet water in the rainy season. For the rest of the year, the water level is about 10 feet deep. Geo location: 25°00.025′N 91°58.180′E
</gallery>

== Assignment 3 - Role Play on Landscape Democracy "movers and shakers" ==
*You can read more details about this assignment [[Assignment_3:_Role_Play_on_Landscape_Democracy_"movers_and_shakers"_(2019)|here]]

== Assignment 4 - Your Landscape Democracy Challenge ==
*You can read more details about this assignment [[Assignment_4:_Your_Landscape_Democracy_Challenge_(2019)|here]]
*Each group member will specify a landscape democracy challenge in his/her environment

=== Landscape Democracy Challenge 1: Ildikó Júlia Kozma ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:IldikoJuliaKozma Challenge 01.jpg|caption: why did you select this case?
Image:IldikoJuliaKozma Challenge 02.jpg|caption: what is the issue/conflict (1)
Image:IldikoJuliaKozma Challenge 03.jpg|caption: what is the issue/conflict (2)
Image:: who are the actors?
</gallery>
'''Your references:'''
*https://index.hu/belfold/2019/06/11/kapitany_holttest_hableany_kiemeles/
*...

=== Landscape Democracy Challenge 2: Gaia Uguccioni ===
<gallery caption="Sharing economy - Housing emergency in Bologna" widths="150px" heights="150px" perrow="5">
Image:1-Gaia LED Assigment 4 Group 7.png|Sharing economy, tourism and housing emergency
Image:1-Gaia LED Assigment 2.png|Global issue
Image:1-Gaia LED Assigment 3.png|Local issue
</gallery>
'''Your references:'''
*http://www.pensareurbano.it/

=== Landscape Democracy Challenge 3: S.Amir H.Shahrestani ===
<gallery caption="The location of the Roßdorf (quarter) in Nürtingen, Germany" widths="150px" heights="150px" perrow="5">
Image:AmirShahrestani Challenge 01.jpg|caption: why did you select this case? - During last months that I’m living and studying in this city, I realized this quarter, which has less identity to other settlement in this area. The idea of developing the city in this specific place (about 40 years ago) was: to build Modern Architecture buildings with the aspect of better future. But the thing that Architects and designers forgot to concentrate on it was: are the citizen comfort/satisfaction with this kind of Architecture? But this is not the only reason that this project is not succeeding.
Image:AmirShahrestani Challenge 02.jpg|caption: what is the issue/conflict - Living up the hill and in new and modern architecture building is fascinating, but public transportation is the main problem, if you are the person who loves to ride bicycle, it would be difficult to ride on slope, if you are aging it becomes more and more difficult then. The first train-station is the downhill, and the bus comes every hour. In this case the people fill they are out of the city, they never think they are part of this city at all.
Image:AmirShahrestani Challenge 03.jpg|caption: what is the issue/conflict (2) - The idea was developing city in this part, but from the first time, most of foreigners who were living in the city moved to this zone and most of inhabitants are not German. Few years ago government built a refugee house there and made this situation more complicated. The idea of helping refugees are brilliant, but how refugees can migrate in this country when they are living just with foreigners in a zone (like isolated zone of the city).
Image:AmirShahrestani Challenge 04.jpg|caption: who are the actors? - Initially government, Architects, Landscape Architects/planners were responsible. But for now people are also actors. For this situation communities can be more active and with government and Architects help (New ideas) this problem can be solved. But it takes time.
</gallery>
'''Your references:'''
*...
*...
*...
*https://www.pexels.com/photo/photo-of-four-persons-uniting-hands-943630/

=== Landscape Democracy Challenge 4 ===
<gallery caption="Reviving Canals" widths="150px" heights="150px" perrow="5">
Image:01.jpg|caption: Dhaka City has been suffering from many environmental problems including flooding, water logging and other related problems. Urbanization, which is occurring very fast and with larger magnitude in Dhaka, is the intrinsic reason behind these problems. High rate of urbanization causes extensive urban area expansion and as a result canals, wetland and other water bodies are quickly vanishing from the landscape. This study shows the present physical condition of the canals; identifies the processes of canal encroachment; represents the consequences of canal encroachment. 13 canals of 50 were surveyed; local people were surveyed to identify the impact and processes of encroachment. According to this study, canals of Dhaka city are under serious threat of extinction and require immediate recovery actions. Canals are being encroached in various styles and this study identifies five: unauthorized land filling, illegal construction over canal, expansion of slum, solid waste dumping, taking advantage of lack of awareness of local people as well as government agencies. However, this study also discusses the grave consequences of canal encroachment: increasing flood vulnerability, wane of ground water recharge area and ground water level, collapse of natural drainage system, loss of local ecology and biodiversity.
Image:31c5eb5f-50f6-4d4b-b9ac-f410886ff03d.jpg|caption: what is the issue/conflict (1)
Image:Water141 (1).jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

== Your Democratic Change Process ==

<gallery caption="Inaccessible Danube in Budapest" widths="600px" heights="300px" perrow="1">
Inaccessible Danube in Budapest Slide0.jpg|Challenge - Inaccessible Danube in Budapest
Inaccessible Danube in Budapest Slide1.jpg|Challenge - Inaccessible Danube in Budapest
Inaccessible Danube in Budapest Slide2.jpg|Power map - Stakeholders/Interests/Users
Inaccessible Danube in Budapest Slide3.jpg|Change process - Partecipation Map
Inaccessible Danube in Budapest Slide4.jpg|Main findings - Posibilites
Inaccessible Danube in Budapest Slide5.jpg|Overall reflection and outlook - Findings-Unresolved issue-Message
Inaccessible Danube in Budapest Slide6.jpg|
</gallery>

== Reflection ==
* The process should happen very slowly, to be sure to change the perception of the people and to educate them to the participatory methods and to the real possibility that they have to change their environment.
* Because of heritage saving the outcome of the project won’t be so visible, as the built structure is protected.
* ....

Conclusion:
* Even in a very complex situation there is place to involve the community, the key element is to find in which part they can be involved in the process.
* Gathering information by the locals and tourist helps the decision makers to understand the needs and perspectives of the users.
* ....

== Your references ==
* ...
* ...
* ...

----
[[Category:Landscape Democracy Working Group 2019]]

File:Water141 (1).jpg

2019-07-21T12:05:01Z

Nahian.zoabid:

File:31c5eb5f-50f6-4d4b-b9ac-f410886ff03d.jpg

2019-07-21T11:53:05Z

Nahian.zoabid:

LED Online Seminar 2019 - Working Group 7

2019-07-21T11:46:45Z

Nahian.zoabid: /* Landscape Democracy Challenge 4 */

'''--> Back to [[LED_Online_Seminar_Working_Groups_2019|working group overview]]'''

''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

<div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed;
bottom:32px; left:2%; z-index:9999; padding:0; margin:0;"><span style="color:blue;
font-size:8pt; font-face:verdana,sans-serif; border:0.2em outset #ceebf7;
padding:0.1em; font-weight:bolder; -moz-border-radius:8px; ">
[[#top| Back to the Top ]]</span></div>

== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape Democracy Manifesto-Tehran.jpg|Amir's manifesto
Image:Manifesto Nahian-min.jpg|Nahian's manifesto
Image:Manifesto gaiauguccioni.png|Gaia's manifesto
File:LED Assigment 1 Kozma Ildiko Julia.png |Júlia's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''

1. Amir - Why is landscape beautiful? - Burckhardt, Lucius (1979)

2. Júlia - Urban Planning and Democracy - Júlia (1957)

3. Gaia - Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene."

'''B: Concepts of Participation'''

1. Amir - Consensus Design - Day, Christopher (2002)

2. Gaia - Gaventa, John: The Powerful, the Powerless, and the Experts

3. Nahian - Hester, Randolph (2005): Whose Politics, Landscape Architecture

'''C: Community and Identity'''

1. Amir - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)

2. Nahian - Nassauer, Joan Iverson (1995): Culture and Changing Landscape Structure, Landscape Ecology, vol. 10 no. 4.

'''D: Designing'''

1. Júlia - Design for Ecological Democracy - Randolph T. Hester (2006)

2. Gaia - Hester, Randolph: Life, Liberty and the Pursuit of Sustainable Happiness

3. Nahian - Pritzker Prize winning architect Alejandro Aravena on sustainable design and community involvement in Chile

'''E: Communicating a Vision'''
1. Júlia - - (0)

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: S.Amir H.Shahrestani '''
*Landscape and Democracy - Why is landscape beautiful? - Burckhardt, Lucius (1979)
The outcome of the people view of the same landscape is doubtless highly individual and every person has different aspect and criteria of it. The opinion of beautiful or ugly landscape comes from the people previous idea (childhood stories), therefore the people have different judgments.
*Concepts of Participation - Consensus Design - Day, Christopher (2002)
Better way to make ethical decisions is defined as a democratic way and consensual approach.
In the democracy the majority's demands are influential and the minority’s requests are disregarded. Getting a more comprehensive solution (equitable, productive, conscious, participator) compromising is defined as a step to reach collective decisions and consensus.
*Community and Identity - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)
Image of the landscape allows us to establish a relationship with the place through the sense of belonging. It performs an effective role in the transmission of the story by reflecting the identity of the space.

'''Author 2: Ildikó Júlia Kozma'''
*Landscape and Democracy
The role of the public in urbanism should be stronger. If we want more democratic cities, city dwellers must have more knowledge about the built environment which surround them. Without that they can’t live with their democratic rights.
*Designing
Ecology and democracy is to separate thing, but together they can give a better solution to many problems of urbanism. With well defined principles we can use ecological methods during designing.
*Communicating a Vision
In participatory design communicating your vision is a key element. Presentations hold by professionals, coauthoring design and all different kind of verbal and nonverbal communication method are needed to understand each other.

'''Author 3: Gaia Uguccioni '''
*Landscape and Democracy
Every landscape hides a meaning that is not explicit in the ordinary forms. Is a concept that lies utterly beyond science, that holds ideas, impressions and ineffable complexities that depends on how we are affected by it and from the values we associate to it.

*Concepts of Participation
Partecipatory processes are a form of access to a paradigm which the people had a little part in creating. Starts with the reappropriation of knowledge by those who are affected by it and evolves as a strategy in which the powerless develop, create, gain control and systematize their own science.

*Designing
In the modern broad cities is evident the disassociation from community and environment and the human behavior appear antagonistic to sustainability. Holistic insight should be pursuit to guide the design of urban forms and to find new directions for a reformulation of intents and ideals of fulfillment.

'''Author 4: Nahian Zobaid'''
*Concepts of Participation
A participatory approach in any development involves the community in Design
process and give them the right to express their thought, vision and need. This
concept can empower the unprivileged group of society if sensibly chosen in the
design process.

*Community and Identity
Community identity is shaped by the custom, social and geographical
environment of a particular place. Vernacular landscape are good example of
community identity, as it represents the adaptation and thought process of local
farm workers, land developers, home owners and other local professionals.

*Designing
Designing is the combination of multiple problems that leads to a simple yet
innovative solution. The Designer needs to translate the force of people, common
sense and nature into form to built a socially and climatically responsive design.

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:LED Manifesto-S.Amir H.Shahrestani.jpg.jpg|Amir's manifesto
Image:Re-mainfesto Nahian.jpg|Nahian's manifesto
Image:Final manifesto landscape democracy.jpg|Gaia's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: Júlia Ildikó Kozma ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape symbol 1 Kozma Ildiko Julia.jpg|“Szabihíd” project, Liberty Bridge urban picnic “Szabihíd” project started in 2017 when the Libert Bridge was closed due to constartion work. City dwellers and turist went there to enjoy the unique opportunity. At the beggining the city administration couldn’t handel the situation so they forbide to go there, but after a local orgaziation embraced this need and convienced the municipality to make a legal from. Since then the birdge is free from cars during the summer weekends and there are all different kind of activites makes this project more and more popular. 47.485755, 19.054959
File:Landscape symbol 2 Kozma Ildiko Julia.jpg|Buda Castle, Hungarian National Gallery, Széchenyi National Library During the historical times the castle was the place for the king, but these days it is open for the public. People not only can see the castle but the Hungarian National Gallery and also a Széchenyi National Library take place there. It symbolize a democratyc change which maybe not obvios if you doesn’t have some knowledge about the place. 47.502262, 19.032800
File:Landscape symbol 3 Kozma Ildiko Julia.JPG|Vegetable stands In the countryside small vegetable stands offer opportunity to buy fresh crop right form the a infield. Sometimes the owner is selling to you, sometimes only a box is there to collect the cost. I think it is also a symbol of trust and trust is something essentail for democracy. This system would not work without respect and understantment of the value of work. 47.557538, 10.749554

</gallery>

=== Landscape Symbols Author 2: Gaia Uguccioni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1 Wetropolitana.jpg‎|Bologna città [W]etropolitana_Not a subway access, but a sign of artistic performances that took place in those spaces and that has become part of a stratified landscape. A modern monument that represents the aesthetics of the provisional, infiltrates our landscape in a work of continuous adaptation, with a tangible subliminal act plausible enough to become familiar and mimically incorporated.
File:Nettuno.jpeg‎|al Żigànt_The Fountain of Neptune, also known as "the Giant", is a renaissance opera that stands into Piazza Maggiore, the most important square in Bologna. It was designed to glorify the papal government (as Neptune dominates the waters, so the Pope dominates the world). It is currently one of the most famous and recognized symbols of the city.
File:Bolognalagrassa.jpeg|La Grassa_ Capital of a region of great culinary passions, Bologna is associated with the imaginary perception of the city as a paradise for food delicacies. Traditional local specialty shops are the perfect example of Bolognese hedonism.

</gallery>

=== Landscape Symbols Auther 3: Seyed Amir Hosseini Shahrestani ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1.LED Landscape Symbol Shahrestani Amir.JPG|Roof garden of Exhibition hall Stuttgart.The place which people can take rest from chaos of Exhibition hall, to get together, talk and know each other. most of the time people contact each other after a short conversation. I would like to name this place ‘’the place of socializing and business’’. 48.693282, 9.186010
File:2.LED Landscape Symbol Shahrestani Amir.JPG|Main Square of Stuttgart. The spring, the time to go out and feel like birds, to chat, to make conversation, to look at the nature which is trying to be alive again, to feel it, to do the same ‘’being Alive Again’’. Happiness, green and free spaces. 48.778679, 9.180055
File:3.LED Landscape Symbol Shahrestani Amir.JPG|Nürtingen. Be river, never stop, be bless for your path and around, and get bless from your path. Give live and take it in other way. 48.627918, 9.345074

</gallery>

=== Landscape Symbols Author 4: Nahian Zobaid ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:12963763 10156738107310133 2790535050829475682 n.jpg|This photograph clicked by me in Bangladesh. As we know that Bangladesh is a riverine country and it is very common to get new land (river sand bed / Char) in the river. Sometimes some of these new lands last for long and sometimes some of those vanish in a short time. As a agricultural country (Bangladesh) most of the country men are farmers and when they see that there are little bit green (like the photograph) on the river sand bed / char, then they get hope to get new agricultural land. These green are the symbol of hope for these farmers. Geo-location 20'34N to 26'38N latitude, 88'01E to 92'41E longitude

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg|The main attraction of the Swadhinata Stambha is the Stambha / monument itself. Stambha means pillar or tower in Bengali. The tower was built on the place where the commander-in-chief of East Pakistan Army Amir Abdullah Khan Niazi signed the papers of his surrender. During night, the tower looks elegant as the rays of light come out from every single inches of the tower. The whole tower turns into a white pillar. The tower is square according to the plan and is 16 feet wide from every side with an area of 64 inches. The underground museum of the project comprises several photographs with historical significance. There are a number of terracotta murals on war-heroes and the events of the Liberation War, a 2000-seat auditorium, and an open-air theater. The eternal flame stands beside the tower. The water body of the project reflects the whole tower all the day and increases the beauty of the project. But the water body is under potential threat as the local slum-dwellers use it for their daily needs. This monument is representing the past , present and future of Bangladesh at a time. Geo location: 23°42′N 90°22′E

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Ratargul, Sylhet.jpeg|In this picture, we can see the water channels in land. The place is in Sylhet, one of the district of Bangladesh. People use the boats for commuting. Also they have the access to the land but they are comfortable with the water boats. The evergreen forest is situated by the river Goain and linked with the channel Chengir Khal. Most of the trees growing here are the Millettia pinnata. The forest is submerged under 20–30 feet water in the rainy season. For the rest of the year, the water level is about 10 feet deep. Geo location: 25°00.025′N 91°58.180′E
</gallery>

== Assignment 3 - Role Play on Landscape Democracy "movers and shakers" ==
*You can read more details about this assignment [[Assignment_3:_Role_Play_on_Landscape_Democracy_"movers_and_shakers"_(2019)|here]]

== Assignment 4 - Your Landscape Democracy Challenge ==
*You can read more details about this assignment [[Assignment_4:_Your_Landscape_Democracy_Challenge_(2019)|here]]
*Each group member will specify a landscape democracy challenge in his/her environment

=== Landscape Democracy Challenge 1: Ildikó Júlia Kozma ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:IldikoJuliaKozma Challenge 01.jpg|caption: why did you select this case?
Image:IldikoJuliaKozma Challenge 02.jpg|caption: what is the issue/conflict (1)
Image:IldikoJuliaKozma Challenge 03.jpg|caption: what is the issue/conflict (2)
Image:: who are the actors?
</gallery>
'''Your references:'''
*https://index.hu/belfold/2019/06/11/kapitany_holttest_hableany_kiemeles/
*...

=== Landscape Democracy Challenge 2: Gaia Uguccioni ===
<gallery caption="Sharing economy - Housing emergency in Bologna" widths="150px" heights="150px" perrow="5">
Image:1-Gaia LED Assigment 4 Group 7.png|Sharing economy, tourism and housing emergency
Image:1-Gaia LED Assigment 2.png|Global issue
Image:1-Gaia LED Assigment 3.png|Local issue
</gallery>
'''Your references:'''
*http://www.pensareurbano.it/

=== Landscape Democracy Challenge 3: S.Amir H.Shahrestani ===
<gallery caption="The location of the Roßdorf (quarter) in Nürtingen, Germany" widths="150px" heights="150px" perrow="5">
Image:AmirShahrestani Challenge 01.jpg|caption: why did you select this case? - During last months that I’m living and studying in this city, I realized this quarter, which has less identity to other settlement in this area. The idea of developing the city in this specific place (about 40 years ago) was: to build Modern Architecture buildings with the aspect of better future. But the thing that Architects and designers forgot to concentrate on it was: are the citizen comfort/satisfaction with this kind of Architecture? But this is not the only reason that this project is not succeeding.
Image:AmirShahrestani Challenge 02.jpg|caption: what is the issue/conflict - Living up the hill and in new and modern architecture building is fascinating, but public transportation is the main problem, if you are the person who loves to ride bicycle, it would be difficult to ride on slope, if you are aging it becomes more and more difficult then. The first train-station is the downhill, and the bus comes every hour. In this case the people fill they are out of the city, they never think they are part of this city at all.
Image:AmirShahrestani Challenge 03.jpg|caption: what is the issue/conflict (2) - The idea was developing city in this part, but from the first time, most of foreigners who were living in the city moved to this zone and most of inhabitants are not German. Few years ago government built a refugee house there and made this situation more complicated. The idea of helping refugees are brilliant, but how refugees can migrate in this country when they are living just with foreigners in a zone (like isolated zone of the city).
Image:AmirShahrestani Challenge 04.jpg|caption: who are the actors? - Initially government, Architects, Landscape Architects/planners were responsible. But for now people are also actors. For this situation communities can be more active and with government and Architects help (New ideas) this problem can be solved. But it takes time.
</gallery>
'''Your references:'''
*...
*...
*...
*https://www.pexels.com/photo/photo-of-four-persons-uniting-hands-943630/

=== Landscape Democracy Challenge 4 ===
<gallery caption="Reviving Canals" widths="150px" heights="150px" perrow="5">
Image:01.jpg|caption: Dhaka City has been suffering from many environmental problems including flooding, water logging and other related problems. Urbanization, which is occurring very fast and with larger magnitude in Dhaka, is the intrinsic reason behind these problems. High rate of urbanization causes extensive urban area expansion and as a result canals, wetland and other water bodies are quickly vanishing from the landscape. This study shows the present physical condition of the canals; identifies the processes of canal encroachment; represents the consequences of canal encroachment. 13 canals of 50 were surveyed; local people were surveyed to identify the impact and processes of encroachment. According to this study, canals of Dhaka city are under serious threat of extinction and require immediate recovery actions. Canals are being encroached in various styles and this study identifies five: unauthorized land filling, illegal construction over canal, expansion of slum, solid waste dumping, taking advantage of lack of awareness of local people as well as government agencies. However, this study also discusses the grave consequences of canal encroachment: increasing flood vulnerability, wane of ground water recharge area and ground water level, collapse of natural drainage system, loss of local ecology and biodiversity.
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

== Your Democratic Change Process ==

<gallery caption="Inaccessible Danube in Budapest" widths="600px" heights="300px" perrow="1">
Inaccessible Danube in Budapest Slide0.jpg|Challenge - Inaccessible Danube in Budapest
Inaccessible Danube in Budapest Slide1.jpg|Challenge - Inaccessible Danube in Budapest
Inaccessible Danube in Budapest Slide2.jpg|Power map - Stakeholders/Interests/Users
Inaccessible Danube in Budapest Slide3.jpg|Change process - Partecipation Map
Inaccessible Danube in Budapest Slide4.jpg|Main findings - Posibilites
Inaccessible Danube in Budapest Slide5.jpg|Overall reflection and outlook - Findings-Unresolved issue-Message
Inaccessible Danube in Budapest Slide6.jpg|
</gallery>

== Reflection ==
* The process should happen very slowly, to be sure to change the perception of the people and to educate them to the participatory methods and to the real possibility that they have to change their environment.
* Because of heritage saving the outcome of the project won’t be so visible, as the built structure is protected.
* ....

Conclusion:
* Even in a very complex situation there is place to involve the community, the key element is to find in which part they can be involved in the process.
* Gathering information by the locals and tourist helps the decision makers to understand the needs and perspectives of the users.
* ....

== Your references ==
* ...
* ...
* ...

----
[[Category:Landscape Democracy Working Group 2019]]

LED Online Seminar 2019 - Working Group 7

2019-07-21T11:46:06Z

Nahian.zoabid: /* Landscape Democracy Challenge 4 */

'''--> Back to [[LED_Online_Seminar_Working_Groups_2019|working group overview]]'''

''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

<div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed;
bottom:32px; left:2%; z-index:9999; padding:0; margin:0;"><span style="color:blue;
font-size:8pt; font-face:verdana,sans-serif; border:0.2em outset #ceebf7;
padding:0.1em; font-weight:bolder; -moz-border-radius:8px; ">
[[#top| Back to the Top ]]</span></div>

== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape Democracy Manifesto-Tehran.jpg|Amir's manifesto
Image:Manifesto Nahian-min.jpg|Nahian's manifesto
Image:Manifesto gaiauguccioni.png|Gaia's manifesto
File:LED Assigment 1 Kozma Ildiko Julia.png |Júlia's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''

1. Amir - Why is landscape beautiful? - Burckhardt, Lucius (1979)

2. Júlia - Urban Planning and Democracy - Júlia (1957)

3. Gaia - Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene."

'''B: Concepts of Participation'''

1. Amir - Consensus Design - Day, Christopher (2002)

2. Gaia - Gaventa, John: The Powerful, the Powerless, and the Experts

3. Nahian - Hester, Randolph (2005): Whose Politics, Landscape Architecture

'''C: Community and Identity'''

1. Amir - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)

2. Nahian - Nassauer, Joan Iverson (1995): Culture and Changing Landscape Structure, Landscape Ecology, vol. 10 no. 4.

'''D: Designing'''

1. Júlia - Design for Ecological Democracy - Randolph T. Hester (2006)

2. Gaia - Hester, Randolph: Life, Liberty and the Pursuit of Sustainable Happiness

3. Nahian - Pritzker Prize winning architect Alejandro Aravena on sustainable design and community involvement in Chile

'''E: Communicating a Vision'''
1. Júlia - - (0)

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: S.Amir H.Shahrestani '''
*Landscape and Democracy - Why is landscape beautiful? - Burckhardt, Lucius (1979)
The outcome of the people view of the same landscape is doubtless highly individual and every person has different aspect and criteria of it. The opinion of beautiful or ugly landscape comes from the people previous idea (childhood stories), therefore the people have different judgments.
*Concepts of Participation - Consensus Design - Day, Christopher (2002)
Better way to make ethical decisions is defined as a democratic way and consensual approach.
In the democracy the majority's demands are influential and the minority’s requests are disregarded. Getting a more comprehensive solution (equitable, productive, conscious, participator) compromising is defined as a step to reach collective decisions and consensus.
*Community and Identity - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)
Image of the landscape allows us to establish a relationship with the place through the sense of belonging. It performs an effective role in the transmission of the story by reflecting the identity of the space.

'''Author 2: Ildikó Júlia Kozma'''
*Landscape and Democracy
The role of the public in urbanism should be stronger. If we want more democratic cities, city dwellers must have more knowledge about the built environment which surround them. Without that they can’t live with their democratic rights.
*Designing
Ecology and democracy is to separate thing, but together they can give a better solution to many problems of urbanism. With well defined principles we can use ecological methods during designing.
*Communicating a Vision
In participatory design communicating your vision is a key element. Presentations hold by professionals, coauthoring design and all different kind of verbal and nonverbal communication method are needed to understand each other.

'''Author 3: Gaia Uguccioni '''
*Landscape and Democracy
Every landscape hides a meaning that is not explicit in the ordinary forms. Is a concept that lies utterly beyond science, that holds ideas, impressions and ineffable complexities that depends on how we are affected by it and from the values we associate to it.

*Concepts of Participation
Partecipatory processes are a form of access to a paradigm which the people had a little part in creating. Starts with the reappropriation of knowledge by those who are affected by it and evolves as a strategy in which the powerless develop, create, gain control and systematize their own science.

*Designing
In the modern broad cities is evident the disassociation from community and environment and the human behavior appear antagonistic to sustainability. Holistic insight should be pursuit to guide the design of urban forms and to find new directions for a reformulation of intents and ideals of fulfillment.

'''Author 4: Nahian Zobaid'''
*Concepts of Participation
A participatory approach in any development involves the community in Design
process and give them the right to express their thought, vision and need. This
concept can empower the unprivileged group of society if sensibly chosen in the
design process.

*Community and Identity
Community identity is shaped by the custom, social and geographical
environment of a particular place. Vernacular landscape are good example of
community identity, as it represents the adaptation and thought process of local
farm workers, land developers, home owners and other local professionals.

*Designing
Designing is the combination of multiple problems that leads to a simple yet
innovative solution. The Designer needs to translate the force of people, common
sense and nature into form to built a socially and climatically responsive design.

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:LED Manifesto-S.Amir H.Shahrestani.jpg.jpg|Amir's manifesto
Image:Re-mainfesto Nahian.jpg|Nahian's manifesto
Image:Final manifesto landscape democracy.jpg|Gaia's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: Júlia Ildikó Kozma ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape symbol 1 Kozma Ildiko Julia.jpg|“Szabihíd” project, Liberty Bridge urban picnic “Szabihíd” project started in 2017 when the Libert Bridge was closed due to constartion work. City dwellers and turist went there to enjoy the unique opportunity. At the beggining the city administration couldn’t handel the situation so they forbide to go there, but after a local orgaziation embraced this need and convienced the municipality to make a legal from. Since then the birdge is free from cars during the summer weekends and there are all different kind of activites makes this project more and more popular. 47.485755, 19.054959
File:Landscape symbol 2 Kozma Ildiko Julia.jpg|Buda Castle, Hungarian National Gallery, Széchenyi National Library During the historical times the castle was the place for the king, but these days it is open for the public. People not only can see the castle but the Hungarian National Gallery and also a Széchenyi National Library take place there. It symbolize a democratyc change which maybe not obvios if you doesn’t have some knowledge about the place. 47.502262, 19.032800
File:Landscape symbol 3 Kozma Ildiko Julia.JPG|Vegetable stands In the countryside small vegetable stands offer opportunity to buy fresh crop right form the a infield. Sometimes the owner is selling to you, sometimes only a box is there to collect the cost. I think it is also a symbol of trust and trust is something essentail for democracy. This system would not work without respect and understantment of the value of work. 47.557538, 10.749554

</gallery>

=== Landscape Symbols Author 2: Gaia Uguccioni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1 Wetropolitana.jpg‎|Bologna città [W]etropolitana_Not a subway access, but a sign of artistic performances that took place in those spaces and that has become part of a stratified landscape. A modern monument that represents the aesthetics of the provisional, infiltrates our landscape in a work of continuous adaptation, with a tangible subliminal act plausible enough to become familiar and mimically incorporated.
File:Nettuno.jpeg‎|al Żigànt_The Fountain of Neptune, also known as "the Giant", is a renaissance opera that stands into Piazza Maggiore, the most important square in Bologna. It was designed to glorify the papal government (as Neptune dominates the waters, so the Pope dominates the world). It is currently one of the most famous and recognized symbols of the city.
File:Bolognalagrassa.jpeg|La Grassa_ Capital of a region of great culinary passions, Bologna is associated with the imaginary perception of the city as a paradise for food delicacies. Traditional local specialty shops are the perfect example of Bolognese hedonism.

</gallery>

=== Landscape Symbols Auther 3: Seyed Amir Hosseini Shahrestani ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1.LED Landscape Symbol Shahrestani Amir.JPG|Roof garden of Exhibition hall Stuttgart.The place which people can take rest from chaos of Exhibition hall, to get together, talk and know each other. most of the time people contact each other after a short conversation. I would like to name this place ‘’the place of socializing and business’’. 48.693282, 9.186010
File:2.LED Landscape Symbol Shahrestani Amir.JPG|Main Square of Stuttgart. The spring, the time to go out and feel like birds, to chat, to make conversation, to look at the nature which is trying to be alive again, to feel it, to do the same ‘’being Alive Again’’. Happiness, green and free spaces. 48.778679, 9.180055
File:3.LED Landscape Symbol Shahrestani Amir.JPG|Nürtingen. Be river, never stop, be bless for your path and around, and get bless from your path. Give live and take it in other way. 48.627918, 9.345074

</gallery>

=== Landscape Symbols Author 4: Nahian Zobaid ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:12963763 10156738107310133 2790535050829475682 n.jpg|This photograph clicked by me in Bangladesh. As we know that Bangladesh is a riverine country and it is very common to get new land (river sand bed / Char) in the river. Sometimes some of these new lands last for long and sometimes some of those vanish in a short time. As a agricultural country (Bangladesh) most of the country men are farmers and when they see that there are little bit green (like the photograph) on the river sand bed / char, then they get hope to get new agricultural land. These green are the symbol of hope for these farmers. Geo-location 20'34N to 26'38N latitude, 88'01E to 92'41E longitude

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg|The main attraction of the Swadhinata Stambha is the Stambha / monument itself. Stambha means pillar or tower in Bengali. The tower was built on the place where the commander-in-chief of East Pakistan Army Amir Abdullah Khan Niazi signed the papers of his surrender. During night, the tower looks elegant as the rays of light come out from every single inches of the tower. The whole tower turns into a white pillar. The tower is square according to the plan and is 16 feet wide from every side with an area of 64 inches. The underground museum of the project comprises several photographs with historical significance. There are a number of terracotta murals on war-heroes and the events of the Liberation War, a 2000-seat auditorium, and an open-air theater. The eternal flame stands beside the tower. The water body of the project reflects the whole tower all the day and increases the beauty of the project. But the water body is under potential threat as the local slum-dwellers use it for their daily needs. This monument is representing the past , present and future of Bangladesh at a time. Geo location: 23°42′N 90°22′E

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Ratargul, Sylhet.jpeg|In this picture, we can see the water channels in land. The place is in Sylhet, one of the district of Bangladesh. People use the boats for commuting. Also they have the access to the land but they are comfortable with the water boats. The evergreen forest is situated by the river Goain and linked with the channel Chengir Khal. Most of the trees growing here are the Millettia pinnata. The forest is submerged under 20–30 feet water in the rainy season. For the rest of the year, the water level is about 10 feet deep. Geo location: 25°00.025′N 91°58.180′E
</gallery>

== Assignment 3 - Role Play on Landscape Democracy "movers and shakers" ==
*You can read more details about this assignment [[Assignment_3:_Role_Play_on_Landscape_Democracy_"movers_and_shakers"_(2019)|here]]

== Assignment 4 - Your Landscape Democracy Challenge ==
*You can read more details about this assignment [[Assignment_4:_Your_Landscape_Democracy_Challenge_(2019)|here]]
*Each group member will specify a landscape democracy challenge in his/her environment

=== Landscape Democracy Challenge 1: Ildikó Júlia Kozma ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:IldikoJuliaKozma Challenge 01.jpg|caption: why did you select this case?
Image:IldikoJuliaKozma Challenge 02.jpg|caption: what is the issue/conflict (1)
Image:IldikoJuliaKozma Challenge 03.jpg|caption: what is the issue/conflict (2)
Image:: who are the actors?
</gallery>
'''Your references:'''
*https://index.hu/belfold/2019/06/11/kapitany_holttest_hableany_kiemeles/
*...

=== Landscape Democracy Challenge 2: Gaia Uguccioni ===
<gallery caption="Sharing economy - Housing emergency in Bologna" widths="150px" heights="150px" perrow="5">
Image:1-Gaia LED Assigment 4 Group 7.png|Sharing economy, tourism and housing emergency
Image:1-Gaia LED Assigment 2.png|Global issue
Image:1-Gaia LED Assigment 3.png|Local issue
</gallery>
'''Your references:'''
*http://www.pensareurbano.it/

=== Landscape Democracy Challenge 3: S.Amir H.Shahrestani ===
<gallery caption="The location of the Roßdorf (quarter) in Nürtingen, Germany" widths="150px" heights="150px" perrow="5">
Image:AmirShahrestani Challenge 01.jpg|caption: why did you select this case? - During last months that I’m living and studying in this city, I realized this quarter, which has less identity to other settlement in this area. The idea of developing the city in this specific place (about 40 years ago) was: to build Modern Architecture buildings with the aspect of better future. But the thing that Architects and designers forgot to concentrate on it was: are the citizen comfort/satisfaction with this kind of Architecture? But this is not the only reason that this project is not succeeding.
Image:AmirShahrestani Challenge 02.jpg|caption: what is the issue/conflict - Living up the hill and in new and modern architecture building is fascinating, but public transportation is the main problem, if you are the person who loves to ride bicycle, it would be difficult to ride on slope, if you are aging it becomes more and more difficult then. The first train-station is the downhill, and the bus comes every hour. In this case the people fill they are out of the city, they never think they are part of this city at all.
Image:AmirShahrestani Challenge 03.jpg|caption: what is the issue/conflict (2) - The idea was developing city in this part, but from the first time, most of foreigners who were living in the city moved to this zone and most of inhabitants are not German. Few years ago government built a refugee house there and made this situation more complicated. The idea of helping refugees are brilliant, but how refugees can migrate in this country when they are living just with foreigners in a zone (like isolated zone of the city).
Image:AmirShahrestani Challenge 04.jpg|caption: who are the actors? - Initially government, Architects, Landscape Architects/planners were responsible. But for now people are also actors. For this situation communities can be more active and with government and Architects help (New ideas) this problem can be solved. But it takes time.
</gallery>
'''Your references:'''
*...
*...
*...
*https://www.pexels.com/photo/photo-of-four-persons-uniting-hands-943630/

=== Landscape Democracy Challenge 4 ===
<gallery caption="Reviving Canals" widths="150px" heights="150px" perrow="5">
Image:01.jpg.jpg|caption: Dhaka City has been suffering from many environmental problems including flooding, water logging and other related problems. Urbanization, which is occurring very fast and with larger magnitude in Dhaka, is the intrinsic reason behind these problems. High rate of urbanization causes extensive urban area expansion and as a result canals, wetland and other water bodies are quickly vanishing from the landscape. This study shows the present physical condition of the canals; identifies the processes of canal encroachment; represents the consequences of canal encroachment. 13 canals of 50 were surveyed; local people were surveyed to identify the impact and processes of encroachment. According to this study, canals of Dhaka city are under serious threat of extinction and require immediate recovery actions. Canals are being encroached in various styles and this study identifies five: unauthorized land filling, illegal construction over canal, expansion of slum, solid waste dumping, taking advantage of lack of awareness of local people as well as government agencies. However, this study also discusses the grave consequences of canal encroachment: increasing flood vulnerability, wane of ground water recharge area and ground water level, collapse of natural drainage system, loss of local ecology and biodiversity.
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

== Your Democratic Change Process ==

<gallery caption="Inaccessible Danube in Budapest" widths="600px" heights="300px" perrow="1">
Inaccessible Danube in Budapest Slide0.jpg|Challenge - Inaccessible Danube in Budapest
Inaccessible Danube in Budapest Slide1.jpg|Challenge - Inaccessible Danube in Budapest
Inaccessible Danube in Budapest Slide2.jpg|Power map - Stakeholders/Interests/Users
Inaccessible Danube in Budapest Slide3.jpg|Change process - Partecipation Map
Inaccessible Danube in Budapest Slide4.jpg|Main findings - Posibilites
Inaccessible Danube in Budapest Slide5.jpg|Overall reflection and outlook - Findings-Unresolved issue-Message
Inaccessible Danube in Budapest Slide6.jpg|
</gallery>

== Reflection ==
* The process should happen very slowly, to be sure to change the perception of the people and to educate them to the participatory methods and to the real possibility that they have to change their environment.
* Because of heritage saving the outcome of the project won’t be so visible, as the built structure is protected.
* ....

Conclusion:
* Even in a very complex situation there is place to involve the community, the key element is to find in which part they can be involved in the process.
* Gathering information by the locals and tourist helps the decision makers to understand the needs and perspectives of the users.
* ....

== Your references ==
* ...
* ...
* ...

----
[[Category:Landscape Democracy Working Group 2019]]

File:01.jpg

2019-07-21T11:44:46Z

Nahian.zoabid:

LED Online Seminar 2019 - Working Group 7

2019-07-21T11:34:11Z

Nahian.zoabid: /* Step 6: Revised manifestoes */

'''--> Back to [[LED_Online_Seminar_Working_Groups_2019|working group overview]]'''

''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

<div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed;
bottom:32px; left:2%; z-index:9999; padding:0; margin:0;"><span style="color:blue;
font-size:8pt; font-face:verdana,sans-serif; border:0.2em outset #ceebf7;
padding:0.1em; font-weight:bolder; -moz-border-radius:8px; ">
[[#top| Back to the Top ]]</span></div>

== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape Democracy Manifesto-Tehran.jpg|Amir's manifesto
Image:Manifesto Nahian-min.jpg|Nahian's manifesto
Image:Manifesto gaiauguccioni.png|Gaia's manifesto
File:LED Assigment 1 Kozma Ildiko Julia.png |Júlia's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''

1. Amir - Why is landscape beautiful? - Burckhardt, Lucius (1979)

2. Júlia - Urban Planning and Democracy - Júlia (1957)

3. Gaia - Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene."

'''B: Concepts of Participation'''

1. Amir - Consensus Design - Day, Christopher (2002)

2. Gaia - Gaventa, John: The Powerful, the Powerless, and the Experts

3. Nahian - Hester, Randolph (2005): Whose Politics, Landscape Architecture

'''C: Community and Identity'''

1. Amir - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)

2. Nahian - Nassauer, Joan Iverson (1995): Culture and Changing Landscape Structure, Landscape Ecology, vol. 10 no. 4.

'''D: Designing'''

1. Júlia - Design for Ecological Democracy - Randolph T. Hester (2006)

2. Gaia - Hester, Randolph: Life, Liberty and the Pursuit of Sustainable Happiness

3. Nahian - Pritzker Prize winning architect Alejandro Aravena on sustainable design and community involvement in Chile

'''E: Communicating a Vision'''
1. Júlia - - (0)

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: S.Amir H.Shahrestani '''
*Landscape and Democracy - Why is landscape beautiful? - Burckhardt, Lucius (1979)
The outcome of the people view of the same landscape is doubtless highly individual and every person has different aspect and criteria of it. The opinion of beautiful or ugly landscape comes from the people previous idea (childhood stories), therefore the people have different judgments.
*Concepts of Participation - Consensus Design - Day, Christopher (2002)
Better way to make ethical decisions is defined as a democratic way and consensual approach.
In the democracy the majority's demands are influential and the minority’s requests are disregarded. Getting a more comprehensive solution (equitable, productive, conscious, participator) compromising is defined as a step to reach collective decisions and consensus.
*Community and Identity - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)
Image of the landscape allows us to establish a relationship with the place through the sense of belonging. It performs an effective role in the transmission of the story by reflecting the identity of the space.

'''Author 2: Ildikó Júlia Kozma'''
*Landscape and Democracy
The role of the public in urbanism should be stronger. If we want more democratic cities, city dwellers must have more knowledge about the built environment which surround them. Without that they can’t live with their democratic rights.
*Designing
Ecology and democracy is to separate thing, but together they can give a better solution to many problems of urbanism. With well defined principles we can use ecological methods during designing.
*Communicating a Vision
In participatory design communicating your vision is a key element. Presentations hold by professionals, coauthoring design and all different kind of verbal and nonverbal communication method are needed to understand each other.

'''Author 3: Gaia Uguccioni '''
*Landscape and Democracy
Every landscape hides a meaning that is not explicit in the ordinary forms. Is a concept that lies utterly beyond science, that holds ideas, impressions and ineffable complexities that depends on how we are affected by it and from the values we associate to it.

*Concepts of Participation
Partecipatory processes are a form of access to a paradigm which the people had a little part in creating. Starts with the reappropriation of knowledge by those who are affected by it and evolves as a strategy in which the powerless develop, create, gain control and systematize their own science.

*Designing
In the modern broad cities is evident the disassociation from community and environment and the human behavior appear antagonistic to sustainability. Holistic insight should be pursuit to guide the design of urban forms and to find new directions for a reformulation of intents and ideals of fulfillment.

'''Author 4: Nahian Zobaid'''
*Concepts of Participation
A participatory approach in any development involves the community in Design
process and give them the right to express their thought, vision and need. This
concept can empower the unprivileged group of society if sensibly chosen in the
design process.

*Community and Identity
Community identity is shaped by the custom, social and geographical
environment of a particular place. Vernacular landscape are good example of
community identity, as it represents the adaptation and thought process of local
farm workers, land developers, home owners and other local professionals.

*Designing
Designing is the combination of multiple problems that leads to a simple yet
innovative solution. The Designer needs to translate the force of people, common
sense and nature into form to built a socially and climatically responsive design.

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:LED Manifesto-S.Amir H.Shahrestani.jpg.jpg|Amir's manifesto
Image:Re-mainfesto Nahian.jpg|Nahian's manifesto
Image:Final manifesto landscape democracy.jpg|Gaia's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: Júlia Ildikó Kozma ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape symbol 1 Kozma Ildiko Julia.jpg|“Szabihíd” project, Liberty Bridge urban picnic “Szabihíd” project started in 2017 when the Libert Bridge was closed due to constartion work. City dwellers and turist went there to enjoy the unique opportunity. At the beggining the city administration couldn’t handel the situation so they forbide to go there, but after a local orgaziation embraced this need and convienced the municipality to make a legal from. Since then the birdge is free from cars during the summer weekends and there are all different kind of activites makes this project more and more popular. 47.485755, 19.054959
File:Landscape symbol 2 Kozma Ildiko Julia.jpg|Buda Castle, Hungarian National Gallery, Széchenyi National Library During the historical times the castle was the place for the king, but these days it is open for the public. People not only can see the castle but the Hungarian National Gallery and also a Széchenyi National Library take place there. It symbolize a democratyc change which maybe not obvios if you doesn’t have some knowledge about the place. 47.502262, 19.032800
File:Landscape symbol 3 Kozma Ildiko Julia.JPG|Vegetable stands In the countryside small vegetable stands offer opportunity to buy fresh crop right form the a infield. Sometimes the owner is selling to you, sometimes only a box is there to collect the cost. I think it is also a symbol of trust and trust is something essentail for democracy. This system would not work without respect and understantment of the value of work. 47.557538, 10.749554

</gallery>

=== Landscape Symbols Author 2: Gaia Uguccioni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1 Wetropolitana.jpg‎|Bologna città [W]etropolitana_Not a subway access, but a sign of artistic performances that took place in those spaces and that has become part of a stratified landscape. A modern monument that represents the aesthetics of the provisional, infiltrates our landscape in a work of continuous adaptation, with a tangible subliminal act plausible enough to become familiar and mimically incorporated.
File:Nettuno.jpeg‎|al Żigànt_The Fountain of Neptune, also known as "the Giant", is a renaissance opera that stands into Piazza Maggiore, the most important square in Bologna. It was designed to glorify the papal government (as Neptune dominates the waters, so the Pope dominates the world). It is currently one of the most famous and recognized symbols of the city.
File:Bolognalagrassa.jpeg|La Grassa_ Capital of a region of great culinary passions, Bologna is associated with the imaginary perception of the city as a paradise for food delicacies. Traditional local specialty shops are the perfect example of Bolognese hedonism.

</gallery>

=== Landscape Symbols Auther 3: Seyed Amir Hosseini Shahrestani ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1.LED Landscape Symbol Shahrestani Amir.JPG|Roof garden of Exhibition hall Stuttgart.The place which people can take rest from chaos of Exhibition hall, to get together, talk and know each other. most of the time people contact each other after a short conversation. I would like to name this place ‘’the place of socializing and business’’. 48.693282, 9.186010
File:2.LED Landscape Symbol Shahrestani Amir.JPG|Main Square of Stuttgart. The spring, the time to go out and feel like birds, to chat, to make conversation, to look at the nature which is trying to be alive again, to feel it, to do the same ‘’being Alive Again’’. Happiness, green and free spaces. 48.778679, 9.180055
File:3.LED Landscape Symbol Shahrestani Amir.JPG|Nürtingen. Be river, never stop, be bless for your path and around, and get bless from your path. Give live and take it in other way. 48.627918, 9.345074

</gallery>

=== Landscape Symbols Author 4: Nahian Zobaid ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:12963763 10156738107310133 2790535050829475682 n.jpg|This photograph clicked by me in Bangladesh. As we know that Bangladesh is a riverine country and it is very common to get new land (river sand bed / Char) in the river. Sometimes some of these new lands last for long and sometimes some of those vanish in a short time. As a agricultural country (Bangladesh) most of the country men are farmers and when they see that there are little bit green (like the photograph) on the river sand bed / char, then they get hope to get new agricultural land. These green are the symbol of hope for these farmers. Geo-location 20'34N to 26'38N latitude, 88'01E to 92'41E longitude

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg|The main attraction of the Swadhinata Stambha is the Stambha / monument itself. Stambha means pillar or tower in Bengali. The tower was built on the place where the commander-in-chief of East Pakistan Army Amir Abdullah Khan Niazi signed the papers of his surrender. During night, the tower looks elegant as the rays of light come out from every single inches of the tower. The whole tower turns into a white pillar. The tower is square according to the plan and is 16 feet wide from every side with an area of 64 inches. The underground museum of the project comprises several photographs with historical significance. There are a number of terracotta murals on war-heroes and the events of the Liberation War, a 2000-seat auditorium, and an open-air theater. The eternal flame stands beside the tower. The water body of the project reflects the whole tower all the day and increases the beauty of the project. But the water body is under potential threat as the local slum-dwellers use it for their daily needs. This monument is representing the past , present and future of Bangladesh at a time. Geo location: 23°42′N 90°22′E

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Ratargul, Sylhet.jpeg|In this picture, we can see the water channels in land. The place is in Sylhet, one of the district of Bangladesh. People use the boats for commuting. Also they have the access to the land but they are comfortable with the water boats. The evergreen forest is situated by the river Goain and linked with the channel Chengir Khal. Most of the trees growing here are the Millettia pinnata. The forest is submerged under 20–30 feet water in the rainy season. For the rest of the year, the water level is about 10 feet deep. Geo location: 25°00.025′N 91°58.180′E
</gallery>

== Assignment 3 - Role Play on Landscape Democracy "movers and shakers" ==
*You can read more details about this assignment [[Assignment_3:_Role_Play_on_Landscape_Democracy_"movers_and_shakers"_(2019)|here]]

== Assignment 4 - Your Landscape Democracy Challenge ==
*You can read more details about this assignment [[Assignment_4:_Your_Landscape_Democracy_Challenge_(2019)|here]]
*Each group member will specify a landscape democracy challenge in his/her environment

=== Landscape Democracy Challenge 1: Ildikó Júlia Kozma ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:IldikoJuliaKozma Challenge 01.jpg|caption: why did you select this case?
Image:IldikoJuliaKozma Challenge 02.jpg|caption: what is the issue/conflict (1)
Image:IldikoJuliaKozma Challenge 03.jpg|caption: what is the issue/conflict (2)
Image:: who are the actors?
</gallery>
'''Your references:'''
*https://index.hu/belfold/2019/06/11/kapitany_holttest_hableany_kiemeles/
*...

=== Landscape Democracy Challenge 2: Gaia Uguccioni ===
<gallery caption="Sharing economy - Housing emergency in Bologna" widths="150px" heights="150px" perrow="5">
Image:1-Gaia LED Assigment 4 Group 7.png|Sharing economy, tourism and housing emergency
Image:1-Gaia LED Assigment 2.png|Global issue
Image:1-Gaia LED Assigment 3.png|Local issue
</gallery>
'''Your references:'''
*http://www.pensareurbano.it/

=== Landscape Democracy Challenge 3: S.Amir H.Shahrestani ===
<gallery caption="The location of the Roßdorf (quarter) in Nürtingen, Germany" widths="150px" heights="150px" perrow="5">
Image:AmirShahrestani Challenge 01.jpg|caption: why did you select this case? - During last months that I’m living and studying in this city, I realized this quarter, which has less identity to other settlement in this area. The idea of developing the city in this specific place (about 40 years ago) was: to build Modern Architecture buildings with the aspect of better future. But the thing that Architects and designers forgot to concentrate on it was: are the citizen comfort/satisfaction with this kind of Architecture? But this is not the only reason that this project is not succeeding.
Image:AmirShahrestani Challenge 02.jpg|caption: what is the issue/conflict - Living up the hill and in new and modern architecture building is fascinating, but public transportation is the main problem, if you are the person who loves to ride bicycle, it would be difficult to ride on slope, if you are aging it becomes more and more difficult then. The first train-station is the downhill, and the bus comes every hour. In this case the people fill they are out of the city, they never think they are part of this city at all.
Image:AmirShahrestani Challenge 03.jpg|caption: what is the issue/conflict (2) - The idea was developing city in this part, but from the first time, most of foreigners who were living in the city moved to this zone and most of inhabitants are not German. Few years ago government built a refugee house there and made this situation more complicated. The idea of helping refugees are brilliant, but how refugees can migrate in this country when they are living just with foreigners in a zone (like isolated zone of the city).
Image:AmirShahrestani Challenge 04.jpg|caption: who are the actors? - Initially government, Architects, Landscape Architects/planners were responsible. But for now people are also actors. For this situation communities can be more active and with government and Architects help (New ideas) this problem can be solved. But it takes time.
</gallery>
'''Your references:'''
*...
*...
*...
*https://www.pexels.com/photo/photo-of-four-persons-uniting-hands-943630/

=== Landscape Democracy Challenge 4 ===
<gallery caption="Reviving Canals" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: Dhaka City has been suffering from many environmental problems including flooding, water logging and other related problems. Urbanization, which is occurring very fast and with larger magnitude in Dhaka, is the intrinsic reason behind these problems. High rate of urbanization causes extensive urban area expansion and as a result canals, wetland and other water bodies are quickly vanishing from the landscape. This study shows the present physical condition of the canals; identifies the processes of canal encroachment; represents the consequences of canal encroachment. 13 canals of 50 were surveyed; local people were surveyed to identify the impact and processes of encroachment. According to this study, canals of Dhaka city are under serious threat of extinction and require immediate recovery actions. Canals are being encroached in various styles and this study identifies five: unauthorized land filling, illegal construction over canal, expansion of slum, solid waste dumping, taking advantage of lack of awareness of local people as well as government agencies. However, this study also discusses the grave consequences of canal encroachment: increasing flood vulnerability, wane of ground water recharge area and ground water level, collapse of natural drainage system, loss of local ecology and biodiversity.
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

== Your Democratic Change Process ==

<gallery caption="Inaccessible Danube in Budapest" widths="600px" heights="300px" perrow="1">
Inaccessible Danube in Budapest Slide0.jpg|Challenge - Inaccessible Danube in Budapest
Inaccessible Danube in Budapest Slide1.jpg|Challenge - Inaccessible Danube in Budapest
Inaccessible Danube in Budapest Slide2.jpg|Power map - Stakeholders/Interests/Users
Inaccessible Danube in Budapest Slide3.jpg|Change process - Partecipation Map
Inaccessible Danube in Budapest Slide4.jpg|Main findings - Posibilites
Inaccessible Danube in Budapest Slide5.jpg|Overall reflection and outlook - Findings-Unresolved issue-Message
Inaccessible Danube in Budapest Slide6.jpg|
</gallery>

== Reflection ==
* The process should happen very slowly, to be sure to change the perception of the people and to educate them to the participatory methods and to the real possibility that they have to change their environment.
* Because of heritage saving the outcome of the project won’t be so visible, as the built structure is protected.
* ....

Conclusion:
* Even in a very complex situation there is place to involve the community, the key element is to find in which part they can be involved in the process.
* Gathering information by the locals and tourist helps the decision makers to understand the needs and perspectives of the users.
* ....

== Your references ==
* ...
* ...
* ...

----
[[Category:Landscape Democracy Working Group 2019]]

File:Re-mainfesto Nahian.jpg

2019-07-21T11:32:43Z

Nahian.zoabid:

LED Online Seminar 2019 - Working Group 7

2019-06-03T08:56:38Z

Nahian.zoabid: /* Landscape Democracy Challenge 4 */

'''--> Back to [[LED_Online_Seminar_Working_Groups_2019|working group overview]]'''

''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

<div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed;
bottom:32px; left:2%; z-index:9999; padding:0; margin:0;"><span style="color:blue;
font-size:8pt; font-face:verdana,sans-serif; border:0.2em outset #ceebf7;
padding:0.1em; font-weight:bolder; -moz-border-radius:8px; ">
[[#top| Back to the Top ]]</span></div>

== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape Democracy Manifesto-Tehran.jpg|Amir's manifesto
Image:Manifesto Nahian-min.jpg|Nahian's manifesto
Image:Manifesto gaiauguccioni.png|Gaia's manifesto
File:LED Assigment 1 Kozma Ildiko Julia.png |Júlia's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''

1. Amir - Why is landscape beautiful? - Burckhardt, Lucius (1979)

2. Júlia - Urban Planning and Democracy - Júlia (1957)

3. Gaia - Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene."

'''B: Concepts of Participation'''

1. Amir - Consensus Design - Day, Christopher (2002)

2. Gaia - Gaventa, John: The Powerful, the Powerless, and the Experts

3. Nahian - Hester, Randolph (2005): Whose Politics, Landscape Architecture

'''C: Community and Identity'''

1. Amir - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)

2. Nahian - Nassauer, Joan Iverson (1995): Culture and Changing Landscape Structure, Landscape Ecology, vol. 10 no. 4.

'''D: Designing'''

1. Júlia - Design for Ecological Democracy - Randolph T. Hester (2006)

2. Gaia - Hester, Randolph: Life, Liberty and the Pursuit of Sustainable Happiness

3. Nahian - Pritzker Prize winning architect Alejandro Aravena on sustainable design and community involvement in Chile

'''E: Communicating a Vision'''
1. Júlia - - (0)

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: S.Amir H.Shahrestani '''
*Landscape and Democracy - Why is landscape beautiful? - Burckhardt, Lucius (1979)
The outcome of the people view of the same landscape is doubtless highly individual and every person has different aspect and criteria of it. The opinion of beautiful or ugly landscape comes from the people previous idea (childhood stories), therefore the people have different judgments.
*Concepts of Participation - Consensus Design - Day, Christopher (2002)
Better way to make ethical decisions is defined as a democratic way and consensual approach.
In the democracy the majority's demands are influential and the minority’s requests are disregarded. Getting a more comprehensive solution (equitable, productive, conscious, participator) compromising is defined as a step to reach collective decisions and consensus.
*Community and Identity - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)
Image of the landscape allows us to establish a relationship with the place through the sense of belonging. It performs an effective role in the transmission of the story by reflecting the identity of the space.

'''Author 2: Ildikó Júlia Kozma'''
*Landscape and Democracy
The role of the public in urbanism should be stronger. If we want more democratic cities, city dwellers must have more knowledge about the built environment which surround them. Without that they can’t live with their democratic rights.
*Designing
Ecology and democracy is to separate thing, but together they can give a better solution to many problems of urbanism. With well defined principles we can use ecological methods during designing.
*Communicating a Vision
In participatory design communicating your vision is a key element. Presentations hold by professionals, coauthoring design and all different kind of verbal and nonverbal communication method are needed to understand each other.

'''Author 3: Gaia Uguccioni '''
*Landscape and Democracy
Every landscape hides a meaning that is not explicit in the ordinary forms. Is a concept that lies utterly beyond science, that holds ideas, impressions and ineffable complexities that depends on how we are affected by it and from the values we associate to it.

*Concepts of Participation
Partecipatory processes are a form of access to a paradigm which the people had a little part in creating. Starts with the reappropriation of knowledge by those who are affected by it and evolves as a strategy in which the powerless develop, create, gain control and systematize their own science.

*Designing
In the modern broad cities is evident the disassociation from community and environment and the human behavior appear antagonistic to sustainability. Holistic insight should be pursuit to guide the design of urban forms and to find new directions for a reformulation of intents and ideals of fulfillment.

'''Author 4: Nahian Zobaid'''
*Concepts of Participation
A participatory approach in any development involves the community in Design
process and give them the right to express their thought, vision and need. This
concept can empower the unprivileged group of society if sensibly chosen in the
design process.

*Community and Identity
Community identity is shaped by the custom, social and geographical
environment of a particular place. Vernacular landscape are good example of
community identity, as it represents the adaptation and thought process of local
farm workers, land developers, home owners and other local professionals.

*Designing
Designing is the combination of multiple problems that leads to a simple yet
innovative solution. The Designer needs to translate the force of people, common
sense and nature into form to built a socially and climatically responsive design.

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: Júlia Ildikó Kozma ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape symbol 1 Kozma Ildiko Julia.jpg|“Szabihíd” project, Liberty Bridge urban picnic “Szabihíd” project started in 2017 when the Libert Bridge was closed due to constartion work. City dwellers and turist went there to enjoy the unique opportunity. At the beggining the city administration couldn’t handel the situation so they forbide to go there, but after a local orgaziation embraced this need and convienced the municipality to make a legal from. Since then the birdge is free from cars during the summer weekends and there are all different kind of activites makes this project more and more popular. 47.485755, 19.054959
File:Landscape symbol 2 Kozma Ildiko Julia.jpg|Buda Castle, Hungarian National Gallery, Széchenyi National Library During the historical times the castle was the place for the king, but these days it is open for the public. People not only can see the castle but the Hungarian National Gallery and also a Széchenyi National Library take place there. It symbolize a democratyc change which maybe not obvios if you doesn’t have some knowledge about the place. 47.502262, 19.032800
File:Landscape symbol 3 Kozma Ildiko Julia.JPG|Vegetable stands In the countryside small vegetable stands offer opportunity to buy fresh crop right form the a infield. Sometimes the owner is selling to you, sometimes only a box is there to collect the cost. I think it is also a symbol of trust and trust is something essentail for democracy. This system would not work without respect and understantment of the value of work. 47.557538, 10.749554

</gallery>

=== Landscape Symbols Author 2: Gaia Uguccioni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1 Wetropolitana.jpg‎|Bologna città [W]etropolitana_Not a subway access, but a sign of artistic performances that took place in those spaces and that has become part of a stratified landscape. A modern monument that represents the aesthetics of the provisional, infiltrates our landscape in a work of continuous adaptation, with a tangible subliminal act plausible enough to become familiar and mimically incorporated.
File:Nettuno.jpeg‎|al Żigànt_The Fountain of Neptune, also known as "the Giant", is a renaissance opera that stands into Piazza Maggiore, the most important square in Bologna. It was designed to glorify the papal government (as Neptune dominates the waters, so the Pope dominates the world). It is currently one of the most famous and recognized symbols of the city.
File:Bolognalagrassa.jpeg|La Grassa_ Capital of a region of great culinary passions, Bologna is associated with the imaginary perception of the city as a paradise for food delicacies. Traditional local specialty shops are the perfect example of Bolognese hedonism.

</gallery>

Landscape Symbols Auther 3: Seyed Amir Hosseini Shahrestani
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1.LED Landscape Symbol Shahrestani Amir.JPG|Roof garden of Exhibition hall Stuttgart.The place which people can take rest from chaos of Exhibition hall, to get together, talk and know each other. most of the time people contact each other after a short conversation. I would like to name this place ‘’the place of socializing and business’’. 48.693282, 9.186010
File:2.LED Landscape Symbol Shahrestani Amir.JPG|Main Square of Stuttgart. The spring, the time to go out and feel like birds, to chat, to make conversation, to look at the nature which is trying to be alive again, to feel it, to do the same ‘’being Alive Again’’. Happiness, green and free spaces. 48.778679, 9.180055
File:3.LED Landscape Symbol Shahrestani Amir.JPG|Nürtingen. Be river, never stop, be bless for your path and around, and get bless from your path. Give live and take it in other way. 48.627918, 9.345074

</gallery>

=== '''Landscape Symbols Author 4: Nahian Zobaid''' ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:12963763 10156738107310133 2790535050829475682 n.jpg|This photograph clicked by me in Bangladesh. As we know that Bangladesh is a riverine country and it is very common to get new land (river sand bed / Char) in the river. Sometimes some of these new lands last for long and sometimes some of those vanish in a short time. As a agricultural country (Bangladesh) most of the country men are farmers and when they see that there are little bit green (like the photograph) on the river sand bed / char, then they get hope to get new agricultural land. These green are the symbol of hope for these farmers. Geo-location 20'34N to 26'38N latitude, 88'01E to 92'41E longitude

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg|The main attraction of the Swadhinata Stambha is the Stambha / monument itself. Stambha means pillar or tower in Bengali. The tower was built on the place where the commander-in-chief of East Pakistan Army Amir Abdullah Khan Niazi signed the papers of his surrender. During night, the tower looks elegant as the rays of light come out from every single inches of the tower. The whole tower turns into a white pillar. The tower is square according to the plan and is 16 feet wide from every side with an area of 64 inches. The underground museum of the project comprises several photographs with historical significance. There are a number of terracotta murals on war-heroes and the events of the Liberation War, a 2000-seat auditorium, and an open-air theater. The eternal flame stands beside the tower. The water body of the project reflects the whole tower all the day and increases the beauty of the project. But the water body is under potential threat as the local slum-dwellers use it for their daily needs. This monument is representing the past , present and future of Bangladesh at a time. Geo location: 23°42′N 90°22′E

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Ratargul, Sylhet.jpeg|In this picture, we can see the water channels in land. The place is in Sylhet, one of the district of Bangladesh. People use the boats for commuting. Also they have the access to the land but they are comfortable with the water boats. The evergreen forest is situated by the river Goain and linked with the channel Chengir Khal. Most of the trees growing here are the Millettia pinnata. The forest is submerged under 20–30 feet water in the rainy season. For the rest of the year, the water level is about 10 feet deep. Geo location: 25°00.025′N 91°58.180′E
</gallery>

== Assignment 3 - Role Play on Landscape Democracy "movers and shakers" ==
*You can read more details about this assignment [[Assignment_3:_Role_Play_on_Landscape_Democracy_"movers_and_shakers"_(2019)|here]]

== Assignment 4 - Your Landscape Democracy Challenge ==
*You can read more details about this assignment [[Assignment_4:_Your_Landscape_Democracy_Challenge_(2019)|here]]
*Each group member will specify a landscape democracy challenge in his/her environment

=== Landscape Democracy Challenge 1 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 2 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 3 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 4 ===
<gallery caption="Reviving Canals" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: Dhaka City has been suffering from many environmental problems including flooding, water logging and other related problems. Urbanization, which is occurring very fast and with larger magnitude in Dhaka, is the intrinsic reason behind these problems. High rate of urbanization causes extensive urban area expansion and as a result canals, wetland and other water bodies are quickly vanishing from the landscape. This study shows the present physical condition of the canals; identifies the processes of canal encroachment; represents the consequences of canal encroachment. 13 canals of 50 were surveyed; local people were surveyed to identify the impact and processes of encroachment. According to this study, canals of Dhaka city are under serious threat of extinction and require immediate recovery actions. Canals are being encroached in various styles and this study identifies five: unauthorized land filling, illegal construction over canal, expansion of slum, solid waste dumping, taking advantage of lack of awareness of local people as well as government agencies. However, this study also discusses the grave consequences of canal encroachment: increasing flood vulnerability, wane of ground water recharge area and ground water level, collapse of natural drainage system, loss of local ecology and biodiversity.
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Your Democratic Change Process ===

<gallery caption="Add Title" widths="600px" heights="300px" perrow="1">
Image:Your_Democratic_Change_Process_Slide1.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide2.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide3.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide4.jpg|caption: ...
</gallery>

=== Reflection ===
* ....
* ....
* ....

Conclusion:
* ....
* ....
* ....

=== Your references ===
* ...
* ...
* ...

----
[[Category:Landscape Democracy Working Group 2019]]

LED Online Seminar 2019 - Working Group 7

2019-06-03T08:53:13Z

Nahian.zoabid: /* Landscape Democracy Challenge 4 */

'''--> Back to [[LED_Online_Seminar_Working_Groups_2019|working group overview]]'''

''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

<div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed;
bottom:32px; left:2%; z-index:9999; padding:0; margin:0;"><span style="color:blue;
font-size:8pt; font-face:verdana,sans-serif; border:0.2em outset #ceebf7;
padding:0.1em; font-weight:bolder; -moz-border-radius:8px; ">
[[#top| Back to the Top ]]</span></div>

== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape Democracy Manifesto-Tehran.jpg|Amir's manifesto
Image:Manifesto Nahian-min.jpg|Nahian's manifesto
Image:Manifesto gaiauguccioni.png|Gaia's manifesto
File:LED Assigment 1 Kozma Ildiko Julia.png |Júlia's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''

1. Amir - Why is landscape beautiful? - Burckhardt, Lucius (1979)

2. Júlia - Urban Planning and Democracy - Júlia (1957)

3. Gaia - Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene."

'''B: Concepts of Participation'''

1. Amir - Consensus Design - Day, Christopher (2002)

2. Gaia - Gaventa, John: The Powerful, the Powerless, and the Experts

3. Nahian - Hester, Randolph (2005): Whose Politics, Landscape Architecture

'''C: Community and Identity'''

1. Amir - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)

2. Nahian - Nassauer, Joan Iverson (1995): Culture and Changing Landscape Structure, Landscape Ecology, vol. 10 no. 4.

'''D: Designing'''

1. Júlia - Design for Ecological Democracy - Randolph T. Hester (2006)

2. Gaia - Hester, Randolph: Life, Liberty and the Pursuit of Sustainable Happiness

3. Nahian - Pritzker Prize winning architect Alejandro Aravena on sustainable design and community involvement in Chile

'''E: Communicating a Vision'''
1. Júlia - - (0)

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: S.Amir H.Shahrestani '''
*Landscape and Democracy - Why is landscape beautiful? - Burckhardt, Lucius (1979)
The outcome of the people view of the same landscape is doubtless highly individual and every person has different aspect and criteria of it. The opinion of beautiful or ugly landscape comes from the people previous idea (childhood stories), therefore the people have different judgments.
*Concepts of Participation - Consensus Design - Day, Christopher (2002)
Better way to make ethical decisions is defined as a democratic way and consensual approach.
In the democracy the majority's demands are influential and the minority’s requests are disregarded. Getting a more comprehensive solution (equitable, productive, conscious, participator) compromising is defined as a step to reach collective decisions and consensus.
*Community and Identity - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)
Image of the landscape allows us to establish a relationship with the place through the sense of belonging. It performs an effective role in the transmission of the story by reflecting the identity of the space.

'''Author 2: Ildikó Júlia Kozma'''
*Landscape and Democracy
The role of the public in urbanism should be stronger. If we want more democratic cities, city dwellers must have more knowledge about the built environment which surround them. Without that they can’t live with their democratic rights.
*Designing
Ecology and democracy is to separate thing, but together they can give a better solution to many problems of urbanism. With well defined principles we can use ecological methods during designing.
*Communicating a Vision
In participatory design communicating your vision is a key element. Presentations hold by professionals, coauthoring design and all different kind of verbal and nonverbal communication method are needed to understand each other.

'''Author 3: Gaia Uguccioni '''
*Landscape and Democracy
Every landscape hides a meaning that is not explicit in the ordinary forms. Is a concept that lies utterly beyond science, that holds ideas, impressions and ineffable complexities that depends on how we are affected by it and from the values we associate to it.

*Concepts of Participation
Partecipatory processes are a form of access to a paradigm which the people had a little part in creating. Starts with the reappropriation of knowledge by those who are affected by it and evolves as a strategy in which the powerless develop, create, gain control and systematize their own science.

*Designing
In the modern broad cities is evident the disassociation from community and environment and the human behavior appear antagonistic to sustainability. Holistic insight should be pursuit to guide the design of urban forms and to find new directions for a reformulation of intents and ideals of fulfillment.

'''Author 4: Nahian Zobaid'''
*Concepts of Participation
A participatory approach in any development involves the community in Design
process and give them the right to express their thought, vision and need. This
concept can empower the unprivileged group of society if sensibly chosen in the
design process.

*Community and Identity
Community identity is shaped by the custom, social and geographical
environment of a particular place. Vernacular landscape are good example of
community identity, as it represents the adaptation and thought process of local
farm workers, land developers, home owners and other local professionals.

*Designing
Designing is the combination of multiple problems that leads to a simple yet
innovative solution. The Designer needs to translate the force of people, common
sense and nature into form to built a socially and climatically responsive design.

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: Júlia Ildikó Kozma ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape symbol 1 Kozma Ildiko Julia.jpg|“Szabihíd” project, Liberty Bridge urban picnic “Szabihíd” project started in 2017 when the Libert Bridge was closed due to constartion work. City dwellers and turist went there to enjoy the unique opportunity. At the beggining the city administration couldn’t handel the situation so they forbide to go there, but after a local orgaziation embraced this need and convienced the municipality to make a legal from. Since then the birdge is free from cars during the summer weekends and there are all different kind of activites makes this project more and more popular. 47.485755, 19.054959
File:Landscape symbol 2 Kozma Ildiko Julia.jpg|Buda Castle, Hungarian National Gallery, Széchenyi National Library During the historical times the castle was the place for the king, but these days it is open for the public. People not only can see the castle but the Hungarian National Gallery and also a Széchenyi National Library take place there. It symbolize a democratyc change which maybe not obvios if you doesn’t have some knowledge about the place. 47.502262, 19.032800
File:Landscape symbol 3 Kozma Ildiko Julia.JPG|Vegetable stands In the countryside small vegetable stands offer opportunity to buy fresh crop right form the a infield. Sometimes the owner is selling to you, sometimes only a box is there to collect the cost. I think it is also a symbol of trust and trust is something essentail for democracy. This system would not work without respect and understantment of the value of work. 47.557538, 10.749554

</gallery>

=== Landscape Symbols Author 2: Gaia Uguccioni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1 Wetropolitana.jpg‎|Bologna città [W]etropolitana_Not a subway access, but a sign of artistic performances that took place in those spaces and that has become part of a stratified landscape. A modern monument that represents the aesthetics of the provisional, infiltrates our landscape in a work of continuous adaptation, with a tangible subliminal act plausible enough to become familiar and mimically incorporated.
File:Nettuno.jpeg‎|al Żigànt_The Fountain of Neptune, also known as "the Giant", is a renaissance opera that stands into Piazza Maggiore, the most important square in Bologna. It was designed to glorify the papal government (as Neptune dominates the waters, so the Pope dominates the world). It is currently one of the most famous and recognized symbols of the city.
File:Bolognalagrassa.jpeg|La Grassa_ Capital of a region of great culinary passions, Bologna is associated with the imaginary perception of the city as a paradise for food delicacies. Traditional local specialty shops are the perfect example of Bolognese hedonism.

</gallery>

Landscape Symbols Auther 3: Seyed Amir Hosseini Shahrestani
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1.LED Landscape Symbol Shahrestani Amir.JPG|Roof garden of Exhibition hall Stuttgart.The place which people can take rest from chaos of Exhibition hall, to get together, talk and know each other. most of the time people contact each other after a short conversation. I would like to name this place ‘’the place of socializing and business’’. 48.693282, 9.186010
File:2.LED Landscape Symbol Shahrestani Amir.JPG|Main Square of Stuttgart. The spring, the time to go out and feel like birds, to chat, to make conversation, to look at the nature which is trying to be alive again, to feel it, to do the same ‘’being Alive Again’’. Happiness, green and free spaces. 48.778679, 9.180055
File:3.LED Landscape Symbol Shahrestani Amir.JPG|Nürtingen. Be river, never stop, be bless for your path and around, and get bless from your path. Give live and take it in other way. 48.627918, 9.345074

</gallery>

=== '''Landscape Symbols Author 4: Nahian Zobaid''' ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:12963763 10156738107310133 2790535050829475682 n.jpg|This photograph clicked by me in Bangladesh. As we know that Bangladesh is a riverine country and it is very common to get new land (river sand bed / Char) in the river. Sometimes some of these new lands last for long and sometimes some of those vanish in a short time. As a agricultural country (Bangladesh) most of the country men are farmers and when they see that there are little bit green (like the photograph) on the river sand bed / char, then they get hope to get new agricultural land. These green are the symbol of hope for these farmers. Geo-location 20'34N to 26'38N latitude, 88'01E to 92'41E longitude

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg|The main attraction of the Swadhinata Stambha is the Stambha / monument itself. Stambha means pillar or tower in Bengali. The tower was built on the place where the commander-in-chief of East Pakistan Army Amir Abdullah Khan Niazi signed the papers of his surrender. During night, the tower looks elegant as the rays of light come out from every single inches of the tower. The whole tower turns into a white pillar. The tower is square according to the plan and is 16 feet wide from every side with an area of 64 inches. The underground museum of the project comprises several photographs with historical significance. There are a number of terracotta murals on war-heroes and the events of the Liberation War, a 2000-seat auditorium, and an open-air theater. The eternal flame stands beside the tower. The water body of the project reflects the whole tower all the day and increases the beauty of the project. But the water body is under potential threat as the local slum-dwellers use it for their daily needs. This monument is representing the past , present and future of Bangladesh at a time. Geo location: 23°42′N 90°22′E

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Ratargul, Sylhet.jpeg|In this picture, we can see the water channels in land. The place is in Sylhet, one of the district of Bangladesh. People use the boats for commuting. Also they have the access to the land but they are comfortable with the water boats. The evergreen forest is situated by the river Goain and linked with the channel Chengir Khal. Most of the trees growing here are the Millettia pinnata. The forest is submerged under 20–30 feet water in the rainy season. For the rest of the year, the water level is about 10 feet deep. Geo location: 25°00.025′N 91°58.180′E
</gallery>

== Assignment 3 - Role Play on Landscape Democracy "movers and shakers" ==
*You can read more details about this assignment [[Assignment_3:_Role_Play_on_Landscape_Democracy_"movers_and_shakers"_(2019)|here]]

== Assignment 4 - Your Landscape Democracy Challenge ==
*You can read more details about this assignment [[Assignment_4:_Your_Landscape_Democracy_Challenge_(2019)|here]]
*Each group member will specify a landscape democracy challenge in his/her environment

=== Landscape Democracy Challenge 1 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 2 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 3 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 4 ===
<gallery caption="Reviving Canals" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Your Democratic Change Process ===

<gallery caption="Add Title" widths="600px" heights="300px" perrow="1">
Image:Your_Democratic_Change_Process_Slide1.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide2.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide3.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide4.jpg|caption: ...
</gallery>

=== Reflection ===
* ....
* ....
* ....

Conclusion:
* ....
* ....
* ....

=== Your references ===
* ...
* ...
* ...

----
[[Category:Landscape Democracy Working Group 2019]]

LED Online Seminar 2019 - Working Group 7

2019-05-24T09:32:47Z

Nahian.zoabid: /* Landscape Symbols Author 4: Nahian Zobaid */

LED Online Seminar 2019 - Working Group 7

2019-05-22T15:22:22Z

Nahian.zoabid: /* Landscape Symbols Author 4: Nahian Zobaid */

LED Online Seminar 2019 - Working Group 7

2019-05-22T15:22:06Z

Nahian.zoabid: /* Landscape Symbols Author 4: Nahian Zobaid */

LED Online Seminar 2019 - Working Group 7

2019-05-22T15:21:38Z

Nahian.zoabid: /* Landscape Symbols Author 4: Nahian Zobaid */

LED Online Seminar 2019 - Working Group 7

2019-05-22T15:20:52Z

Nahian.zoabid: /* Assignment 2 - Your Landscape Symbols */

LED Online Seminar 2019 - Working Group 7

2019-05-22T15:17:16Z

Nahian.zoabid: /* Assignment 2 - Your Landscape Symbols */

LED Online Seminar 2019 - Working Group 7

2019-05-22T15:16:58Z

Nahian.zoabid: /* Assignment 2 - Your Landscape Symbols */

LED Online Seminar 2019 - Working Group 7

2019-05-22T15:16:42Z

Nahian.zoabid: /* Assignment 2 - Your Landscape Symbols */

'''--> Back to [[LED_Online_Seminar_Working_Groups_2019|working group overview]]'''

''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

<div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed;
bottom:32px; left:2%; z-index:9999; padding:0; margin:0;"><span style="color:blue;
font-size:8pt; font-face:verdana,sans-serif; border:0.2em outset #ceebf7;
padding:0.1em; font-weight:bolder; -moz-border-radius:8px; ">
[[#top| Back to the Top ]]</span></div>

== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape Democracy Manifesto-Tehran.jpg|Amir's manifesto
Image:Manifesto Nahian-min.jpg|Nahian's manifesto
Image:Manifesto gaiauguccioni.png|Gaia's manifesto
File:LED Assigment 1 Kozma Ildiko Julia.png |Júlia's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''

1. Amir - Why is landscape beautiful? - Burckhardt, Lucius (1979)

2. Júlia - Urban Planning and Democracy - Júlia (1957)

3. Gaia - Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene."

'''B: Concepts of Participation'''

1. Amir - Consensus Design - Day, Christopher (2002)

2. Gaia - Gaventa, John: The Powerful, the Powerless, and the Experts

3. Nahian - Hester, Randolph (2005): Whose Politics, Landscape Architecture

'''C: Community and Identity'''

1. Amir - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)

2. Nahian - Nassauer, Joan Iverson (1995): Culture and Changing Landscape Structure, Landscape Ecology, vol. 10 no. 4.

'''D: Designing'''

1. Júlia - Design for Ecological Democracy - Randolph T. Hester (2006)

2. Gaia - Hester, Randolph: Life, Liberty and the Pursuit of Sustainable Happiness

3. Nahian - Pritzker Prize winning architect Alejandro Aravena on sustainable design and community involvement in Chile

'''E: Communicating a Vision'''
1. Júlia - - (0)

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: S.Amir H.Shahrestani '''
*Landscape and Democracy - Why is landscape beautiful? - Burckhardt, Lucius (1979)
The outcome of the people view of the same landscape is doubtless highly individual and every person has different aspect and criteria of it. The opinion of beautiful or ugly landscape comes from the people previous idea (childhood stories), therefore the people have different judgments.
*Concepts of Participation - Consensus Design - Day, Christopher (2002)
Better way to make ethical decisions is defined as a democratic way and consensual approach.
In the democracy the majority's demands are influential and the minority’s requests are disregarded. Getting a more comprehensive solution (equitable, productive, conscious, participator) compromising is defined as a step to reach collective decisions and consensus.
*Community and Identity - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)
Image of the landscape allows us to establish a relationship with the place through the sense of belonging. It performs an effective role in the transmission of the story by reflecting the identity of the space.

'''Author 2: Ildikó Júlia Kozma'''
*Landscape and Democracy
The role of the public in urbanism should be stronger. If we want more democratic cities, city dwellers must have more knowledge about the built environment which surround them. Without that they can’t live with their democratic rights.
*Designing
Ecology and democracy is to separate thing, but together they can give a better solution to many problems of urbanism. With well defined principles we can use ecological methods during designing.
*Communicating a Vision
In participatory design communicating your vision is a key element. Presentations hold by professionals, coauthoring design and all different kind of verbal and nonverbal communication method are needed to understand each other.

'''Author 3: Gaia Uguccioni '''
*Landscape and Democracy
Every landscape hides a meaning that is not explicit in the ordinary forms. Is a concept that lies utterly beyond science, that holds ideas, impressions and ineffable complexities that depends on how we are affected by it and from the values we associate to it.

*Concepts of Participation
Partecipatory processes are a form of access to a paradigm which the people had a little part in creating. Starts with the reappropriation of knowledge by those who are affected by it and evolves as a strategy in which the powerless develop, create, gain control and systematize their own science.

*Designing
In the modern broad cities is evident the disassociation from community and environment and the human behavior appear antagonistic to sustainability. Holistic insight should be pursuit to guide the design of urban forms and to find new directions for a reformulation of intents and ideals of fulfillment.

'''Author 4: Nahian Zobaid'''
*Concepts of Participation
A participatory approach in any development involves the community in Design
process and give them the right to express their thought, vision and need. This
concept can empower the unprivileged group of society if sensibly chosen in the
design process.

*Community and Identity
Community identity is shaped by the custom, social and geographical
environment of a particular place. Vernacular landscape are good example of
community identity, as it represents the adaptation and thought process of local
farm workers, land developers, home owners and other local professionals.

*Designing
Designing is the combination of multiple problems that leads to a simple yet
innovative solution. The Designer needs to translate the force of people, common
sense and nature into form to built a socially and climatically responsive design.

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: Júlia Ildikó Kozma ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape symbol 1 Kozma Ildiko Julia.jpg|“Szabihíd” project, Liberty Bridge urban picnic “Szabihíd” project started in 2017 when the Libert Bridge was closed due to constartion work. City dwellers and turist went there to enjoy the unique opportunity. At the beggining the city administration couldn’t handel the situation so they forbide to go there, but after a local orgaziation embraced this need and convienced the municipality to make a legal from. Since then the birdge is free from cars during the summer weekends and there are all different kind of activites makes this project more and more popular. 47.485755, 19.054959
File:Landscape symbol 2 Kozma Ildiko Julia.jpg|Buda Castle, Hungarian National Gallery, Széchenyi National Library During the historical times the castle was the place for the king, but these days it is open for the public. People not only can see the castle but the Hungarian National Gallery and also a Széchenyi National Library take place there. It symbolize a democratyc change which maybe not obvios if you doesn’t have some knowledge about the place. 47.502262, 19.032800
File:Landscape symbol 3 Kozma Ildiko Julia.JPG|Vegetable stands In the countryside small vegetable stands offer opportunity to buy fresh crop right form the a infield. Sometimes the owner is selling to you, sometimes only a box is there to collect the cost. I think it is also a symbol of trust and trust is something essentail for democracy. This system would not work without respect and understantment of the value of work. 47.557538, 10.749554

</gallery>

=== Landscape Symbols Author 2: Gaia Uguccioni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1 Wetropolitana.jpg‎|Bologna città [W]etropolitana_Not a subway access, but a sign of artistic performances that took place in those spaces and that has become part of a stratified landscape. A modern monument that represents the aesthetics of the provisional, infiltrates our landscape in a work of continuous adaptation, with a tangible subliminal act plausible enough to become familiar and mimically incorporated.
File:Nettuno.jpeg‎|al Żigànt_The Fountain of Neptune, also known as "the Giant", is a renaissance opera that stands into Piazza Maggiore, the most important square in Bologna. It was designed to glorify the papal government (as Neptune dominates the waters, so the Pope dominates the world). It is currently one of the most famous and recognized symbols of the city.
File:Bolognalagrassa.jpeg|La Grassa_ Capital of a region of great culinary passions, Bologna is associated with the imaginary perception of the city as a paradise for food delicacies. Traditional local specialty shops are the perfect example of Bolognese hedonism.

</gallery>

Landscape Symbols Auther 3: Seyed Amir Hosseini Shahrestani
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1.LED Landscape Symbol Shahrestani Amir.JPG|Roof garden of Exhibition hall Stuttgart.The place which people can take rest from chaos of Exhibition hall, to get together, talk and know each other. most of the time people contact each other after a short conversation. I would like to name this place ‘’the place of socializing and business’’. 48.693282, 9.186010
File:2.LED Landscape Symbol Shahrestani Amir.JPG|Main Square of Stuttgart. The spring, the time to go out and feel like birds, to chat, to make conversation, to look at the nature which is trying to be alive again, to feel it, to do the same ‘’being Alive Again’’. Happiness, green and free spaces. 48.778679, 9.180055
File:3.LED Landscape Symbol Shahrestani Amir.JPG|Nürtingen. Be river, never stop, be bless for your path and around, and get bless from your path. Give live and take it in other way. 48.627918, 9.345074

</gallery>

=== '''Landscape Symbols Author 4: Nahian Zobaid''' ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:12963763 10156738107310133 2790535050829475682 n.jpg‎|This photograph clicked by me in Bangladesh. As we know that Bangladesh is a riverine country and it is very common to get new land (river sand bed / Char) in the river. Sometimes some of these new lands last for long and sometimes some of those vanish in a short time. As a agricultural country (Bangladesh) most of the country men are farmers and when they see that there are little bit green (like the photograph) on the river sand bed / char, then they get hope to get new agricultural land. These green are the symbol of hope for these farmers. Geo-location 20'34N to 26'38N latitude, 88'01E to 92'41E longitude

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg |The main attraction of the Swadhinata Stambha is the Stambha / monument itself. Stambha means pillar or tower in Bengali. The tower was built on the place where the commander-in-chief of East Pakistan Army Amir Abdullah Khan Niazi signed the papers of his surrender. During night, the tower looks elegant as the rays of light come out from every single inches of the tower. The whole tower turns into a white pillar. The tower is square according to the plan and is 16 feet wide from every side with an area of 64 inches. The underground museum of the project comprises several photographs with historical significance. There are a number of terracotta murals on war-heroes and the events of the Liberation War, a 2000-seat auditorium, and an open-air theater. The eternal flame stands beside the tower. The water body of the project reflects the whole tower all the day and increases the beauty of the project. But the water body is under potential threat as the local slum-dwellers use it for their daily needs. This monument is representing the past , present and future of Bangladesh at a time. Geo location: 23°42′N 90°22′E

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Ratargul, Sylhet.jpeg |In this picture, we can see the water channels in land. The place is in Sylhet, one of the district of Bangladesh. People use the boats for commuting. Also they have the access to the land but they are comfortable with the water boats. The evergreen forest is situated by the river Goain and linked with the channel Chengir Khal. Most of the trees growing here are the Millettia pinnata. The forest is submerged under 20–30 feet water in the rainy season. For the rest of the year, the water level is about 10 feet deep. Geo location: 25°00.025′N 91°58.180′E

=== Landscape Democracy Challenge 2 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 3 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 4 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Your Democratic Change Process ===

<gallery caption="Add Title" widths="600px" heights="300px" perrow="1">
Image:Your_Democratic_Change_Process_Slide1.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide2.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide3.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide4.jpg|caption: ...
</gallery>

LED Online Seminar 2019 - Working Group 7

2019-05-22T15:16:14Z

Nahian.zoabid: /* Landscape Symbols Author 4: Nahian Zobaid */

'''--> Back to [[LED_Online_Seminar_Working_Groups_2019|working group overview]]'''

''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

<div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed;
bottom:32px; left:2%; z-index:9999; padding:0; margin:0;"><span style="color:blue;
font-size:8pt; font-face:verdana,sans-serif; border:0.2em outset #ceebf7;
padding:0.1em; font-weight:bolder; -moz-border-radius:8px; ">
[[#top| Back to the Top ]]</span></div>

== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape Democracy Manifesto-Tehran.jpg|Amir's manifesto
Image:Manifesto Nahian-min.jpg|Nahian's manifesto
Image:Manifesto gaiauguccioni.png|Gaia's manifesto
File:LED Assigment 1 Kozma Ildiko Julia.png |Júlia's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''

1. Amir - Why is landscape beautiful? - Burckhardt, Lucius (1979)

2. Júlia - Urban Planning and Democracy - Júlia (1957)

3. Gaia - Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene."

'''B: Concepts of Participation'''

1. Amir - Consensus Design - Day, Christopher (2002)

2. Gaia - Gaventa, John: The Powerful, the Powerless, and the Experts

3. Nahian - Hester, Randolph (2005): Whose Politics, Landscape Architecture

'''C: Community and Identity'''

1. Amir - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)

2. Nahian - Nassauer, Joan Iverson (1995): Culture and Changing Landscape Structure, Landscape Ecology, vol. 10 no. 4.

'''D: Designing'''

1. Júlia - Design for Ecological Democracy - Randolph T. Hester (2006)

2. Gaia - Hester, Randolph: Life, Liberty and the Pursuit of Sustainable Happiness

3. Nahian - Pritzker Prize winning architect Alejandro Aravena on sustainable design and community involvement in Chile

'''E: Communicating a Vision'''
1. Júlia - - (0)

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: S.Amir H.Shahrestani '''
*Landscape and Democracy - Why is landscape beautiful? - Burckhardt, Lucius (1979)
The outcome of the people view of the same landscape is doubtless highly individual and every person has different aspect and criteria of it. The opinion of beautiful or ugly landscape comes from the people previous idea (childhood stories), therefore the people have different judgments.
*Concepts of Participation - Consensus Design - Day, Christopher (2002)
Better way to make ethical decisions is defined as a democratic way and consensual approach.
In the democracy the majority's demands are influential and the minority’s requests are disregarded. Getting a more comprehensive solution (equitable, productive, conscious, participator) compromising is defined as a step to reach collective decisions and consensus.
*Community and Identity - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)
Image of the landscape allows us to establish a relationship with the place through the sense of belonging. It performs an effective role in the transmission of the story by reflecting the identity of the space.

'''Author 2: Ildikó Júlia Kozma'''
*Landscape and Democracy
The role of the public in urbanism should be stronger. If we want more democratic cities, city dwellers must have more knowledge about the built environment which surround them. Without that they can’t live with their democratic rights.
*Designing
Ecology and democracy is to separate thing, but together they can give a better solution to many problems of urbanism. With well defined principles we can use ecological methods during designing.
*Communicating a Vision
In participatory design communicating your vision is a key element. Presentations hold by professionals, coauthoring design and all different kind of verbal and nonverbal communication method are needed to understand each other.

'''Author 3: Gaia Uguccioni '''
*Landscape and Democracy
Every landscape hides a meaning that is not explicit in the ordinary forms. Is a concept that lies utterly beyond science, that holds ideas, impressions and ineffable complexities that depends on how we are affected by it and from the values we associate to it.

*Concepts of Participation
Partecipatory processes are a form of access to a paradigm which the people had a little part in creating. Starts with the reappropriation of knowledge by those who are affected by it and evolves as a strategy in which the powerless develop, create, gain control and systematize their own science.

*Designing
In the modern broad cities is evident the disassociation from community and environment and the human behavior appear antagonistic to sustainability. Holistic insight should be pursuit to guide the design of urban forms and to find new directions for a reformulation of intents and ideals of fulfillment.

'''Author 4: Nahian Zobaid'''
*Concepts of Participation
A participatory approach in any development involves the community in Design
process and give them the right to express their thought, vision and need. This
concept can empower the unprivileged group of society if sensibly chosen in the
design process.

*Community and Identity
Community identity is shaped by the custom, social and geographical
environment of a particular place. Vernacular landscape are good example of
community identity, as it represents the adaptation and thought process of local
farm workers, land developers, home owners and other local professionals.

*Designing
Designing is the combination of multiple problems that leads to a simple yet
innovative solution. The Designer needs to translate the force of people, common
sense and nature into form to built a socially and climatically responsive design.

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: Júlia Ildikó Kozma ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape symbol 1 Kozma Ildiko Julia.jpg|“Szabihíd” project, Liberty Bridge urban picnic “Szabihíd” project started in 2017 when the Libert Bridge was closed due to constartion work. City dwellers and turist went there to enjoy the unique opportunity. At the beggining the city administration couldn’t handel the situation so they forbide to go there, but after a local orgaziation embraced this need and convienced the municipality to make a legal from. Since then the birdge is free from cars during the summer weekends and there are all different kind of activites makes this project more and more popular. 47.485755, 19.054959
File:Landscape symbol 2 Kozma Ildiko Julia.jpg|Buda Castle, Hungarian National Gallery, Széchenyi National Library During the historical times the castle was the place for the king, but these days it is open for the public. People not only can see the castle but the Hungarian National Gallery and also a Széchenyi National Library take place there. It symbolize a democratyc change which maybe not obvios if you doesn’t have some knowledge about the place. 47.502262, 19.032800
File:Landscape symbol 3 Kozma Ildiko Julia.JPG|Vegetable stands In the countryside small vegetable stands offer opportunity to buy fresh crop right form the a infield. Sometimes the owner is selling to you, sometimes only a box is there to collect the cost. I think it is also a symbol of trust and trust is something essentail for democracy. This system would not work without respect and understantment of the value of work. 47.557538, 10.749554

</gallery>

=== Landscape Symbols Author 2: Gaia Uguccioni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1 Wetropolitana.jpg‎|Bologna città [W]etropolitana_Not a subway access, but a sign of artistic performances that took place in those spaces and that has become part of a stratified landscape. A modern monument that represents the aesthetics of the provisional, infiltrates our landscape in a work of continuous adaptation, with a tangible subliminal act plausible enough to become familiar and mimically incorporated.
File:Nettuno.jpeg‎|al Żigànt_The Fountain of Neptune, also known as "the Giant", is a renaissance opera that stands into Piazza Maggiore, the most important square in Bologna. It was designed to glorify the papal government (as Neptune dominates the waters, so the Pope dominates the world). It is currently one of the most famous and recognized symbols of the city.
File:Bolognalagrassa.jpeg|La Grassa_ Capital of a region of great culinary passions, Bologna is associated with the imaginary perception of the city as a paradise for food delicacies. Traditional local specialty shops are the perfect example of Bolognese hedonism.

</gallery>

Landscape Symbols Auther 3: Seyed Amir Hosseini Shahrestani
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1.LED Landscape Symbol Shahrestani Amir.JPG|Roof garden of Exhibition hall Stuttgart.The place which people can take rest from chaos of Exhibition hall, to get together, talk and know each other. most of the time people contact each other after a short conversation. I would like to name this place ‘’the place of socializing and business’’. 48.693282, 9.186010
File:2.LED Landscape Symbol Shahrestani Amir.JPG|Main Square of Stuttgart. The spring, the time to go out and feel like birds, to chat, to make conversation, to look at the nature which is trying to be alive again, to feel it, to do the same ‘’being Alive Again’’. Happiness, green and free spaces. 48.778679, 9.180055
File:3.LED Landscape Symbol Shahrestani Amir.JPG|Nürtingen. Be river, never stop, be bless for your path and around, and get bless from your path. Give live and take it in other way. 48.627918, 9.345074

</gallery>

=== '''Landscape Symbols Author 4: Nahian Zobaid''' ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:12963763 10156738107310133 2790535050829475682 n.jpg‎|This photograph clicked by me in Bangladesh. As we know that Bangladesh is a riverine country and it is very common to get new land (river sand bed / Char) in the river. Sometimes some of these new lands last for long and sometimes some of those vanish in a short time. As a agricultural country (Bangladesh) most of the country men are farmers and when they see that there are little bit green (like the photograph) on the river sand bed / char, then they get hope to get new agricultural land. These green are the symbol of hope for these farmers. Geo-location 20'34N to 26'38N latitude, 88'01E to 92'41E longitude

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg |The main attraction of the Swadhinata Stambha is the Stambha / monument itself. Stambha means pillar or tower in Bengali. The tower was built on the place where the commander-in-chief of East Pakistan Army Amir Abdullah Khan Niazi signed the papers of his surrender. During night, the tower looks elegant as the rays of light come out from every single inches of the tower. The whole tower turns into a white pillar. The tower is square according to the plan and is 16 feet wide from every side with an area of 64 inches. The underground museum of the project comprises several photographs with historical significance. There are a number of terracotta murals on war-heroes and the events of the Liberation War, a 2000-seat auditorium, and an open-air theater. The eternal flame stands beside the tower. The water body of the project reflects the whole tower all the day and increases the beauty of the project. But the water body is under potential threat as the local slum-dwellers use it for their daily needs. This monument is representing the past , present and future of Bangladesh at a time. Geo location: 23°42′N 90°22′E

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Ratargul, Sylhet.jpeg |In this picture, we can see the water channels in land. The place is in Sylhet, one of the district of Bangladesh. People use the boats for commuting. Also they have the access to the land but they are comfortable with the water boats. The evergreen forest is situated by the river Goain and linked with the channel Chengir Khal. Most of the trees growing here are the Millettia pinnata. The forest is submerged under 20–30 feet water in the rainy season. For the rest of the year, the water level is about 10 feet deep. Geo location: 25°00.025′N 91°58.180′E

=== Landscape Democracy Challenge 2 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 3 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 4 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Your Democratic Change Process ===

<gallery caption="Add Title" widths="600px" heights="300px" perrow="1">
Image:Your_Democratic_Change_Process_Slide1.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide2.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide3.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide4.jpg|caption: ...
</gallery>

=== Reflection ===
* ....
* ....
* ....

Conclusion:
* ....
* ....
* ....

=== Your references ===
* ...
* ...
* ...

----
[[Category:Landscape Democracy Working Group 2019]]

LED Online Seminar 2019 - Working Group 7

2019-05-22T15:15:26Z

Nahian.zoabid: /* Landscape Symbols Author 4: Nahian Zobaid */

'''--> Back to [[LED_Online_Seminar_Working_Groups_2019|working group overview]]'''

''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

<div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed;
bottom:32px; left:2%; z-index:9999; padding:0; margin:0;"><span style="color:blue;
font-size:8pt; font-face:verdana,sans-serif; border:0.2em outset #ceebf7;
padding:0.1em; font-weight:bolder; -moz-border-radius:8px; ">
[[#top| Back to the Top ]]</span></div>

== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape Democracy Manifesto-Tehran.jpg|Amir's manifesto
Image:Manifesto Nahian-min.jpg|Nahian's manifesto
Image:Manifesto gaiauguccioni.png|Gaia's manifesto
File:LED Assigment 1 Kozma Ildiko Julia.png |Júlia's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''

1. Amir - Why is landscape beautiful? - Burckhardt, Lucius (1979)

2. Júlia - Urban Planning and Democracy - Júlia (1957)

3. Gaia - Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene."

'''B: Concepts of Participation'''

1. Amir - Consensus Design - Day, Christopher (2002)

2. Gaia - Gaventa, John: The Powerful, the Powerless, and the Experts

3. Nahian - Hester, Randolph (2005): Whose Politics, Landscape Architecture

'''C: Community and Identity'''

1. Amir - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)

2. Nahian - Nassauer, Joan Iverson (1995): Culture and Changing Landscape Structure, Landscape Ecology, vol. 10 no. 4.

'''D: Designing'''

1. Júlia - Design for Ecological Democracy - Randolph T. Hester (2006)

2. Gaia - Hester, Randolph: Life, Liberty and the Pursuit of Sustainable Happiness

3. Nahian - Pritzker Prize winning architect Alejandro Aravena on sustainable design and community involvement in Chile

'''E: Communicating a Vision'''
1. Júlia - - (0)

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: S.Amir H.Shahrestani '''
*Landscape and Democracy - Why is landscape beautiful? - Burckhardt, Lucius (1979)
The outcome of the people view of the same landscape is doubtless highly individual and every person has different aspect and criteria of it. The opinion of beautiful or ugly landscape comes from the people previous idea (childhood stories), therefore the people have different judgments.
*Concepts of Participation - Consensus Design - Day, Christopher (2002)
Better way to make ethical decisions is defined as a democratic way and consensual approach.
In the democracy the majority's demands are influential and the minority’s requests are disregarded. Getting a more comprehensive solution (equitable, productive, conscious, participator) compromising is defined as a step to reach collective decisions and consensus.
*Community and Identity - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)
Image of the landscape allows us to establish a relationship with the place through the sense of belonging. It performs an effective role in the transmission of the story by reflecting the identity of the space.

'''Author 2: Ildikó Júlia Kozma'''
*Landscape and Democracy
The role of the public in urbanism should be stronger. If we want more democratic cities, city dwellers must have more knowledge about the built environment which surround them. Without that they can’t live with their democratic rights.
*Designing
Ecology and democracy is to separate thing, but together they can give a better solution to many problems of urbanism. With well defined principles we can use ecological methods during designing.
*Communicating a Vision
In participatory design communicating your vision is a key element. Presentations hold by professionals, coauthoring design and all different kind of verbal and nonverbal communication method are needed to understand each other.

'''Author 3: Gaia Uguccioni '''
*Landscape and Democracy
Every landscape hides a meaning that is not explicit in the ordinary forms. Is a concept that lies utterly beyond science, that holds ideas, impressions and ineffable complexities that depends on how we are affected by it and from the values we associate to it.

*Concepts of Participation
Partecipatory processes are a form of access to a paradigm which the people had a little part in creating. Starts with the reappropriation of knowledge by those who are affected by it and evolves as a strategy in which the powerless develop, create, gain control and systematize their own science.

*Designing
In the modern broad cities is evident the disassociation from community and environment and the human behavior appear antagonistic to sustainability. Holistic insight should be pursuit to guide the design of urban forms and to find new directions for a reformulation of intents and ideals of fulfillment.

'''Author 4: Nahian Zobaid'''
*Concepts of Participation
A participatory approach in any development involves the community in Design
process and give them the right to express their thought, vision and need. This
concept can empower the unprivileged group of society if sensibly chosen in the
design process.

*Community and Identity
Community identity is shaped by the custom, social and geographical
environment of a particular place. Vernacular landscape are good example of
community identity, as it represents the adaptation and thought process of local
farm workers, land developers, home owners and other local professionals.

*Designing
Designing is the combination of multiple problems that leads to a simple yet
innovative solution. The Designer needs to translate the force of people, common
sense and nature into form to built a socially and climatically responsive design.

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: Júlia Ildikó Kozma ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape symbol 1 Kozma Ildiko Julia.jpg|“Szabihíd” project, Liberty Bridge urban picnic “Szabihíd” project started in 2017 when the Libert Bridge was closed due to constartion work. City dwellers and turist went there to enjoy the unique opportunity. At the beggining the city administration couldn’t handel the situation so they forbide to go there, but after a local orgaziation embraced this need and convienced the municipality to make a legal from. Since then the birdge is free from cars during the summer weekends and there are all different kind of activites makes this project more and more popular. 47.485755, 19.054959
File:Landscape symbol 2 Kozma Ildiko Julia.jpg|Buda Castle, Hungarian National Gallery, Széchenyi National Library During the historical times the castle was the place for the king, but these days it is open for the public. People not only can see the castle but the Hungarian National Gallery and also a Széchenyi National Library take place there. It symbolize a democratyc change which maybe not obvios if you doesn’t have some knowledge about the place. 47.502262, 19.032800
File:Landscape symbol 3 Kozma Ildiko Julia.JPG|Vegetable stands In the countryside small vegetable stands offer opportunity to buy fresh crop right form the a infield. Sometimes the owner is selling to you, sometimes only a box is there to collect the cost. I think it is also a symbol of trust and trust is something essentail for democracy. This system would not work without respect and understantment of the value of work. 47.557538, 10.749554

</gallery>

=== Landscape Symbols Author 2: Gaia Uguccioni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1 Wetropolitana.jpg‎|Bologna città [W]etropolitana_Not a subway access, but a sign of artistic performances that took place in those spaces and that has become part of a stratified landscape. A modern monument that represents the aesthetics of the provisional, infiltrates our landscape in a work of continuous adaptation, with a tangible subliminal act plausible enough to become familiar and mimically incorporated.
File:Nettuno.jpeg‎|al Żigànt_The Fountain of Neptune, also known as "the Giant", is a renaissance opera that stands into Piazza Maggiore, the most important square in Bologna. It was designed to glorify the papal government (as Neptune dominates the waters, so the Pope dominates the world). It is currently one of the most famous and recognized symbols of the city.
File:Bolognalagrassa.jpeg|La Grassa_ Capital of a region of great culinary passions, Bologna is associated with the imaginary perception of the city as a paradise for food delicacies. Traditional local specialty shops are the perfect example of Bolognese hedonism.

</gallery>

Landscape Symbols Auther 3: Seyed Amir Hosseini Shahrestani
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1.LED Landscape Symbol Shahrestani Amir.JPG|Roof garden of Exhibition hall Stuttgart.The place which people can take rest from chaos of Exhibition hall, to get together, talk and know each other. most of the time people contact each other after a short conversation. I would like to name this place ‘’the place of socializing and business’’. 48.693282, 9.186010
File:2.LED Landscape Symbol Shahrestani Amir.JPG|Main Square of Stuttgart. The spring, the time to go out and feel like birds, to chat, to make conversation, to look at the nature which is trying to be alive again, to feel it, to do the same ‘’being Alive Again’’. Happiness, green and free spaces. 48.778679, 9.180055
File:3.LED Landscape Symbol Shahrestani Amir.JPG|Nürtingen. Be river, never stop, be bless for your path and around, and get bless from your path. Give live and take it in other way. 48.627918, 9.345074

</gallery>

=== '''Landscape Symbols Author 4: Nahian Zobaid''' ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:12963763 10156738107310133 2790535050829475682 n.jpg‎|This photograph clicked by me in Bangladesh. As we know that Bangladesh is a riverine country and it is very common to get new land (river sand bed / Char) in the river. Sometimes some of these new lands last for long and sometimes some of those vanish in a short time. As a agricultural country (Bangladesh) most of the country men are farmers and when they see that there are little bit green (like the photograph) on the river sand bed / char, then they get hope to get new agricultural land. These green are the symbol of hope for these farmers. Geo-location 20'34N to 26'38N latitude, 88'01E to 92'41E longitude

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg |The main attraction of the Swadhinata Stambha is the Stambha / monument itself. Stambha means pillar or tower in Bengali. The tower was built on the place where the commander-in-chief of East Pakistan Army Amir Abdullah Khan Niazi signed the papers of his surrender. During night, the tower looks elegant as the rays of light come out from every single inches of the tower. The whole tower turns into a white pillar. The tower is square according to the plan and is 16 feet wide from every side with an area of 64 inches. The underground museum of the project comprises several photographs with historical significance. There are a number of terracotta murals on war-heroes and the events of the Liberation War, a 2000-seat auditorium, and an open-air theater. The eternal flame stands beside the tower. The water body of the project reflects the whole tower all the day and increases the beauty of the project. But the water body is under potential threat as the local slum-dwellers use it for their daily needs. This monument is representing the past , present and future of Bangladesh at a time. Geo location: 23°42′N 90°22′E

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Ratargul, Sylhet.jpeg |In this picture, we can see the water channels in land. The place is in Sylhet, one of the district of Bangladesh. People use the boats for commuting. Also they have the access to the land but they are comfortable with the water boats. The evergreen forest is situated by the river Goain and linked with the channel Chengir Khal. Most of the trees growing here are the Millettia pinnata. The forest is submerged under 20–30 feet water in the rainy season. For the rest of the year, the water level is about 10 feet deep. Geo location: 25°00.025′N 91°58.180′E

== Assignment 3 - Role Play on Landscape Democracy "movers and shakers" ==
*You can read more details about this assignment [[Assignment_3:_Role_Play_on_Landscape_Democracy_"movers_and_shakers"_(2019)|here]]

Khondaker Hasibul Kabir (Bangladesh) ... Nahian Zobaid

== Assignment 4 - Your Landscape Democracy Challenge ==
*You can read more details about this assignment [[Assignment_4:_Your_Landscape_Democracy_Challenge_(2019)|here]]
*Each group member will specify a landscape democracy challenge in his/her environment

=== Landscape Democracy Challenge 1 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 2 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 3 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 4 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Your Democratic Change Process ===

<gallery caption="Add Title" widths="600px" heights="300px" perrow="1">
Image:Your_Democratic_Change_Process_Slide1.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide2.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide3.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide4.jpg|caption: ...
</gallery>

=== Reflection ===
* ....
* ....
* ....

Conclusion:
* ....
* ....
* ....

=== Your references ===
* ...
* ...
* ...

----
[[Category:Landscape Democracy Working Group 2019]]

LED Online Seminar 2019 - Working Group 7

2019-05-22T15:14:32Z

Nahian.zoabid: /* Landscape Symbols Author 4: Nahian Zobaid */

'''--> Back to [[LED_Online_Seminar_Working_Groups_2019|working group overview]]'''

''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

<div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed;
bottom:32px; left:2%; z-index:9999; padding:0; margin:0;"><span style="color:blue;
font-size:8pt; font-face:verdana,sans-serif; border:0.2em outset #ceebf7;
padding:0.1em; font-weight:bolder; -moz-border-radius:8px; ">
[[#top| Back to the Top ]]</span></div>

== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape Democracy Manifesto-Tehran.jpg|Amir's manifesto
Image:Manifesto Nahian-min.jpg|Nahian's manifesto
Image:Manifesto gaiauguccioni.png|Gaia's manifesto
File:LED Assigment 1 Kozma Ildiko Julia.png |Júlia's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''

1. Amir - Why is landscape beautiful? - Burckhardt, Lucius (1979)

2. Júlia - Urban Planning and Democracy - Júlia (1957)

3. Gaia - Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene."

'''B: Concepts of Participation'''

1. Amir - Consensus Design - Day, Christopher (2002)

2. Gaia - Gaventa, John: The Powerful, the Powerless, and the Experts

3. Nahian - Hester, Randolph (2005): Whose Politics, Landscape Architecture

'''C: Community and Identity'''

1. Amir - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)

2. Nahian - Nassauer, Joan Iverson (1995): Culture and Changing Landscape Structure, Landscape Ecology, vol. 10 no. 4.

'''D: Designing'''

1. Júlia - Design for Ecological Democracy - Randolph T. Hester (2006)

2. Gaia - Hester, Randolph: Life, Liberty and the Pursuit of Sustainable Happiness

3. Nahian - Pritzker Prize winning architect Alejandro Aravena on sustainable design and community involvement in Chile

'''E: Communicating a Vision'''
1. Júlia - - (0)

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: S.Amir H.Shahrestani '''
*Landscape and Democracy - Why is landscape beautiful? - Burckhardt, Lucius (1979)
The outcome of the people view of the same landscape is doubtless highly individual and every person has different aspect and criteria of it. The opinion of beautiful or ugly landscape comes from the people previous idea (childhood stories), therefore the people have different judgments.
*Concepts of Participation - Consensus Design - Day, Christopher (2002)
Better way to make ethical decisions is defined as a democratic way and consensual approach.
In the democracy the majority's demands are influential and the minority’s requests are disregarded. Getting a more comprehensive solution (equitable, productive, conscious, participator) compromising is defined as a step to reach collective decisions and consensus.
*Community and Identity - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)
Image of the landscape allows us to establish a relationship with the place through the sense of belonging. It performs an effective role in the transmission of the story by reflecting the identity of the space.

'''Author 2: Ildikó Júlia Kozma'''
*Landscape and Democracy
The role of the public in urbanism should be stronger. If we want more democratic cities, city dwellers must have more knowledge about the built environment which surround them. Without that they can’t live with their democratic rights.
*Designing
Ecology and democracy is to separate thing, but together they can give a better solution to many problems of urbanism. With well defined principles we can use ecological methods during designing.
*Communicating a Vision
In participatory design communicating your vision is a key element. Presentations hold by professionals, coauthoring design and all different kind of verbal and nonverbal communication method are needed to understand each other.

'''Author 3: Gaia Uguccioni '''
*Landscape and Democracy
Every landscape hides a meaning that is not explicit in the ordinary forms. Is a concept that lies utterly beyond science, that holds ideas, impressions and ineffable complexities that depends on how we are affected by it and from the values we associate to it.

*Concepts of Participation
Partecipatory processes are a form of access to a paradigm which the people had a little part in creating. Starts with the reappropriation of knowledge by those who are affected by it and evolves as a strategy in which the powerless develop, create, gain control and systematize their own science.

*Designing
In the modern broad cities is evident the disassociation from community and environment and the human behavior appear antagonistic to sustainability. Holistic insight should be pursuit to guide the design of urban forms and to find new directions for a reformulation of intents and ideals of fulfillment.

'''Author 4: Nahian Zobaid'''
*Concepts of Participation
A participatory approach in any development involves the community in Design
process and give them the right to express their thought, vision and need. This
concept can empower the unprivileged group of society if sensibly chosen in the
design process.

*Community and Identity
Community identity is shaped by the custom, social and geographical
environment of a particular place. Vernacular landscape are good example of
community identity, as it represents the adaptation and thought process of local
farm workers, land developers, home owners and other local professionals.

*Designing
Designing is the combination of multiple problems that leads to a simple yet
innovative solution. The Designer needs to translate the force of people, common
sense and nature into form to built a socially and climatically responsive design.

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: Júlia Ildikó Kozma ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape symbol 1 Kozma Ildiko Julia.jpg|“Szabihíd” project, Liberty Bridge urban picnic “Szabihíd” project started in 2017 when the Libert Bridge was closed due to constartion work. City dwellers and turist went there to enjoy the unique opportunity. At the beggining the city administration couldn’t handel the situation so they forbide to go there, but after a local orgaziation embraced this need and convienced the municipality to make a legal from. Since then the birdge is free from cars during the summer weekends and there are all different kind of activites makes this project more and more popular. 47.485755, 19.054959
File:Landscape symbol 2 Kozma Ildiko Julia.jpg|Buda Castle, Hungarian National Gallery, Széchenyi National Library During the historical times the castle was the place for the king, but these days it is open for the public. People not only can see the castle but the Hungarian National Gallery and also a Széchenyi National Library take place there. It symbolize a democratyc change which maybe not obvios if you doesn’t have some knowledge about the place. 47.502262, 19.032800
File:Landscape symbol 3 Kozma Ildiko Julia.JPG|Vegetable stands In the countryside small vegetable stands offer opportunity to buy fresh crop right form the a infield. Sometimes the owner is selling to you, sometimes only a box is there to collect the cost. I think it is also a symbol of trust and trust is something essentail for democracy. This system would not work without respect and understantment of the value of work. 47.557538, 10.749554

</gallery>

=== Landscape Symbols Author 2: Gaia Uguccioni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1 Wetropolitana.jpg‎|Bologna città [W]etropolitana_Not a subway access, but a sign of artistic performances that took place in those spaces and that has become part of a stratified landscape. A modern monument that represents the aesthetics of the provisional, infiltrates our landscape in a work of continuous adaptation, with a tangible subliminal act plausible enough to become familiar and mimically incorporated.
File:Nettuno.jpeg‎|al Żigànt_The Fountain of Neptune, also known as "the Giant", is a renaissance opera that stands into Piazza Maggiore, the most important square in Bologna. It was designed to glorify the papal government (as Neptune dominates the waters, so the Pope dominates the world). It is currently one of the most famous and recognized symbols of the city.
File:Bolognalagrassa.jpeg|La Grassa_ Capital of a region of great culinary passions, Bologna is associated with the imaginary perception of the city as a paradise for food delicacies. Traditional local specialty shops are the perfect example of Bolognese hedonism.

</gallery>

Landscape Symbols Auther 3: Seyed Amir Hosseini Shahrestani
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1.LED Landscape Symbol Shahrestani Amir.JPG|Roof garden of Exhibition hall Stuttgart.The place which people can take rest from chaos of Exhibition hall, to get together, talk and know each other. most of the time people contact each other after a short conversation. I would like to name this place ‘’the place of socializing and business’’. 48.693282, 9.186010
File:2.LED Landscape Symbol Shahrestani Amir.JPG|Main Square of Stuttgart. The spring, the time to go out and feel like birds, to chat, to make conversation, to look at the nature which is trying to be alive again, to feel it, to do the same ‘’being Alive Again’’. Happiness, green and free spaces. 48.778679, 9.180055
File:3.LED Landscape Symbol Shahrestani Amir.JPG|Nürtingen. Be river, never stop, be bless for your path and around, and get bless from your path. Give live and take it in other way. 48.627918, 9.345074

</gallery>

=== '''Landscape Symbols Author 4: Nahian Zobaid''' ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:12963763 10156738107310133 2790535050829475682 n.jpg‎|This photograph clicked by me in Bangladesh. As we know that Bangladesh is a riverine country and it is very common to get new land (river sand bed / Char) in the river. Sometimes some of these new lands last for long and sometimes some of those vanish in a short time. As a agricultural country (Bangladesh) most of the country men are farmers and when they see that there are little bit green (like the photograph) on the river sand bed / char, then they get hope to get new agricultural land. These green are the symbol of hope for these farmers. Geo-location 20'34N to 26'38N latitude, 88'01E to 92'41E longitude

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg |The main attraction of the Swadhinata Stambha is the Stambha / monument itself. Stambha means pillar or tower in Bengali. The tower was built on the place where the commander-in-chief of East Pakistan Army Amir Abdullah Khan Niazi signed the papers of his surrender. During night, the tower looks elegant as the rays of light come out from every single inches of the tower. The whole tower turns into a white pillar. The tower is square according to the plan and is 16 feet wide from every side with an area of 64 inches. The underground museum of the project comprises several photographs with historical significance. There are a number of terracotta murals on war-heroes and the events of the Liberation War, a 2000-seat auditorium, and an open-air theater. The eternal flame stands beside the tower. The water body of the project reflects the whole tower all the day and increases the beauty of the project. But the water body is under potential threat as the local slum-dwellers use it for their daily needs. This monument is representing the past , present and future of Bangladesh at a time. Geo location: 23°42′N 90°22′E

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:File:Ratargul, Sylhet.jpeg |In this picture, we can see the water channels in land. The place is in Sylhet, one of the district of Bangladesh. People use the boats for commuting. Also they have the access to the land but they are comfortable with the water boats. The evergreen forest is situated by the river Goain and linked with the channel Chengir Khal. Most of the trees growing here are the Millettia pinnata. The forest is submerged under 20–30 feet water in the rainy season. For the rest of the year, the water level is about 10 feet deep. Geo location: 25°00.025′N 91°58.180′E

== Assignment 3 - Role Play on Landscape Democracy "movers and shakers" ==
*You can read more details about this assignment [[Assignment_3:_Role_Play_on_Landscape_Democracy_"movers_and_shakers"_(2019)|here]]

Khondaker Hasibul Kabir (Bangladesh) ... Nahian Zobaid

== Assignment 4 - Your Landscape Democracy Challenge ==
*You can read more details about this assignment [[Assignment_4:_Your_Landscape_Democracy_Challenge_(2019)|here]]
*Each group member will specify a landscape democracy challenge in his/her environment

=== Landscape Democracy Challenge 1 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 2 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 3 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 4 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Your Democratic Change Process ===

<gallery caption="Add Title" widths="600px" heights="300px" perrow="1">
Image:Your_Democratic_Change_Process_Slide1.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide2.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide3.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide4.jpg|caption: ...
</gallery>

=== Reflection ===
* ....
* ....
* ....

Conclusion:
* ....
* ....
* ....

=== Your references ===
* ...
* ...
* ...

----
[[Category:Landscape Democracy Working Group 2019]]

LED Online Seminar 2019 - Working Group 7

2019-05-22T15:07:19Z

Nahian.zoabid: /* Assignment 2 - Your Landscape Symbols */

'''--> Back to [[LED_Online_Seminar_Working_Groups_2019|working group overview]]'''

''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

<div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed;
bottom:32px; left:2%; z-index:9999; padding:0; margin:0;"><span style="color:blue;
font-size:8pt; font-face:verdana,sans-serif; border:0.2em outset #ceebf7;
padding:0.1em; font-weight:bolder; -moz-border-radius:8px; ">
[[#top| Back to the Top ]]</span></div>

== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape Democracy Manifesto-Tehran.jpg|Amir's manifesto
Image:Manifesto Nahian-min.jpg|Nahian's manifesto
Image:Manifesto gaiauguccioni.png|Gaia's manifesto
File:LED Assigment 1 Kozma Ildiko Julia.png |Júlia's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''

1. Amir - Why is landscape beautiful? - Burckhardt, Lucius (1979)

2. Júlia - Urban Planning and Democracy - Júlia (1957)

3. Gaia - Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene."

'''B: Concepts of Participation'''

1. Amir - Consensus Design - Day, Christopher (2002)

2. Gaia - Gaventa, John: The Powerful, the Powerless, and the Experts

3. Nahian - Hester, Randolph (2005): Whose Politics, Landscape Architecture

'''C: Community and Identity'''

1. Amir - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)

2. Nahian - Nassauer, Joan Iverson (1995): Culture and Changing Landscape Structure, Landscape Ecology, vol. 10 no. 4.

'''D: Designing'''

1. Júlia - Design for Ecological Democracy - Randolph T. Hester (2006)

2. Gaia - Hester, Randolph: Life, Liberty and the Pursuit of Sustainable Happiness

3. Nahian - Pritzker Prize winning architect Alejandro Aravena on sustainable design and community involvement in Chile

'''E: Communicating a Vision'''
1. Júlia - - (0)

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: S.Amir H.Shahrestani '''
*Landscape and Democracy - Why is landscape beautiful? - Burckhardt, Lucius (1979)
The outcome of the people view of the same landscape is doubtless highly individual and every person has different aspect and criteria of it. The opinion of beautiful or ugly landscape comes from the people previous idea (childhood stories), therefore the people have different judgments.
*Concepts of Participation - Consensus Design - Day, Christopher (2002)
Better way to make ethical decisions is defined as a democratic way and consensual approach.
In the democracy the majority's demands are influential and the minority’s requests are disregarded. Getting a more comprehensive solution (equitable, productive, conscious, participator) compromising is defined as a step to reach collective decisions and consensus.
*Community and Identity - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)
Image of the landscape allows us to establish a relationship with the place through the sense of belonging. It performs an effective role in the transmission of the story by reflecting the identity of the space.

'''Author 2: Ildikó Júlia Kozma'''
*Landscape and Democracy
The role of the public in urbanism should be stronger. If we want more democratic cities, city dwellers must have more knowledge about the built environment which surround them. Without that they can’t live with their democratic rights.
*Designing
Ecology and democracy is to separate thing, but together they can give a better solution to many problems of urbanism. With well defined principles we can use ecological methods during designing.
*Communicating a Vision
In participatory design communicating your vision is a key element. Presentations hold by professionals, coauthoring design and all different kind of verbal and nonverbal communication method are needed to understand each other.

'''Author 3: Gaia Uguccioni '''
*Landscape and Democracy
Every landscape hides a meaning that is not explicit in the ordinary forms. Is a concept that lies utterly beyond science, that holds ideas, impressions and ineffable complexities that depends on how we are affected by it and from the values we associate to it.

*Concepts of Participation
Partecipatory processes are a form of access to a paradigm which the people had a little part in creating. Starts with the reappropriation of knowledge by those who are affected by it and evolves as a strategy in which the powerless develop, create, gain control and systematize their own science.

*Designing
In the modern broad cities is evident the disassociation from community and environment and the human behavior appear antagonistic to sustainability. Holistic insight should be pursuit to guide the design of urban forms and to find new directions for a reformulation of intents and ideals of fulfillment.

'''Author 4: Nahian Zobaid'''
*Concepts of Participation
A participatory approach in any development involves the community in Design
process and give them the right to express their thought, vision and need. This
concept can empower the unprivileged group of society if sensibly chosen in the
design process.

*Community and Identity
Community identity is shaped by the custom, social and geographical
environment of a particular place. Vernacular landscape are good example of
community identity, as it represents the adaptation and thought process of local
farm workers, land developers, home owners and other local professionals.

*Designing
Designing is the combination of multiple problems that leads to a simple yet
innovative solution. The Designer needs to translate the force of people, common
sense and nature into form to built a socially and climatically responsive design.

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: Júlia Ildikó Kozma ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape symbol 1 Kozma Ildiko Julia.jpg|“Szabihíd” project, Liberty Bridge urban picnic “Szabihíd” project started in 2017 when the Libert Bridge was closed due to constartion work. City dwellers and turist went there to enjoy the unique opportunity. At the beggining the city administration couldn’t handel the situation so they forbide to go there, but after a local orgaziation embraced this need and convienced the municipality to make a legal from. Since then the birdge is free from cars during the summer weekends and there are all different kind of activites makes this project more and more popular. 47.485755, 19.054959
File:Landscape symbol 2 Kozma Ildiko Julia.jpg|Buda Castle, Hungarian National Gallery, Széchenyi National Library During the historical times the castle was the place for the king, but these days it is open for the public. People not only can see the castle but the Hungarian National Gallery and also a Széchenyi National Library take place there. It symbolize a democratyc change which maybe not obvios if you doesn’t have some knowledge about the place. 47.502262, 19.032800
File:Landscape symbol 3 Kozma Ildiko Julia.JPG|Vegetable stands In the countryside small vegetable stands offer opportunity to buy fresh crop right form the a infield. Sometimes the owner is selling to you, sometimes only a box is there to collect the cost. I think it is also a symbol of trust and trust is something essentail for democracy. This system would not work without respect and understantment of the value of work. 47.557538, 10.749554

</gallery>

=== Landscape Symbols Author 2: Gaia Uguccioni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1 Wetropolitana.jpg‎|Bologna città [W]etropolitana_Not a subway access, but a sign of artistic performances that took place in those spaces and that has become part of a stratified landscape. A modern monument that represents the aesthetics of the provisional, infiltrates our landscape in a work of continuous adaptation, with a tangible subliminal act plausible enough to become familiar and mimically incorporated.
File:Nettuno.jpeg‎|al Żigànt_The Fountain of Neptune, also known as "the Giant", is a renaissance opera that stands into Piazza Maggiore, the most important square in Bologna. It was designed to glorify the papal government (as Neptune dominates the waters, so the Pope dominates the world). It is currently one of the most famous and recognized symbols of the city.
File:Bolognalagrassa.jpeg|La Grassa_ Capital of a region of great culinary passions, Bologna is associated with the imaginary perception of the city as a paradise for food delicacies. Traditional local specialty shops are the perfect example of Bolognese hedonism.

</gallery>

Landscape Symbols Auther 3: Seyed Amir Hosseini Shahrestani
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1.LED Landscape Symbol Shahrestani Amir.JPG|Roof garden of Exhibition hall Stuttgart.The place which people can take rest from chaos of Exhibition hall, to get together, talk and know each other. most of the time people contact each other after a short conversation. I would like to name this place ‘’the place of socializing and business’’. 48.693282, 9.186010
File:2.LED Landscape Symbol Shahrestani Amir.JPG|Main Square of Stuttgart. The spring, the time to go out and feel like birds, to chat, to make conversation, to look at the nature which is trying to be alive again, to feel it, to do the same ‘’being Alive Again’’. Happiness, green and free spaces. 48.778679, 9.180055
File:3.LED Landscape Symbol Shahrestani Amir.JPG|Nürtingen. Be river, never stop, be bless for your path and around, and get bless from your path. Give live and take it in other way. 48.627918, 9.345074

</gallery>

=== '''Landscape Symbols Author 4: Nahian Zobaid''' ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:12963763 10156738107310133 2790535050829475682 n.jpg‎|This photograph clicked by me in Bangladesh. As we know that Bangladesh is a riverine country and it is very common to get new land (river sand bed / Char) in the river. Sometimes some of these new lands last for long and sometimes some of those vanish in a short time. As a agricultural country (Bangladesh) most of the country men are farmers and when they see that there are little bit green (like the photograph) on the river sand bed / char, then they get hope to get new agricultural land. These green are the symbol of hope for these farmers. Geo-location 20'34N to 26'38N latitude, 88'01E to 92'41E longitude

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg |The main attraction of the Swadhinata Stambha is the Stambha / monument itself. Stambha means pillar or tower in Bengali. The tower was built on the place where the commander-in-chief of East Pakistan Army Amir Abdullah Khan Niazi signed the papers of his surrender. During night, the tower looks elegant as the rays of light come out from every single inches of the tower. The whole tower turns into a white pillar. The tower is square according to the plan and is 16 feet wide from every side with an area of 64 inches. The underground museum of the project comprises several photographs with historical significance. There are a number of terracotta murals on war-heroes and the events of the Liberation War, a 2000-seat auditorium, and an open-air theater. The eternal flame stands beside the tower. The water body of the project reflects the whole tower all the day and increases the beauty of the project. But the water body is under potential threat as the local slum-dwellers use it for their daily needs. This monument is representing the past , present and future of Bangladesh at a time. Geo location: 23°42′N 90°22′E

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:File:Ratargul, Sylhet.jpeg |

== Assignment 3 - Role Play on Landscape Democracy "movers and shakers" ==
*You can read more details about this assignment [[Assignment_3:_Role_Play_on_Landscape_Democracy_"movers_and_shakers"_(2019)|here]]

Khondaker Hasibul Kabir (Bangladesh) ... Nahian Zobaid

== Assignment 4 - Your Landscape Democracy Challenge ==
*You can read more details about this assignment [[Assignment_4:_Your_Landscape_Democracy_Challenge_(2019)|here]]
*Each group member will specify a landscape democracy challenge in his/her environment

=== Landscape Democracy Challenge 1 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 2 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 3 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 4 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Your Democratic Change Process ===

<gallery caption="Add Title" widths="600px" heights="300px" perrow="1">
Image:Your_Democratic_Change_Process_Slide1.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide2.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide3.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide4.jpg|caption: ...
</gallery>

=== Reflection ===
* ....
* ....
* ....

Conclusion:
* ....
* ....
* ....

=== Your references ===
* ...
* ...
* ...

----
[[Category:Landscape Democracy Working Group 2019]]

File:Ratargul, Sylhet.jpeg

2019-05-22T15:06:21Z

Nahian.zoabid:

Assignment 3: Role Play on Landscape Democracy "movers and shakers" (2019)

2019-05-22T14:33:17Z

Nahian.zoabid: /* Suggested list of landscape democracy 'movers and shakers' */

'''-->''' Back to [[LED_Online_Seminar_Assignments_2019|Assignments Overview]]

== Time frame ==
April 25 - May 22, 2019

== Task description ==
[[File:Roleplay graphic 2015 04 07.jpg|thumb|400px|Graphical overview of the role play, ''graphic by Sophie Bittner'', however, in our session, we are not going to mix the teams as illustrated here]]
* Each group will be asked to role-play and present the work/life/theories/beliefs of a designer or planner who has been active in promoting democratic work. In depicting the designer/planner, think of his/her personal background and history, the ethical challenges they have faced, the type of processes they engaged in, and who they worked with.
* Below you find a list of personalities we found relevant. You are invited to suggest different ones, based on your personal experience and knowledge.
* You may choose to represent their work either from their own personal perspective or through the perspective of the communities and places they worked on. The objective of this assignment is to make learning more active and to increase your awareness of the interconnectedness of knowledge, personal history, skills and attitudes needed to someone interested in landscape democracy and planning for democratic cities.
* You are invited to expand your personal experience by simulating a situation and presenting as if you were the practitioners you are researching. Try as much as possible to act out and have some fun in this process. This is why we will organise this role play without additional presentation materials.

== Submission format and presentation ==
* '''Group work:''' Personalities and references will be introduced in the first session of phase B ‘Concepts of Participation' on '''May 8, 2019'''. The groups select their personalities and reflect on their value schemes, theories and approaches.

* The group prepares for the role play which will be organized in the form of ‘virtual roundtables’ on '''May 22, 2019'''
** You can conceive your role play around an imagined landscape democracy challenge, which you would discuss with your team of 'imagined designers'
** At the beginning of the play, please introduce 'yourself' (i.e. the designer you are playing) briefly and then conduct the discussion in the team. In total, this can be 20 minutes. After the play, we will discuss/reflect for another 10 minutes.

== Evaluation criteria ==
*Relevance and comprehensiveness of aspects derived from the analysis
* Quality of oral presentation (i.e. keeping time limits, clarity)

== Suggested list of landscape democracy 'movers and shakers' ==

*Randy Hester (UC Berkeley, Manteo, Big Wild, The Spoonbill project)
*Lawrence (Larry) Halprin, (The RSVP cycle, Levi’s Plaza and Headquarters)
*Karl Linn (UC Berkeley, Community Gardens) '''Rahnuma Ahmad Tahiti'''
*Mark Francis (Village homes)
*Anne Spirn (Mill Creek Project) '''Michela Madiotto'''
*Ken Reardon (University of Memphis, the East Saint Louis Project)
*Jan Gehl (‘Life between buildings’, how to study public life)-'''Viktor Indekeu'''
*Henry Sanoff (Planning Games)...'''Asif Adnan'''
*Ralph Erskine (Byker Redevelopment)
*Jeff Hou (Insurgent Urbanism, International district in Seattle)- '''Shaurav Paul'''
*Walter Hood (UC Berkeley, Lafayette Park Oakland, CA) '''Melissa Zapata'''
*Samuel Mockbee (The Rural Studio)-'''Anisa Glumcevic'''
*James Rojas (place-it)-'''Foysal'''
*ReBar (Parking day/parklets)
*Giancarlo De Carlo (Team 10, Legitimizing architecture)-'''Chiara Loffredi'''
*Paula Horrigan (Cornell University; Rust to Green project)
*Christopher Alexander (The Oregon Experiment, Pattern Language)
*Julian Petrin et al., Hamburg (nexthamburg, German only)
*Leonie Sandercock (University of British Columbia, Collingwood Neighbourhood House)
*Klaus Overmeyer (Urban Catalyst Studio)
*Robert Jungk (Zukunftswerkstatt)
*Cecily Corti (Vinzi Rast mittendrin)
*Santiago Cirugeda, Seville Spain...'''Majeda'''
*Plansinn.at
*Sonja Hörster http://www.partizipativ-gestalten.de (Germany)
*Dominika Tihanyi (Budapest)
*Monika Arzberger http://www.koine.de (Germany)
*Alessandra Orofino...'''Giulia Gazzotti'''
*Khondaker Hasibul Kabir (Bangladesh) '''Nahian Zobaid'''

LED Online Seminar 2019 - Working Group 7

2019-05-22T13:47:17Z

Nahian.zoabid: /* Landscape Symbols Author 4: Nahian Zobaid */

'''--> Back to [[LED_Online_Seminar_Working_Groups_2019|working group overview]]'''

''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

<div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed;
bottom:32px; left:2%; z-index:9999; padding:0; margin:0;"><span style="color:blue;
font-size:8pt; font-face:verdana,sans-serif; border:0.2em outset #ceebf7;
padding:0.1em; font-weight:bolder; -moz-border-radius:8px; ">
[[#top| Back to the Top ]]</span></div>

== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape Democracy Manifesto-Tehran.jpg|Amir's manifesto
Image:Manifesto Nahian-min.jpg|Nahian's manifesto
Image:Manifesto gaiauguccioni.png|Gaia's manifesto
File:LED Assigment 1 Kozma Ildiko Julia.png |Júlia's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''

1. Amir - Why is landscape beautiful? - Burckhardt, Lucius (1979)

2. Júlia - Urban Planning and Democracy - Júlia (1957)

3. Gaia - Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene."

'''B: Concepts of Participation'''

1. Amir - Consensus Design - Day, Christopher (2002)

2. Gaia - Gaventa, John: The Powerful, the Powerless, and the Experts

3. Nahian - Hester, Randolph (2005): Whose Politics, Landscape Architecture

'''C: Community and Identity'''

1. Amir - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)

2. Nahian - Nassauer, Joan Iverson (1995): Culture and Changing Landscape Structure, Landscape Ecology, vol. 10 no. 4.

'''D: Designing'''

1. Júlia - Design for Ecological Democracy - Randolph T. Hester (2006)

2. Gaia - Hester, Randolph: Life, Liberty and the Pursuit of Sustainable Happiness

3. Nahian - Pritzker Prize winning architect Alejandro Aravena on sustainable design and community involvement in Chile

'''E: Communicating a Vision'''
1. Júlia - - (0)

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: S.Amir H.Shahrestani '''
*Landscape and Democracy - Why is landscape beautiful? - Burckhardt, Lucius (1979)
The outcome of the people view of the same landscape is doubtless highly individual and every person has different aspect and criteria of it. The opinion of beautiful or ugly landscape comes from the people previous idea (childhood stories), therefore the people have different judgments.
*Concepts of Participation - Consensus Design - Day, Christopher (2002)
Better way to make ethical decisions is defined as a democratic way and consensual approach.
In the democracy the majority's demands are influential and the minority’s requests are disregarded. Getting a more comprehensive solution (equitable, productive, conscious, participator) compromising is defined as a step to reach collective decisions and consensus.
*Community and Identity - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)
Image of the landscape allows us to establish a relationship with the place through the sense of belonging. It performs an effective role in the transmission of the story by reflecting the identity of the space.

'''Author 2: Ildikó Júlia Kozma'''
*Landscape and Democracy
The role of the public in urbanism should be stronger. If we want more democratic cities, city dwellers must have more knowledge about the built environment which surround them. Without that they can’t live with their democratic rights.
*Designing
Ecology and democracy is to separate thing, but together they can give a better solution to many problems of urbanism. With well defined principles we can use ecological methods during designing.
*Communicating a Vision
In participatory design communicating your vision is a key element. Presentations hold by professionals, coauthoring design and all different kind of verbal and nonverbal communication method are needed to understand each other.

'''Author 3: Gaia Uguccioni '''
*Landscape and Democracy
Every landscape hides a meaning that is not explicit in the ordinary forms. Is a concept that lies utterly beyond science, that holds ideas, impressions and ineffable complexities that depends on how we are affected by it and from the values we associate to it.

*Concepts of Participation
Partecipatory processes are a form of access to a paradigm which the people had a little part in creating. Starts with the reappropriation of knowledge by those who are affected by it and evolves as a strategy in which the powerless develop, create, gain control and systematize their own science.

*Designing
In the modern broad cities is evident the disassociation from community and environment and the human behavior appear antagonistic to sustainability. Holistic insight should be pursuit to guide the design of urban forms and to find new directions for a reformulation of intents and ideals of fulfillment.

'''Author 4: Nahian Zobaid'''
*Concepts of Participation
A participatory approach in any development involves the community in Design
process and give them the right to express their thought, vision and need. This
concept can empower the unprivileged group of society if sensibly chosen in the
design process.

*Community and Identity
Community identity is shaped by the custom, social and geographical
environment of a particular place. Vernacular landscape are good example of
community identity, as it represents the adaptation and thought process of local
farm workers, land developers, home owners and other local professionals.

*Designing
Designing is the combination of multiple problems that leads to a simple yet
innovative solution. The Designer needs to translate the force of people, common
sense and nature into form to built a socially and climatically responsive design.

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: Júlia Ildikó Kozma ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape symbol 1 Kozma Ildiko Julia.jpg|“Szabihíd” project, Liberty Bridge urban picnic “Szabihíd” project started in 2017 when the Libert Bridge was closed due to constartion work. City dwellers and turist went there to enjoy the unique opportunity. At the beggining the city administration couldn’t handel the situation so they forbide to go there, but after a local orgaziation embraced this need and convienced the municipality to make a legal from. Since then the birdge is free from cars during the summer weekends and there are all different kind of activites makes this project more and more popular. 47.485755, 19.054959
File:Landscape symbol 2 Kozma Ildiko Julia.jpg|Buda Castle, Hungarian National Gallery, Széchenyi National Library During the historical times the castle was the place for the king, but these days it is open for the public. People not only can see the castle but the Hungarian National Gallery and also a Széchenyi National Library take place there. It symbolize a democratyc change which maybe not obvios if you doesn’t have some knowledge about the place. 47.502262, 19.032800
File:Landscape symbol 3 Kozma Ildiko Julia.JPG|Vegetable stands In the countryside small vegetable stands offer opportunity to buy fresh crop right form the a infield. Sometimes the owner is selling to you, sometimes only a box is there to collect the cost. I think it is also a symbol of trust and trust is something essentail for democracy. This system would not work without respect and understantment of the value of work. 47.557538, 10.749554

</gallery>

=== Landscape Symbols Author 2: Gaia Uguccioni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1 Wetropolitana.jpg‎|Bologna città [W]etropolitana_Not a subway access, but a sign of artistic performances that took place in those spaces and that has become part of a stratified landscape. A modern monument that represents the aesthetics of the provisional, infiltrates our landscape in a work of continuous adaptation, with a tangible subliminal act plausible enough to become familiar and mimically incorporated.
File:Nettuno.jpeg‎|al Żigànt_The Fountain of Neptune, also known as "the Giant", is a renaissance opera that stands into Piazza Maggiore, the most important square in Bologna. It was designed to glorify the papal government (as Neptune dominates the waters, so the Pope dominates the world). It is currently one of the most famous and recognized symbols of the city.
File:Bolognalagrassa.jpeg|La Grassa_ Capital of a region of great culinary passions, Bologna is associated with the imaginary perception of the city as a paradise for food delicacies. Traditional local specialty shops are the perfect example of Bolognese hedonism.

</gallery>

Landscape Symbols Auther 3: Seyed Amir Hosseini Shahrestani
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1.LED Landscape Symbol Shahrestani Amir.JPG|Roof garden of Exhibition hall Stuttgart.The place which people can take rest from chaos of Exhibition hall, to get together, talk and know each other. most of the time people contact each other after a short conversation. I would like to name this place ‘’the place of socializing and business’’. 48.693282, 9.186010
File:2.LED Landscape Symbol Shahrestani Amir.JPG|Main Square of Stuttgart. The spring, the time to go out and feel like birds, to chat, to make conversation, to look at the nature which is trying to be alive again, to feel it, to do the same ‘’being Alive Again’’. Happiness, green and free spaces. 48.778679, 9.180055
File:3.LED Landscape Symbol Shahrestani Amir.JPG|Nürtingen. Be river, never stop, be bless for your path and around, and get bless from your path. Give live and take it in other way. 48.627918, 9.345074

</gallery>

=== '''Landscape Symbols Author 4: Nahian Zobaid''' ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:12963763 10156738107310133 2790535050829475682 n.jpg‎|This photograph clicked by me in Bangladesh. As we know that Bangladesh is a riverine country and it is very common to get new land (river sand bed / Char) in the river. Sometimes some of these new lands last for long and sometimes some of those vanish in a short time. As a agricultural country (Bangladesh) most of the country men are farmers and when they see that there are little bit green (like the photograph) on the river sand bed / char, then they get hope to get new agricultural land. These green are the symbol of hope for these farmers. Geo-location 20'34N to 26'38N latitude, 88'01E to 92'41E longitude

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg |The main attraction of the Swadhinata Stambha is the Stambha / monument itself. Stambha means pillar or tower in Bengali. The tower was built on the place where the commander-in-chief of East Pakistan Army Amir Abdullah Khan Niazi signed the papers of his surrender. During night, the tower looks elegant as the rays of light come out from every single inches of the tower. The whole tower turns into a white pillar. The tower is square according to the plan and is 16 feet wide from every side with an area of 64 inches. The underground museum of the project comprises several photographs with historical significance. There are a number of terracotta murals on war-heroes and the events of the Liberation War, a 2000-seat auditorium, and an open-air theater. The eternal flame stands beside the tower. The water body of the project reflects the whole tower all the day and increases the beauty of the project. But the water body is under potential threat as the local slum-dwellers use it for their daily needs. This monument is representing the past , present and future of Bangladesh at a time. Geo location: 23°42′N 90°22′E

== Assignment 3 - Role Play on Landscape Democracy "movers and shakers" ==
*You can read more details about this assignment [[Assignment_3:_Role_Play_on_Landscape_Democracy_"movers_and_shakers"_(2019)|here]]

Khondaker Hasibul Kabir (Bangladesh) ... Nahian Zobaid

== Assignment 4 - Your Landscape Democracy Challenge ==
*You can read more details about this assignment [[Assignment_4:_Your_Landscape_Democracy_Challenge_(2019)|here]]
*Each group member will specify a landscape democracy challenge in his/her environment

=== Landscape Democracy Challenge 1 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 2 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 3 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 4 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Your Democratic Change Process ===

<gallery caption="Add Title" widths="600px" heights="300px" perrow="1">
Image:Your_Democratic_Change_Process_Slide1.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide2.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide3.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide4.jpg|caption: ...
</gallery>

=== Reflection ===
* ....
* ....
* ....

Conclusion:
* ....
* ....
* ....

=== Your references ===
* ...
* ...
* ...

----
[[Category:Landscape Democracy Working Group 2019]]

LED Online Seminar 2019 - Working Group 7

2019-05-22T13:45:11Z

Nahian.zoabid: /* Assignment 2 - Your Landscape Symbols */

'''--> Back to [[LED_Online_Seminar_Working_Groups_2019|working group overview]]'''

''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

<div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed;
bottom:32px; left:2%; z-index:9999; padding:0; margin:0;"><span style="color:blue;
font-size:8pt; font-face:verdana,sans-serif; border:0.2em outset #ceebf7;
padding:0.1em; font-weight:bolder; -moz-border-radius:8px; ">
[[#top| Back to the Top ]]</span></div>

== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape Democracy Manifesto-Tehran.jpg|Amir's manifesto
Image:Manifesto Nahian-min.jpg|Nahian's manifesto
Image:Manifesto gaiauguccioni.png|Gaia's manifesto
File:LED Assigment 1 Kozma Ildiko Julia.png |Júlia's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''

1. Amir - Why is landscape beautiful? - Burckhardt, Lucius (1979)

2. Júlia - Urban Planning and Democracy - Júlia (1957)

3. Gaia - Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene."

'''B: Concepts of Participation'''

1. Amir - Consensus Design - Day, Christopher (2002)

2. Gaia - Gaventa, John: The Powerful, the Powerless, and the Experts

3. Nahian - Hester, Randolph (2005): Whose Politics, Landscape Architecture

'''C: Community and Identity'''

1. Amir - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)

2. Nahian - Nassauer, Joan Iverson (1995): Culture and Changing Landscape Structure, Landscape Ecology, vol. 10 no. 4.

'''D: Designing'''

1. Júlia - Design for Ecological Democracy - Randolph T. Hester (2006)

2. Gaia - Hester, Randolph: Life, Liberty and the Pursuit of Sustainable Happiness

3. Nahian - Pritzker Prize winning architect Alejandro Aravena on sustainable design and community involvement in Chile

'''E: Communicating a Vision'''
1. Júlia - - (0)

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: S.Amir H.Shahrestani '''
*Landscape and Democracy - Why is landscape beautiful? - Burckhardt, Lucius (1979)
The outcome of the people view of the same landscape is doubtless highly individual and every person has different aspect and criteria of it. The opinion of beautiful or ugly landscape comes from the people previous idea (childhood stories), therefore the people have different judgments.
*Concepts of Participation - Consensus Design - Day, Christopher (2002)
Better way to make ethical decisions is defined as a democratic way and consensual approach.
In the democracy the majority's demands are influential and the minority’s requests are disregarded. Getting a more comprehensive solution (equitable, productive, conscious, participator) compromising is defined as a step to reach collective decisions and consensus.
*Community and Identity - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)
Image of the landscape allows us to establish a relationship with the place through the sense of belonging. It performs an effective role in the transmission of the story by reflecting the identity of the space.

'''Author 2: Ildikó Júlia Kozma'''
*Landscape and Democracy
The role of the public in urbanism should be stronger. If we want more democratic cities, city dwellers must have more knowledge about the built environment which surround them. Without that they can’t live with their democratic rights.
*Designing
Ecology and democracy is to separate thing, but together they can give a better solution to many problems of urbanism. With well defined principles we can use ecological methods during designing.
*Communicating a Vision
In participatory design communicating your vision is a key element. Presentations hold by professionals, coauthoring design and all different kind of verbal and nonverbal communication method are needed to understand each other.

'''Author 3: Gaia Uguccioni '''
*Landscape and Democracy
Every landscape hides a meaning that is not explicit in the ordinary forms. Is a concept that lies utterly beyond science, that holds ideas, impressions and ineffable complexities that depends on how we are affected by it and from the values we associate to it.

*Concepts of Participation
Partecipatory processes are a form of access to a paradigm which the people had a little part in creating. Starts with the reappropriation of knowledge by those who are affected by it and evolves as a strategy in which the powerless develop, create, gain control and systematize their own science.

*Designing
In the modern broad cities is evident the disassociation from community and environment and the human behavior appear antagonistic to sustainability. Holistic insight should be pursuit to guide the design of urban forms and to find new directions for a reformulation of intents and ideals of fulfillment.

'''Author 4: Nahian Zobaid'''
*Concepts of Participation
A participatory approach in any development involves the community in Design
process and give them the right to express their thought, vision and need. This
concept can empower the unprivileged group of society if sensibly chosen in the
design process.

*Community and Identity
Community identity is shaped by the custom, social and geographical
environment of a particular place. Vernacular landscape are good example of
community identity, as it represents the adaptation and thought process of local
farm workers, land developers, home owners and other local professionals.

*Designing
Designing is the combination of multiple problems that leads to a simple yet
innovative solution. The Designer needs to translate the force of people, common
sense and nature into form to built a socially and climatically responsive design.

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: Júlia Ildikó Kozma ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape symbol 1 Kozma Ildiko Julia.jpg|“Szabihíd” project, Liberty Bridge urban picnic “Szabihíd” project started in 2017 when the Libert Bridge was closed due to constartion work. City dwellers and turist went there to enjoy the unique opportunity. At the beggining the city administration couldn’t handel the situation so they forbide to go there, but after a local orgaziation embraced this need and convienced the municipality to make a legal from. Since then the birdge is free from cars during the summer weekends and there are all different kind of activites makes this project more and more popular. 47.485755, 19.054959
File:Landscape symbol 2 Kozma Ildiko Julia.jpg|Buda Castle, Hungarian National Gallery, Széchenyi National Library During the historical times the castle was the place for the king, but these days it is open for the public. People not only can see the castle but the Hungarian National Gallery and also a Széchenyi National Library take place there. It symbolize a democratyc change which maybe not obvios if you doesn’t have some knowledge about the place. 47.502262, 19.032800
File:Landscape symbol 3 Kozma Ildiko Julia.JPG|Vegetable stands In the countryside small vegetable stands offer opportunity to buy fresh crop right form the a infield. Sometimes the owner is selling to you, sometimes only a box is there to collect the cost. I think it is also a symbol of trust and trust is something essentail for democracy. This system would not work without respect and understantment of the value of work. 47.557538, 10.749554

</gallery>

=== Landscape Symbols Author 2: Gaia Uguccioni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1 Wetropolitana.jpg‎|Bologna città [W]etropolitana_Not a subway access, but a sign of artistic performances that took place in those spaces and that has become part of a stratified landscape. A modern monument that represents the aesthetics of the provisional, infiltrates our landscape in a work of continuous adaptation, with a tangible subliminal act plausible enough to become familiar and mimically incorporated.
File:Nettuno.jpeg‎|al Żigànt_The Fountain of Neptune, also known as "the Giant", is a renaissance opera that stands into Piazza Maggiore, the most important square in Bologna. It was designed to glorify the papal government (as Neptune dominates the waters, so the Pope dominates the world). It is currently one of the most famous and recognized symbols of the city.
File:Bolognalagrassa.jpeg|La Grassa_ Capital of a region of great culinary passions, Bologna is associated with the imaginary perception of the city as a paradise for food delicacies. Traditional local specialty shops are the perfect example of Bolognese hedonism.

</gallery>

Landscape Symbols Auther 3: Seyed Amir Hosseini Shahrestani
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1.LED Landscape Symbol Shahrestani Amir.JPG|Roof garden of Exhibition hall Stuttgart.The place which people can take rest from chaos of Exhibition hall, to get together, talk and know each other. most of the time people contact each other after a short conversation. I would like to name this place ‘’the place of socializing and business’’. 48.693282, 9.186010
File:2.LED Landscape Symbol Shahrestani Amir.JPG|Main Square of Stuttgart. The spring, the time to go out and feel like birds, to chat, to make conversation, to look at the nature which is trying to be alive again, to feel it, to do the same ‘’being Alive Again’’. Happiness, green and free spaces. 48.778679, 9.180055
File:3.LED Landscape Symbol Shahrestani Amir.JPG|Nürtingen. Be river, never stop, be bless for your path and around, and get bless from your path. Give live and take it in other way. 48.627918, 9.345074

</gallery>

=== '''Landscape Symbols Author 4: Nahian Zobaid''' ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:12963763 10156738107310133 2790535050829475682 n.jpg‎|This photograph clicked by me in Bangladesh. As we know that Bangladesh is a riverine country and it is very common to get new land (river sand bed / Char) in the river. Sometimes some of these new lands last for long and sometimes some of those vanish in a short time. As a agricultural country (Bangladesh) most of the country men are farmers and when they see that there are little bit green (like the photograph) on the river sand bed / char, then they get hope to get new agricultural land. These green are the symbol of hope for these farmers. Geo-location 20'34N to 26'38N latitude, 88'01E to 92'41E longitude

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg |The main attraction of the Swadhinata Stambha is the Stambha / monument itself. Stambha means pillar or tower in Bengali. The tower was built on the place where the commander-in-chief of East Pakistan Army Amir Abdullah Khan Niazi signed the papers of his surrender. During night, the tower looks elegant as the rays of light come out from every single inches of the tower. The whole tower turns into a white pillar. The tower is square according to the plan and is 16 feet wide from every side with an area of 64 inches. The underground museum of the project comprises several photographs with historical significance. There are a number of terracotta murals on war-heroes and the events of the Liberation War, a 2000-seat auditorium, and an open-air theater. The eternal flame stands beside the tower. The water body of the project reflects the whole tower all the day and increases the beauty of the project. But the water body is under potential threat as the local slum-dwellers use it for their daily needs. This monument is representing the past , present and future of Bangladesh at a time.

== Assignment 3 - Role Play on Landscape Democracy "movers and shakers" ==
*You can read more details about this assignment [[Assignment_3:_Role_Play_on_Landscape_Democracy_"movers_and_shakers"_(2019)|here]]

Khondaker Hasibul Kabir (Bangladesh) ... Nahian Zobaid

== Assignment 4 - Your Landscape Democracy Challenge ==
*You can read more details about this assignment [[Assignment_4:_Your_Landscape_Democracy_Challenge_(2019)|here]]
*Each group member will specify a landscape democracy challenge in his/her environment

=== Landscape Democracy Challenge 1 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 2 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 3 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 4 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Your Democratic Change Process ===

<gallery caption="Add Title" widths="600px" heights="300px" perrow="1">
Image:Your_Democratic_Change_Process_Slide1.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide2.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide3.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide4.jpg|caption: ...
</gallery>

=== Reflection ===
* ....
* ....
* ....

Conclusion:
* ....
* ....
* ....

=== Your references ===
* ...
* ...
* ...

----
[[Category:Landscape Democracy Working Group 2019]]

LED Online Seminar 2019 - Working Group 7

2019-05-22T13:44:55Z

Nahian.zoabid: /* Assignment 2 - Your Landscape Symbols */

'''--> Back to [[LED_Online_Seminar_Working_Groups_2019|working group overview]]'''

''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

<div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed;
bottom:32px; left:2%; z-index:9999; padding:0; margin:0;"><span style="color:blue;
font-size:8pt; font-face:verdana,sans-serif; border:0.2em outset #ceebf7;
padding:0.1em; font-weight:bolder; -moz-border-radius:8px; ">
[[#top| Back to the Top ]]</span></div>

== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape Democracy Manifesto-Tehran.jpg|Amir's manifesto
Image:Manifesto Nahian-min.jpg|Nahian's manifesto
Image:Manifesto gaiauguccioni.png|Gaia's manifesto
File:LED Assigment 1 Kozma Ildiko Julia.png |Júlia's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''

1. Amir - Why is landscape beautiful? - Burckhardt, Lucius (1979)

2. Júlia - Urban Planning and Democracy - Júlia (1957)

3. Gaia - Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene."

'''B: Concepts of Participation'''

1. Amir - Consensus Design - Day, Christopher (2002)

2. Gaia - Gaventa, John: The Powerful, the Powerless, and the Experts

3. Nahian - Hester, Randolph (2005): Whose Politics, Landscape Architecture

'''C: Community and Identity'''

1. Amir - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)

2. Nahian - Nassauer, Joan Iverson (1995): Culture and Changing Landscape Structure, Landscape Ecology, vol. 10 no. 4.

'''D: Designing'''

1. Júlia - Design for Ecological Democracy - Randolph T. Hester (2006)

2. Gaia - Hester, Randolph: Life, Liberty and the Pursuit of Sustainable Happiness

3. Nahian - Pritzker Prize winning architect Alejandro Aravena on sustainable design and community involvement in Chile

'''E: Communicating a Vision'''
1. Júlia - - (0)

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: S.Amir H.Shahrestani '''
*Landscape and Democracy - Why is landscape beautiful? - Burckhardt, Lucius (1979)
The outcome of the people view of the same landscape is doubtless highly individual and every person has different aspect and criteria of it. The opinion of beautiful or ugly landscape comes from the people previous idea (childhood stories), therefore the people have different judgments.
*Concepts of Participation - Consensus Design - Day, Christopher (2002)
Better way to make ethical decisions is defined as a democratic way and consensual approach.
In the democracy the majority's demands are influential and the minority’s requests are disregarded. Getting a more comprehensive solution (equitable, productive, conscious, participator) compromising is defined as a step to reach collective decisions and consensus.
*Community and Identity - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)
Image of the landscape allows us to establish a relationship with the place through the sense of belonging. It performs an effective role in the transmission of the story by reflecting the identity of the space.

'''Author 2: Ildikó Júlia Kozma'''
*Landscape and Democracy
The role of the public in urbanism should be stronger. If we want more democratic cities, city dwellers must have more knowledge about the built environment which surround them. Without that they can’t live with their democratic rights.
*Designing
Ecology and democracy is to separate thing, but together they can give a better solution to many problems of urbanism. With well defined principles we can use ecological methods during designing.
*Communicating a Vision
In participatory design communicating your vision is a key element. Presentations hold by professionals, coauthoring design and all different kind of verbal and nonverbal communication method are needed to understand each other.

'''Author 3: Gaia Uguccioni '''
*Landscape and Democracy
Every landscape hides a meaning that is not explicit in the ordinary forms. Is a concept that lies utterly beyond science, that holds ideas, impressions and ineffable complexities that depends on how we are affected by it and from the values we associate to it.

*Concepts of Participation
Partecipatory processes are a form of access to a paradigm which the people had a little part in creating. Starts with the reappropriation of knowledge by those who are affected by it and evolves as a strategy in which the powerless develop, create, gain control and systematize their own science.

*Designing
In the modern broad cities is evident the disassociation from community and environment and the human behavior appear antagonistic to sustainability. Holistic insight should be pursuit to guide the design of urban forms and to find new directions for a reformulation of intents and ideals of fulfillment.

'''Author 4: Nahian Zobaid'''
*Concepts of Participation
A participatory approach in any development involves the community in Design
process and give them the right to express their thought, vision and need. This
concept can empower the unprivileged group of society if sensibly chosen in the
design process.

*Community and Identity
Community identity is shaped by the custom, social and geographical
environment of a particular place. Vernacular landscape are good example of
community identity, as it represents the adaptation and thought process of local
farm workers, land developers, home owners and other local professionals.

*Designing
Designing is the combination of multiple problems that leads to a simple yet
innovative solution. The Designer needs to translate the force of people, common
sense and nature into form to built a socially and climatically responsive design.

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: Júlia Ildikó Kozma ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape symbol 1 Kozma Ildiko Julia.jpg|“Szabihíd” project, Liberty Bridge urban picnic “Szabihíd” project started in 2017 when the Libert Bridge was closed due to constartion work. City dwellers and turist went there to enjoy the unique opportunity. At the beggining the city administration couldn’t handel the situation so they forbide to go there, but after a local orgaziation embraced this need and convienced the municipality to make a legal from. Since then the birdge is free from cars during the summer weekends and there are all different kind of activites makes this project more and more popular. 47.485755, 19.054959
File:Landscape symbol 2 Kozma Ildiko Julia.jpg|Buda Castle, Hungarian National Gallery, Széchenyi National Library During the historical times the castle was the place for the king, but these days it is open for the public. People not only can see the castle but the Hungarian National Gallery and also a Széchenyi National Library take place there. It symbolize a democratyc change which maybe not obvios if you doesn’t have some knowledge about the place. 47.502262, 19.032800
File:Landscape symbol 3 Kozma Ildiko Julia.JPG|Vegetable stands In the countryside small vegetable stands offer opportunity to buy fresh crop right form the a infield. Sometimes the owner is selling to you, sometimes only a box is there to collect the cost. I think it is also a symbol of trust and trust is something essentail for democracy. This system would not work without respect and understantment of the value of work. 47.557538, 10.749554

</gallery>

=== Landscape Symbols Author 2: Gaia Uguccioni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1 Wetropolitana.jpg‎|Bologna città [W]etropolitana_Not a subway access, but a sign of artistic performances that took place in those spaces and that has become part of a stratified landscape. A modern monument that represents the aesthetics of the provisional, infiltrates our landscape in a work of continuous adaptation, with a tangible subliminal act plausible enough to become familiar and mimically incorporated.
File:Nettuno.jpeg‎|al Żigànt_The Fountain of Neptune, also known as "the Giant", is a renaissance opera that stands into Piazza Maggiore, the most important square in Bologna. It was designed to glorify the papal government (as Neptune dominates the waters, so the Pope dominates the world). It is currently one of the most famous and recognized symbols of the city.
File:Bolognalagrassa.jpeg|La Grassa_ Capital of a region of great culinary passions, Bologna is associated with the imaginary perception of the city as a paradise for food delicacies. Traditional local specialty shops are the perfect example of Bolognese hedonism.

</gallery>

Landscape Symbols Auther 3: Seyed Amir Hosseini Shahrestani
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1.LED Landscape Symbol Shahrestani Amir.JPG|Roof garden of Exhibition hall Stuttgart.The place which people can take rest from chaos of Exhibition hall, to get together, talk and know each other. most of the time people contact each other after a short conversation. I would like to name this place ‘’the place of socializing and business’’. 48.693282, 9.186010
File:2.LED Landscape Symbol Shahrestani Amir.JPG|Main Square of Stuttgart. The spring, the time to go out and feel like birds, to chat, to make conversation, to look at the nature which is trying to be alive again, to feel it, to do the same ‘’being Alive Again’’. Happiness, green and free spaces. 48.778679, 9.180055
File:3.LED Landscape Symbol Shahrestani Amir.JPG|Nürtingen. Be river, never stop, be bless for your path and around, and get bless from your path. Give live and take it in other way. 48.627918, 9.345074

</gallery>

=== '''Landscape Symbols Author 4: Nahian Zobaid''' ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:12963763 10156738107310133 2790535050829475682 n.jpg‎|This photograph clicked by me in Bangladesh. As we know that Bangladesh is a riverine country and it is very common to get new land (river sand bed / Char) in the river. Sometimes some of these new lands last for long and sometimes some of those vanish in a short time. As a agricultural country (Bangladesh) most of the country men are farmers and when they see that there are little bit green (like the photograph) on the river sand bed / char, then they get hope to get new agricultural land. These green are the symbol of hope for these farmers. Geo-location 20'34N to 26'38N latitude, 88'01E to 92'41E longitude

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg |The main attraction of the Swadhinata Stambha is the Stambha / monument itself. Stambha means pillar or tower in Bengali. The tower was built on the place where the commander-in-chief of East Pakistan Army Amir Abdullah Khan Niazi signed the papers of his surrender. During night, the tower looks elegant as the rays of light come out from every single inches of the tower. The whole tower turns into a white pillar. The tower is square according to the plan and is 16 feet wide from every side with an area of 64 inches. The underground museum of the project comprises several photographs with historical significance. There are a number of terracotta murals on war-heroes and the events of the Liberation War, a 2000-seat auditorium, and an open-air theater. The eternal flame stands beside the tower. The water body of the project reflects the whole tower all the day and increases the beauty of the project. But the water body is under potential threat as the local slum-dwellers use it for their daily needs. This monument is representing the past , present and future of Bangladesh at a time.

'''Independence Monument / Swadhinata Stambha'''
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg

Image:symbol_yourname_photovoice3|add a caption (one paragraph max) description of the symbolism, interpretation, as well as geo-location
</gallery>

== Assignment 3 - Role Play on Landscape Democracy "movers and shakers" ==
*You can read more details about this assignment [[Assignment_3:_Role_Play_on_Landscape_Democracy_"movers_and_shakers"_(2019)|here]]

Khondaker Hasibul Kabir (Bangladesh) ... Nahian Zobaid

== Assignment 4 - Your Landscape Democracy Challenge ==
*You can read more details about this assignment [[Assignment_4:_Your_Landscape_Democracy_Challenge_(2019)|here]]
*Each group member will specify a landscape democracy challenge in his/her environment

=== Landscape Democracy Challenge 1 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 2 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 3 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 4 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Your Democratic Change Process ===

<gallery caption="Add Title" widths="600px" heights="300px" perrow="1">
Image:Your_Democratic_Change_Process_Slide1.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide2.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide3.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide4.jpg|caption: ...
</gallery>

=== Reflection ===
* ....
* ....
* ....

Conclusion:
* ....
* ....
* ....

=== Your references ===
* ...
* ...
* ...

----
[[Category:Landscape Democracy Working Group 2019]]

LED Online Seminar 2019 - Working Group 7

2019-05-22T13:44:35Z

Nahian.zoabid: /* Assignment 2 - Your Landscape Symbols */

'''--> Back to [[LED_Online_Seminar_Working_Groups_2019|working group overview]]'''

''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

<div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed;
bottom:32px; left:2%; z-index:9999; padding:0; margin:0;"><span style="color:blue;
font-size:8pt; font-face:verdana,sans-serif; border:0.2em outset #ceebf7;
padding:0.1em; font-weight:bolder; -moz-border-radius:8px; ">
[[#top| Back to the Top ]]</span></div>

== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape Democracy Manifesto-Tehran.jpg|Amir's manifesto
Image:Manifesto Nahian-min.jpg|Nahian's manifesto
Image:Manifesto gaiauguccioni.png|Gaia's manifesto
File:LED Assigment 1 Kozma Ildiko Julia.png |Júlia's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''

1. Amir - Why is landscape beautiful? - Burckhardt, Lucius (1979)

2. Júlia - Urban Planning and Democracy - Júlia (1957)

3. Gaia - Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene."

'''B: Concepts of Participation'''

1. Amir - Consensus Design - Day, Christopher (2002)

2. Gaia - Gaventa, John: The Powerful, the Powerless, and the Experts

3. Nahian - Hester, Randolph (2005): Whose Politics, Landscape Architecture

'''C: Community and Identity'''

1. Amir - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)

2. Nahian - Nassauer, Joan Iverson (1995): Culture and Changing Landscape Structure, Landscape Ecology, vol. 10 no. 4.

'''D: Designing'''

1. Júlia - Design for Ecological Democracy - Randolph T. Hester (2006)

2. Gaia - Hester, Randolph: Life, Liberty and the Pursuit of Sustainable Happiness

3. Nahian - Pritzker Prize winning architect Alejandro Aravena on sustainable design and community involvement in Chile

'''E: Communicating a Vision'''
1. Júlia - - (0)

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: S.Amir H.Shahrestani '''
*Landscape and Democracy - Why is landscape beautiful? - Burckhardt, Lucius (1979)
The outcome of the people view of the same landscape is doubtless highly individual and every person has different aspect and criteria of it. The opinion of beautiful or ugly landscape comes from the people previous idea (childhood stories), therefore the people have different judgments.
*Concepts of Participation - Consensus Design - Day, Christopher (2002)
Better way to make ethical decisions is defined as a democratic way and consensual approach.
In the democracy the majority's demands are influential and the minority’s requests are disregarded. Getting a more comprehensive solution (equitable, productive, conscious, participator) compromising is defined as a step to reach collective decisions and consensus.
*Community and Identity - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)
Image of the landscape allows us to establish a relationship with the place through the sense of belonging. It performs an effective role in the transmission of the story by reflecting the identity of the space.

'''Author 2: Ildikó Júlia Kozma'''
*Landscape and Democracy
The role of the public in urbanism should be stronger. If we want more democratic cities, city dwellers must have more knowledge about the built environment which surround them. Without that they can’t live with their democratic rights.
*Designing
Ecology and democracy is to separate thing, but together they can give a better solution to many problems of urbanism. With well defined principles we can use ecological methods during designing.
*Communicating a Vision
In participatory design communicating your vision is a key element. Presentations hold by professionals, coauthoring design and all different kind of verbal and nonverbal communication method are needed to understand each other.

'''Author 3: Gaia Uguccioni '''
*Landscape and Democracy
Every landscape hides a meaning that is not explicit in the ordinary forms. Is a concept that lies utterly beyond science, that holds ideas, impressions and ineffable complexities that depends on how we are affected by it and from the values we associate to it.

*Concepts of Participation
Partecipatory processes are a form of access to a paradigm which the people had a little part in creating. Starts with the reappropriation of knowledge by those who are affected by it and evolves as a strategy in which the powerless develop, create, gain control and systematize their own science.

*Designing
In the modern broad cities is evident the disassociation from community and environment and the human behavior appear antagonistic to sustainability. Holistic insight should be pursuit to guide the design of urban forms and to find new directions for a reformulation of intents and ideals of fulfillment.

'''Author 4: Nahian Zobaid'''
*Concepts of Participation
A participatory approach in any development involves the community in Design
process and give them the right to express their thought, vision and need. This
concept can empower the unprivileged group of society if sensibly chosen in the
design process.

*Community and Identity
Community identity is shaped by the custom, social and geographical
environment of a particular place. Vernacular landscape are good example of
community identity, as it represents the adaptation and thought process of local
farm workers, land developers, home owners and other local professionals.

*Designing
Designing is the combination of multiple problems that leads to a simple yet
innovative solution. The Designer needs to translate the force of people, common
sense and nature into form to built a socially and climatically responsive design.

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: Júlia Ildikó Kozma ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape symbol 1 Kozma Ildiko Julia.jpg|“Szabihíd” project, Liberty Bridge urban picnic “Szabihíd” project started in 2017 when the Libert Bridge was closed due to constartion work. City dwellers and turist went there to enjoy the unique opportunity. At the beggining the city administration couldn’t handel the situation so they forbide to go there, but after a local orgaziation embraced this need and convienced the municipality to make a legal from. Since then the birdge is free from cars during the summer weekends and there are all different kind of activites makes this project more and more popular. 47.485755, 19.054959
File:Landscape symbol 2 Kozma Ildiko Julia.jpg|Buda Castle, Hungarian National Gallery, Széchenyi National Library During the historical times the castle was the place for the king, but these days it is open for the public. People not only can see the castle but the Hungarian National Gallery and also a Széchenyi National Library take place there. It symbolize a democratyc change which maybe not obvios if you doesn’t have some knowledge about the place. 47.502262, 19.032800
File:Landscape symbol 3 Kozma Ildiko Julia.JPG|Vegetable stands In the countryside small vegetable stands offer opportunity to buy fresh crop right form the a infield. Sometimes the owner is selling to you, sometimes only a box is there to collect the cost. I think it is also a symbol of trust and trust is something essentail for democracy. This system would not work without respect and understantment of the value of work. 47.557538, 10.749554

</gallery>

=== Landscape Symbols Author 2: Gaia Uguccioni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1 Wetropolitana.jpg‎|Bologna città [W]etropolitana_Not a subway access, but a sign of artistic performances that took place in those spaces and that has become part of a stratified landscape. A modern monument that represents the aesthetics of the provisional, infiltrates our landscape in a work of continuous adaptation, with a tangible subliminal act plausible enough to become familiar and mimically incorporated.
File:Nettuno.jpeg‎|al Żigànt_The Fountain of Neptune, also known as "the Giant", is a renaissance opera that stands into Piazza Maggiore, the most important square in Bologna. It was designed to glorify the papal government (as Neptune dominates the waters, so the Pope dominates the world). It is currently one of the most famous and recognized symbols of the city.
File:Bolognalagrassa.jpeg|La Grassa_ Capital of a region of great culinary passions, Bologna is associated with the imaginary perception of the city as a paradise for food delicacies. Traditional local specialty shops are the perfect example of Bolognese hedonism.

</gallery>

Landscape Symbols Auther 3: Seyed Amir Hosseini Shahrestani
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1.LED Landscape Symbol Shahrestani Amir.JPG|Roof garden of Exhibition hall Stuttgart.The place which people can take rest from chaos of Exhibition hall, to get together, talk and know each other. most of the time people contact each other after a short conversation. I would like to name this place ‘’the place of socializing and business’’. 48.693282, 9.186010
File:2.LED Landscape Symbol Shahrestani Amir.JPG|Main Square of Stuttgart. The spring, the time to go out and feel like birds, to chat, to make conversation, to look at the nature which is trying to be alive again, to feel it, to do the same ‘’being Alive Again’’. Happiness, green and free spaces. 48.778679, 9.180055
File:3.LED Landscape Symbol Shahrestani Amir.JPG|Nürtingen. Be river, never stop, be bless for your path and around, and get bless from your path. Give live and take it in other way. 48.627918, 9.345074

</gallery>

=== '''Landscape Symbols Author 4: Nahian Zobaid''' ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:12963763 10156738107310133 2790535050829475682 n.jpg‎|This photograph clicked by me in Bangladesh. As we know that Bangladesh is a riverine country and it is very common to get new land (river sand bed / Char) in the river. Sometimes some of these new lands last for long and sometimes some of those vanish in a short time. As a agricultural country (Bangladesh) most of the country men are farmers and when they see that there are little bit green (like the photograph) on the river sand bed / char, then they get hope to get new agricultural land. These green are the symbol of hope for these farmers. Geo-location 20'34N to 26'38N latitude, 88'01E to 92'41E longitude|

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg |The main attraction of the Swadhinata Stambha is the Stambha / monument itself. Stambha means pillar or tower in Bengali. The tower was built on the place where the commander-in-chief of East Pakistan Army Amir Abdullah Khan Niazi signed the papers of his surrender. During night, the tower looks elegant as the rays of light come out from every single inches of the tower. The whole tower turns into a white pillar. The tower is square according to the plan and is 16 feet wide from every side with an area of 64 inches. The underground museum of the project comprises several photographs with historical significance. There are a number of terracotta murals on war-heroes and the events of the Liberation War, a 2000-seat auditorium, and an open-air theater. The eternal flame stands beside the tower. The water body of the project reflects the whole tower all the day and increases the beauty of the project. But the water body is under potential threat as the local slum-dwellers use it for their daily needs. This monument is representing the past , present and future of Bangladesh at a time.

'''Independence Monument / Swadhinata Stambha'''
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg

Image:symbol_yourname_photovoice3|add a caption (one paragraph max) description of the symbolism, interpretation, as well as geo-location
</gallery>

== Assignment 3 - Role Play on Landscape Democracy "movers and shakers" ==
*You can read more details about this assignment [[Assignment_3:_Role_Play_on_Landscape_Democracy_"movers_and_shakers"_(2019)|here]]

Khondaker Hasibul Kabir (Bangladesh) ... Nahian Zobaid

== Assignment 4 - Your Landscape Democracy Challenge ==
*You can read more details about this assignment [[Assignment_4:_Your_Landscape_Democracy_Challenge_(2019)|here]]
*Each group member will specify a landscape democracy challenge in his/her environment

=== Landscape Democracy Challenge 1 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 2 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 3 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 4 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Your Democratic Change Process ===

<gallery caption="Add Title" widths="600px" heights="300px" perrow="1">
Image:Your_Democratic_Change_Process_Slide1.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide2.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide3.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide4.jpg|caption: ...
</gallery>

=== Reflection ===
* ....
* ....
* ....

Conclusion:
* ....
* ....
* ....

=== Your references ===
* ...
* ...
* ...

----
[[Category:Landscape Democracy Working Group 2019]]

LED Online Seminar 2019 - Working Group 7

2019-05-22T13:43:38Z

Nahian.zoabid: /* Assignment 2 - Your Landscape Symbols */

'''--> Back to [[LED_Online_Seminar_Working_Groups_2019|working group overview]]'''

''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

<div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed;
bottom:32px; left:2%; z-index:9999; padding:0; margin:0;"><span style="color:blue;
font-size:8pt; font-face:verdana,sans-serif; border:0.2em outset #ceebf7;
padding:0.1em; font-weight:bolder; -moz-border-radius:8px; ">
[[#top| Back to the Top ]]</span></div>

== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape Democracy Manifesto-Tehran.jpg|Amir's manifesto
Image:Manifesto Nahian-min.jpg|Nahian's manifesto
Image:Manifesto gaiauguccioni.png|Gaia's manifesto
File:LED Assigment 1 Kozma Ildiko Julia.png |Júlia's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''

1. Amir - Why is landscape beautiful? - Burckhardt, Lucius (1979)

2. Júlia - Urban Planning and Democracy - Júlia (1957)

3. Gaia - Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene."

'''B: Concepts of Participation'''

1. Amir - Consensus Design - Day, Christopher (2002)

2. Gaia - Gaventa, John: The Powerful, the Powerless, and the Experts

3. Nahian - Hester, Randolph (2005): Whose Politics, Landscape Architecture

'''C: Community and Identity'''

1. Amir - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)

2. Nahian - Nassauer, Joan Iverson (1995): Culture and Changing Landscape Structure, Landscape Ecology, vol. 10 no. 4.

'''D: Designing'''

1. Júlia - Design for Ecological Democracy - Randolph T. Hester (2006)

2. Gaia - Hester, Randolph: Life, Liberty and the Pursuit of Sustainable Happiness

3. Nahian - Pritzker Prize winning architect Alejandro Aravena on sustainable design and community involvement in Chile

'''E: Communicating a Vision'''
1. Júlia - - (0)

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: S.Amir H.Shahrestani '''
*Landscape and Democracy - Why is landscape beautiful? - Burckhardt, Lucius (1979)
The outcome of the people view of the same landscape is doubtless highly individual and every person has different aspect and criteria of it. The opinion of beautiful or ugly landscape comes from the people previous idea (childhood stories), therefore the people have different judgments.
*Concepts of Participation - Consensus Design - Day, Christopher (2002)
Better way to make ethical decisions is defined as a democratic way and consensual approach.
In the democracy the majority's demands are influential and the minority’s requests are disregarded. Getting a more comprehensive solution (equitable, productive, conscious, participator) compromising is defined as a step to reach collective decisions and consensus.
*Community and Identity - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)
Image of the landscape allows us to establish a relationship with the place through the sense of belonging. It performs an effective role in the transmission of the story by reflecting the identity of the space.

'''Author 2: Ildikó Júlia Kozma'''
*Landscape and Democracy
The role of the public in urbanism should be stronger. If we want more democratic cities, city dwellers must have more knowledge about the built environment which surround them. Without that they can’t live with their democratic rights.
*Designing
Ecology and democracy is to separate thing, but together they can give a better solution to many problems of urbanism. With well defined principles we can use ecological methods during designing.
*Communicating a Vision
In participatory design communicating your vision is a key element. Presentations hold by professionals, coauthoring design and all different kind of verbal and nonverbal communication method are needed to understand each other.

'''Author 3: Gaia Uguccioni '''
*Landscape and Democracy
Every landscape hides a meaning that is not explicit in the ordinary forms. Is a concept that lies utterly beyond science, that holds ideas, impressions and ineffable complexities that depends on how we are affected by it and from the values we associate to it.

*Concepts of Participation
Partecipatory processes are a form of access to a paradigm which the people had a little part in creating. Starts with the reappropriation of knowledge by those who are affected by it and evolves as a strategy in which the powerless develop, create, gain control and systematize their own science.

*Designing
In the modern broad cities is evident the disassociation from community and environment and the human behavior appear antagonistic to sustainability. Holistic insight should be pursuit to guide the design of urban forms and to find new directions for a reformulation of intents and ideals of fulfillment.

'''Author 4: Nahian Zobaid'''
*Concepts of Participation
A participatory approach in any development involves the community in Design
process and give them the right to express their thought, vision and need. This
concept can empower the unprivileged group of society if sensibly chosen in the
design process.

*Community and Identity
Community identity is shaped by the custom, social and geographical
environment of a particular place. Vernacular landscape are good example of
community identity, as it represents the adaptation and thought process of local
farm workers, land developers, home owners and other local professionals.

*Designing
Designing is the combination of multiple problems that leads to a simple yet
innovative solution. The Designer needs to translate the force of people, common
sense and nature into form to built a socially and climatically responsive design.

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: Júlia Ildikó Kozma ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape symbol 1 Kozma Ildiko Julia.jpg|“Szabihíd” project, Liberty Bridge urban picnic “Szabihíd” project started in 2017 when the Libert Bridge was closed due to constartion work. City dwellers and turist went there to enjoy the unique opportunity. At the beggining the city administration couldn’t handel the situation so they forbide to go there, but after a local orgaziation embraced this need and convienced the municipality to make a legal from. Since then the birdge is free from cars during the summer weekends and there are all different kind of activites makes this project more and more popular. 47.485755, 19.054959
File:Landscape symbol 2 Kozma Ildiko Julia.jpg|Buda Castle, Hungarian National Gallery, Széchenyi National Library During the historical times the castle was the place for the king, but these days it is open for the public. People not only can see the castle but the Hungarian National Gallery and also a Széchenyi National Library take place there. It symbolize a democratyc change which maybe not obvios if you doesn’t have some knowledge about the place. 47.502262, 19.032800
File:Landscape symbol 3 Kozma Ildiko Julia.JPG|Vegetable stands In the countryside small vegetable stands offer opportunity to buy fresh crop right form the a infield. Sometimes the owner is selling to you, sometimes only a box is there to collect the cost. I think it is also a symbol of trust and trust is something essentail for democracy. This system would not work without respect and understantment of the value of work. 47.557538, 10.749554

</gallery>

=== Landscape Symbols Author 2: Gaia Uguccioni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1 Wetropolitana.jpg‎|Bologna città [W]etropolitana_Not a subway access, but a sign of artistic performances that took place in those spaces and that has become part of a stratified landscape. A modern monument that represents the aesthetics of the provisional, infiltrates our landscape in a work of continuous adaptation, with a tangible subliminal act plausible enough to become familiar and mimically incorporated.
File:Nettuno.jpeg‎|al Żigànt_The Fountain of Neptune, also known as "the Giant", is a renaissance opera that stands into Piazza Maggiore, the most important square in Bologna. It was designed to glorify the papal government (as Neptune dominates the waters, so the Pope dominates the world). It is currently one of the most famous and recognized symbols of the city.
File:Bolognalagrassa.jpeg|La Grassa_ Capital of a region of great culinary passions, Bologna is associated with the imaginary perception of the city as a paradise for food delicacies. Traditional local specialty shops are the perfect example of Bolognese hedonism.

</gallery>

Landscape Symbols Auther 3: Seyed Amir Hosseini Shahrestani
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1.LED Landscape Symbol Shahrestani Amir.JPG|Roof garden of Exhibition hall Stuttgart.The place which people can take rest from chaos of Exhibition hall, to get together, talk and know each other. most of the time people contact each other after a short conversation. I would like to name this place ‘’the place of socializing and business’’. 48.693282, 9.186010
File:2.LED Landscape Symbol Shahrestani Amir.JPG|Main Square of Stuttgart. The spring, the time to go out and feel like birds, to chat, to make conversation, to look at the nature which is trying to be alive again, to feel it, to do the same ‘’being Alive Again’’. Happiness, green and free spaces. 48.778679, 9.180055
File:3.LED Landscape Symbol Shahrestani Amir.JPG|Nürtingen. Be river, never stop, be bless for your path and around, and get bless from your path. Give live and take it in other way. 48.627918, 9.345074

</gallery>

=== '''Landscape Symbols Author 4: Nahian Zobaid''' ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:12963763 10156738107310133 2790535050829475682 n.jpg‎|This photograph clicked by me in Bangladesh. As we know that Bangladesh is a riverine country and it is very common to get new land (river sand bed / Char) in the river. Sometimes some of these new lands last for long and sometimes some of those vanish in a short time. As a agricultural country (Bangladesh) most of the country men are farmers and when they see that there are little bit green (like the photograph) on the river sand bed / char, then they get hope to get new agricultural land. These green are the symbol of hope for these farmers. Geo-location 20'34N to 26'38N latitude, 88'01E to 92'41E longitude|

<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg ‎|The main attraction of the Swadhinata Stambha is the Stambha / monument itself. Stambha means pillar or tower in Bengali. The tower was built on the place where the commander-in-chief of East Pakistan Army Amir Abdullah Khan Niazi signed the papers of his surrender. During night, the tower looks elegant as the rays of light come out from every single inches of the tower. The whole tower turns into a white pillar. The tower is square according to the plan and is 16 feet wide from every side with an area of 64 inches. The underground museum of the project comprises several photographs with historical significance. There are a number of terracotta murals on war-heroes and the events of the Liberation War, a 2000-seat auditorium, and an open-air theater. The eternal flame stands beside the tower. The water body of the project reflects the whole tower all the day and increases the beauty of the project. But the water body is under potential threat as the local slum-dwellers use it for their daily needs. This monument is representing the past , present and future of Bangladesh at a time.|

'''Independence Monument / Swadhinata Stambha'''
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg

Image:symbol_yourname_photovoice3|add a caption (one paragraph max) description of the symbolism, interpretation, as well as geo-location
</gallery>

== Assignment 3 - Role Play on Landscape Democracy "movers and shakers" ==
*You can read more details about this assignment [[Assignment_3:_Role_Play_on_Landscape_Democracy_"movers_and_shakers"_(2019)|here]]

Khondaker Hasibul Kabir (Bangladesh) ... Nahian Zobaid

== Assignment 4 - Your Landscape Democracy Challenge ==
*You can read more details about this assignment [[Assignment_4:_Your_Landscape_Democracy_Challenge_(2019)|here]]
*Each group member will specify a landscape democracy challenge in his/her environment

=== Landscape Democracy Challenge 1 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 2 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 3 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 4 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Your Democratic Change Process ===

<gallery caption="Add Title" widths="600px" heights="300px" perrow="1">
Image:Your_Democratic_Change_Process_Slide1.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide2.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide3.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide4.jpg|caption: ...
</gallery>

=== Reflection ===
* ....
* ....
* ....

Conclusion:
* ....
* ....
* ....

=== Your references ===
* ...
* ...
* ...

----
[[Category:Landscape Democracy Working Group 2019]]

LED Online Seminar 2019 - Working Group 7

2019-05-22T08:37:58Z

Nahian.zoabid: /* Assignment 3 - Role Play on Landscape Democracy "movers and shakers" */

'''--> Back to [[LED_Online_Seminar_Working_Groups_2019|working group overview]]'''

''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

<div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed;
bottom:32px; left:2%; z-index:9999; padding:0; margin:0;"><span style="color:blue;
font-size:8pt; font-face:verdana,sans-serif; border:0.2em outset #ceebf7;
padding:0.1em; font-weight:bolder; -moz-border-radius:8px; ">
[[#top| Back to the Top ]]</span></div>

== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape Democracy Manifesto-Tehran.jpg|Amir's manifesto
Image:Manifesto Nahian-min.jpg|Nahian's manifesto
Image:Manifesto gaiauguccioni.png|Gaia's manifesto
File:LED Assigment 1 Kozma Ildiko Julia.png |Júlia's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''

1. Amir - Why is landscape beautiful? - Burckhardt, Lucius (1979)

2. Júlia - Urban Planning and Democracy - Júlia (1957)

3. Gaia - Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene."

'''B: Concepts of Participation'''

1. Amir - Consensus Design - Day, Christopher (2002)

2. Gaia - Gaventa, John: The Powerful, the Powerless, and the Experts

3. Nahian - Hester, Randolph (2005): Whose Politics, Landscape Architecture

'''C: Community and Identity'''

1. Amir - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)

2. Nahian - Nassauer, Joan Iverson (1995): Culture and Changing Landscape Structure, Landscape Ecology, vol. 10 no. 4.

'''D: Designing'''

1. Júlia - Design for Ecological Democracy - Randolph T. Hester (2006)

2. Gaia - Hester, Randolph: Life, Liberty and the Pursuit of Sustainable Happiness

3. Nahian - Pritzker Prize winning architect Alejandro Aravena on sustainable design and community involvement in Chile

'''E: Communicating a Vision'''
1. Júlia - - (0)

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: S.Amir H.Shahrestani '''
*Landscape and Democracy - Why is landscape beautiful? - Burckhardt, Lucius (1979)
The outcome of the people view of the same landscape is doubtless highly individual and every person has different aspect and criteria of it. The opinion of beautiful or ugly landscape comes from the people previous idea (childhood stories), therefore the people have different judgments.
*Concepts of Participation - Consensus Design - Day, Christopher (2002)
Better way to make ethical decisions is defined as a democratic way and consensual approach.
In the democracy the majority's demands are influential and the minority’s requests are disregarded. Getting a more comprehensive solution (equitable, productive, conscious, participator) compromising is defined as a step to reach collective decisions and consensus.
*Community and Identity - Cinematic Landscapes - Welk Von Mossner, Alexa (2014)
Image of the landscape allows us to establish a relationship with the place through the sense of belonging. It performs an effective role in the transmission of the story by reflecting the identity of the space.

'''Author 2: Ildikó Júlia Kozma'''
*Landscape and Democracy
The role of the public in urbanism should be stronger. If we want more democratic cities, city dwellers must have more knowledge about the built environment which surround them. Without that they can’t live with their democratic rights.
*Designing
Ecology and democracy is to separate thing, but together they can give a better solution to many problems of urbanism. With well defined principles we can use ecological methods during designing.
*Communicating a Vision
In participatory design communicating your vision is a key element. Presentations hold by professionals, coauthoring design and all different kind of verbal and nonverbal communication method are needed to understand each other.

'''Author 3: Gaia Uguccioni '''
*Landscape and Democracy
Every landscape hides a meaning that is not explicit in the ordinary forms. Is a concept that lies utterly beyond science, that holds ideas, impressions and ineffable complexities that depends on how we are affected by it and from the values we associate to it.

*Concepts of Participation
Partecipatory processes are a form of access to a paradigm which the people had a little part in creating. Starts with the reappropriation of knowledge by those who are affected by it and evolves as a strategy in which the powerless develop, create, gain control and systematize their own science.

*Designing
In the modern broad cities is evident the disassociation from community and environment and the human behavior appear antagonistic to sustainability. Holistic insight should be pursuit to guide the design of urban forms and to find new directions for a reformulation of intents and ideals of fulfillment.

'''Author 4: Nahian Zobaid'''
*Concepts of Participation
A participatory approach in any development involves the community in Design
process and give them the right to express their thought, vision and need. This
concept can empower the unprivileged group of society if sensibly chosen in the
design process.

*Community and Identity
Community identity is shaped by the custom, social and geographical
environment of a particular place. Vernacular landscape are good example of
community identity, as it represents the adaptation and thought process of local
farm workers, land developers, home owners and other local professionals.

*Designing
Designing is the combination of multiple problems that leads to a simple yet
innovative solution. The Designer needs to translate the force of people, common
sense and nature into form to built a socially and climatically responsive design.

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: Júlia Ildikó Kozma ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape symbol 1 Kozma Ildiko Julia.jpg|“Szabihíd” project, Liberty Bridge urban picnic “Szabihíd” project started in 2017 when the Libert Bridge was closed due to constartion work. City dwellers and turist went there to enjoy the unique opportunity. At the beggining the city administration couldn’t handel the situation so they forbide to go there, but after a local orgaziation embraced this need and convienced the municipality to make a legal from. Since then the birdge is free from cars during the summer weekends and there are all different kind of activites makes this project more and more popular. 47.485755, 19.054959
File:Landscape symbol 2 Kozma Ildiko Julia.jpg|Buda Castle, Hungarian National Gallery, Széchenyi National Library During the historical times the castle was the place for the king, but these days it is open for the public. People not only can see the castle but the Hungarian National Gallery and also a Széchenyi National Library take place there. It symbolize a democratyc change which maybe not obvios if you doesn’t have some knowledge about the place. 47.502262, 19.032800
File:Landscape symbol 3 Kozma Ildiko Julia.JPG|Vegetable stands In the countryside small vegetable stands offer opportunity to buy fresh crop right form the a infield. Sometimes the owner is selling to you, sometimes only a box is there to collect the cost. I think it is also a symbol of trust and trust is something essentail for democracy. This system would not work without respect and understantment of the value of work. 47.557538, 10.749554

</gallery>

=== Landscape Symbols Author 2: Gaia Uguccioni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1 Wetropolitana.jpg‎|Bologna città [W]etropolitana_Not a subway access, but a sign of artistic performances that took place in those spaces and that has become part of a stratified landscape. A modern monument that represents the aesthetics of the provisional, infiltrates our landscape in a work of continuous adaptation, with a tangible subliminal act plausible enough to become familiar and mimically incorporated.
File:Nettuno.jpeg‎|al Żigànt_The Fountain of Neptune, also known as "the Giant", is a renaissance opera that stands into Piazza Maggiore, the most important square in Bologna. It was designed to glorify the papal government (as Neptune dominates the waters, so the Pope dominates the world). It is currently one of the most famous and recognized symbols of the city.
File:Bolognalagrassa.jpeg|La Grassa_ Capital of a region of great culinary passions, Bologna is associated with the imaginary perception of the city as a paradise for food delicacies. Traditional local specialty shops are the perfect example of Bolognese hedonism.

</gallery>

=== Landscape Symbols Auther 3: Seyed Amir Hosseini Shahrestani
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:1.LED Landscape Symbol Shahrestani Amir.JPG|Roof garden of Exhibition hall Stuttgart.The place which people can take rest from chaos of Exhibition hall, to get together, talk and know each other. most of the time people contact each other after a short conversation. I would like to name this place ‘’the place of socializing and business’’. 48.693282, 9.186010
File:2.LED Landscape Symbol Shahrestani Amir.JPG|Main Square of Stuttgart. The spring, the time to go out and feel like birds, to chat, to make conversation, to look at the nature which is trying to be alive again, to feel it, to do the same ‘’being Alive Again’’. Happiness, green and free spaces. 48.778679, 9.180055
File:3.LED Landscape Symbol Shahrestani Amir.JPG|Nürtingen. Be river, never stop, be bless for your path and around, and get bless from your path. Give live and take it in other way. 48.627918, 9.345074

</gallery>

=== '''Landscape Symbols Author 4: Nahian Zobaid''' ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:12963763 10156738107310133 2790535050829475682 n.jpg‎|This photograph clicked by me in Bangladesh. As we know that Bangladesh is a riverine country and it is very common to get new land (river sand bed / Char) in the river. Sometimes some of these new lands last for long and sometimes some of those vanish in a short time. As a agricultural country (Bangladesh) most of the country men are farmers and when they see that there are little bit green (like the photograph) on the river sand bed / char, then they get hope to get new agricultural land. These green are the symbol of hope for these farmers. Geo-location 20'34N to 26'38N latitude, 88'01E to 92'41E longitude|

'''Independence Monument / Swadhinata Stambha'''
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Swadhinata Stambha.jpeg

Image:symbol_yourname_photovoice3|add a caption (one paragraph max) description of the symbolism, interpretation, as well as geo-location
</gallery>

== Assignment 3 - Role Play on Landscape Democracy "movers and shakers" ==
*You can read more details about this assignment [[Assignment_3:_Role_Play_on_Landscape_Democracy_"movers_and_shakers"_(2019)|here]]

Khondaker Hasibul Kabir (Bangladesh) ... Nahian Zobaid

== Assignment 4 - Your Landscape Democracy Challenge ==
*You can read more details about this assignment [[Assignment_4:_Your_Landscape_Democracy_Challenge_(2019)|here]]
*Each group member will specify a landscape democracy challenge in his/her environment

=== Landscape Democracy Challenge 1 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 2 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 3 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 4 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Your Democratic Change Process ===

<gallery caption="Add Title" widths="600px" heights="300px" perrow="1">
Image:Your_Democratic_Change_Process_Slide1.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide2.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide3.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide4.jpg|caption: ...
</gallery>

=== Reflection ===
* ....
* ....
* ....

Conclusion:
* ....
* ....
* ....

=== Your references ===
* ...
* ...
* ...

----
[[Category:Landscape Democracy Working Group 2019]]

LED Online Seminar 2019 - Working Group 7

2019-05-15T16:52:19Z

Nahian.zoabid: /* Steps 3 and 4: Concepts Selection and definition */

LED Online Seminar 2019 - Working Group 7

2019-05-15T12:25:44Z

Nahian.zoabid: /* Steps 3 and 4: Concepts Selection and definition */

LED Online Seminar 2019 - Working Group 7

2019-05-15T09:57:42Z

Nahian.zoabid: /* Step 1: Your Landscape Democracy Manifestoes */

LED Online Seminar 2019 - Working Group 7

2019-05-15T09:57:18Z

Nahian.zoabid: /* Step 1: Your Landscape Democracy Manifestoes */

File:Manifesto Nahian-min.jpg

2019-05-15T09:56:16Z

Nahian.zoabid: Manifesto of Nahian Zobaid

Manifesto of Nahian Zobaid

LED Online Seminar 2019 - Working Group 7

2019-05-15T08:28:05Z

Nahian.zoabid: /* Landscape Symbols Author 4: Nahian Zobaid */

LED Online Seminar 2019 - Working Group 7

2019-05-15T08:27:37Z

Nahian.zoabid: /* Landscape Symbols Author 4: Nahian Zobaid */

LED Online Seminar 2019 - Working Group 7

2019-05-15T08:26:45Z

Nahian.zoabid: /* Assignment 2 - Your Landscape Symbols */

LED Online Seminar 2019 - Working Group 7

2019-05-14T23:47:30Z

Nahian.zoabid: /* Steps 3 and 4: Concepts Selection and definition */

LED Online Seminar 2019 - Working Group 7

2019-05-14T23:45:51Z

Nahian.zoabid: /* Steps 3 and 4: Concepts Selection and definition */

LED Online Seminar 2019 - Working Group 7

2019-05-14T22:07:31Z

Nahian.zoabid: /* Landscape Symbols Author 4: Nahian Zobaid */

LED Online Seminar 2019 - Working Group 7

2019-05-14T22:06:56Z

Nahian.zoabid: /* Landscape Symbols Author 4: Nahian Zobaid */

LED Online Seminar 2019 - Working Group 7

2019-05-14T22:06:10Z

Nahian.zoabid: /* Landscape Symbols Author 4: Nahian Zobaid */