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LED Online Seminar 2019 - Working Group 5

2019-05-08T10:40:56Z

Gianmarco.gianni: /* Landscape Symbols Author 2: AMALA */

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''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

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== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape & deocracy visual menifesto From Nafiz Rahat+.jpg|Nafiz's manifesto
Image:LD2.jpg|Haris's manifesto
Image:Amala manifesto.jpeg|Amala's manifesto
Image: Manifesto Gianmarco Gianni.jpg|Gianni's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''

Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene." In: The Interpretation of Ordinary Landscapes: Geographical Essays, edited by D. W. Meinig and John Brinckerhoff Jackson, 33-48. New York: Oxford University Press. [Gianmarco]

Lynch, Kevin. (1960): The Image of the City, Cambridge, Mass.: MIT Press. [Amala]

'''B: Concepts of Participation'''

Hester, Randolph (2012): Evaluating Community Design, Landscape Journal [Gianmarco]

Day, Christopher (2002): Consensus Design, Architectural Press [Amala]

Sanoff, Henry (2014): Multiple Views of Participatory Design, Focus [Nafiz Rahat]

'''C: Community and Identity'''

Hester, Randolph (2006): Design for Ecological Democracy, The MIT Press [Nafiz Rahat]

'''D: Designing'''

Smith, Nicola Dawn(2012): Design Charrette: A Vehicle for Consultation or Collaboration [Gianmarco]

Pritzker Prize winning architect Alejandro Aravena on sustainable design and community involvement in Chile [Amala]

Massachusetts Institute of Technology (2013): Places in the Making: How Placemaking Builds Places and Communities [Nafiz Rahat]

'''E: Communicating a Vision'''

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: ...'''
*......
*.......
*.......

'''Author 2: ...'''
*......
*.......
*.......

'''Author 3: ...'''
*......
*.......
*.......

'''Author 4: ...'''
*......
*.......
*.......

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: ... ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape Symbol Nafiz Rahat part1.JPG|Hadis Park, Khulna, Bangladesh
One of the historical park in Khulna city Bangladesh. In 1925 Mahatma Gandhi gave his speech in this park.
Later after independence this park became unused, dirty place & a zone of criminal activity day by day.
In 2011, Khulna City Corporation (KCC) took innitiative steps to intervent the park based on the demand of Khulna city people.
After intervention it is now one of the successful urban public space. Every evening people use to come & enjoy themselves with beautiful landscapes. Moreover, this is also a place for showing the respect to shahid minar for martyrs who has sacrified their life for mother language.
File:Solar Park Khulna Bangladesh.jpg|Solar Park, Khulna, Bangladesh. Which is also a good example of successful urban public space. People are coming frequently to pass their time & walk through the waterfront.
File:United nation park, Khulna, Bangladesh.jpg|United nation park in Khulna Bangladesh. Last intervention has turned the park into successful urban public space. A landscape should belong to all walk of people. This is one of the examples.

</gallery>

=== Landscape Symbols Author 2: AMALA ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:33.jpg|WAYANAD TREE HOUSES:generally built by the tribes to guard them against the attacks of the wild animals.The quaint thatch roofs and bamboo walls , locally sourced materials, contain all domestic comforts and are designed to utilize natural spring water that flows down from the surroundings hills and uses solar energy as a power source.ECO FRIENDLY TREE HOUSES:Connect with nature.Increase the level of outdoor activity.Travelers can also have the benefit of exhilarating nature beauty deep in the verdant woods to discover the prosperity of the flora and fauna of the area
Image:BEKAL.jpg|a symbol of "the Observation Tower" which is a rarity.It was an important military station for TIPU SULTHAN-the king and a land where history meshes with myths and legends-been famous for its diversity in culture, history and language.The vast natural landscapes, beaches, tribal population and its folk arts and music compose a heaven out of this place. landscape symbolise blending with nature.The Fort appears to have been built up from the sea since almost three fourth of its exteriors is drenched and the waves continually stroke the citadel.
Image:Amala assignment 2.jpeg|LIFE CIRCLES IN CONNECTION WITH NATURE
</gallery>

=== Landscape Symbols Author 3: Haris Pezic ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:LED Landscape Symbol Pezic Haris 2.jpg
File:LED Landscape Symbol Pezic Haris .jpg
File:LED Landscape Symbol Pezic Haris 3.jpg

=== Gianmarco Gianni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:moglie pescatore.jpg|'''FISHERMAN WIFE''' - (44°04'54.6"N 12°34'36.2"E) In Rimini is possible to find this statue made of bronze, placed at the tip of the dock facing the open sea. The statue represent a woman with children on the shore waiting for her husband fishing in the sea. The scene is drammatic.The woman is aiming a point on the horizon trying to figure out where the husband fishing boat is, probably hoping to to see him coming back safely to the port. Till the XIX century this kind of risks were a big concern for families, in fact the sails of the fishing boats were all different from each other in order to make them recognizable from the shore. Each boat had its own particular sign on the sail, smartphones and GPS weren’t available back then. Fishing had always been part of Rimini's culture since it's on the coast, but in the last years it started losing its identity because of massive tourism from all over Europe. This sculpture wants to remember us our past, our origins, the respect for tough jobs such as fishing and most of all the respect for the sea as a force of nature and as a resource.[https://www.google.com/maps/place/Monumento+Alle+Mogli+Dei+Marinai/@44.081666,12.5765574,73m/data=!3m1!1e3!4m5!3m4!1s0x132cc4806f827853:0xef4c79f1205a9784!8m2!3d44.0817554!4d12.5766695 FISHERMAN WIFE]
File:Finestrella via piella.jpg|'''FINESTRELLA DI VIA PIELLA''' - (44°29'54.8"N 11°20'43.1"E)The Finestrella from Bologna can be considered as a symbol because it gives us a view from the past and remember us that we should preserve our environment and cultural background against an easy and irresponsible progress. Bologna between the XIII and XVII century was famous for the production of fabrics made of silk and had 15 watermills that were providing energy to move the mules. These watermills were powered by many rivers passing through the city. The city should’ve looked like an inland Venice. During the ‘50s the local administration decided to cover all the rivers and to release wastewater into them in the name of a quick progress. Since that moment Bologna changed completely its aspect. Only in 1998 the local administration started a new project with the intent to regain that lost beauty. The river we can see through the window is the Fiume Reno that was uncovered and cleaned from the dirt. Moreover the small window was placed to create an inspiring point of view and to give the sense of what it should’ve been.[https://www.google.com/maps/place/Finestrella/@44.4985072,11.3463505,102a,35y,272.51h,44.18t/data=!3m1!1e3!4m12!1m6!3m5!1s0x0:0x2929ff96df8e4709!2sFinestrella!8m2!3d44.4985406!4d11.3453312!3m4!1s0x0:0x2929ff96df8e4709!8m2!3d44.4985406!4d11.3453312 FINESTRELLA DI VIA PIELLA]
File:bolognasfabric.jpg|'''BOLOGNA’S URBAN FABRIC''' - (44°29'37.9"N 11°20'33.8"E) Bologna itself and its urban fabric can be considered as a landscape symbol because, despite its monuments and so on, the main aspect that makes Bologna stand in the comparison with other cities is its urban planning. The will to preserve its medieval pattern throughout the centuries had always been part of citizens sensibilities. This includes materials, colours and many other features. Meanwhile in Europe at the end of the XIX century was developing a sense of discard to the past urban set up, Bologna instead found its own way to renew itself respecting its origins. The best way to experience Bologna in fact is to take a walk around the city center, enjoy its porches and be amazed by the continuity of its glimpses despite built in different periods.[https://www.google.com/maps/place/44%C2%B029'37.9%22N+11%C2%B020'33.8%22E/@44.4890181,11.3380066,4000m/data=!3m1!1e3!4m23!1m16!4m15!1m6!1m2!1s0x477fd4bd7c322c71:0x6fe47d839a5ea470!2sVia+Piella,+4,+I-40126+Bologna,+Italia!2m2!1d11.3450024!2d44.4980451!1m6!1m2!1s0x477fd498e951c40b:0xa2e17c015ba49441!2sBologna+BO!2m2!1d11.3426162!2d44.494887!3e2!3m5!1s0x0:0x0!7e2!8m2!3d44.4938479!4d11.3427105 BOLOGNA’S URBAN FABRIC]

</gallery>

=== Gianmarco Gianni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:moglie pescatore.jpg|'''FISHERMAN WIFE''' - (44°04'54.6"N 12°34'36.2"E) In Rimini is possible to find this statue made of bronze, placed at the tip of the dock facing the open sea. The statue represent a woman with children on the shore waiting for her husband fishing in the sea. The scene is drammatic.The woman is aiming a point on the horizon trying to figure out where the husband fishing boat is, probably hoping to to see him coming back safely to the port. Till the XIX century this kind of risks were a big concern for families, in fact the sails of the fishing boats were all different from each other in order to make them recognizable from the shore. Each boat had its own particular sign on the sail, smartphones and GPS weren’t available back then. Fishing had always been part of Rimini's culture since it's on the coast, but in the last years it started losing its identity because of massive tourism from all over Europe. This sculpture wants to remember us our past, our origins, the respect for tough jobs such as fishing and most of all the respect for the sea as a force of nature and as a resource.[https://www.google.com/maps/place/Monumento+Alle+Mogli+Dei+Marinai/@44.081666,12.5765574,73m/data=!3m1!1e3!4m5!3m4!1s0x132cc4806f827853:0xef4c79f1205a9784!8m2!3d44.0817554!4d12.5766695 FISHERMAN WIFE]
File:Finestrella via piella.jpg|'''FINESTRELLA DI VIA PIELLA''' - (44°29'54.8"N 11°20'43.1"E)The Finestrella from Bologna can be considered as a symbol because it gives us a view from the past and remember us that we should preserve our environment and cultural background against an easy and irresponsible progress. Bologna between the XIII and XVII century was famous for the production of fabrics made of silk and had 15 watermills that were providing energy to move the mules. These watermills were powered by many rivers passing through the city. The city should’ve looked like an inland Venice. During the ‘50s the local administration decided to cover all the rivers and to release wastewater into them in the name of a quick progress. Since that moment Bologna changed completely its aspect. Only in 1998 the local administration started a new project with the intent to regain that lost beauty. The river we can see through the window is the Fiume Reno that was uncovered and cleaned from the dirt. Moreover the small window was placed to create an inspiring point of view and to give the sense of what it should’ve been.[https://www.google.com/maps/place/Finestrella/@44.4985072,11.3463505,102a,35y,272.51h,44.18t/data=!3m1!1e3!4m12!1m6!3m5!1s0x0:0x2929ff96df8e4709!2sFinestrella!8m2!3d44.4985406!4d11.3453312!3m4!1s0x0:0x2929ff96df8e4709!8m2!3d44.4985406!4d11.3453312 FINESTRELLA DI VIA PIELLA]
File:bolognasfabric.jpg|'''BOLOGNA’S URBAN FABRIC''' - (44°29'37.9"N 11°20'33.8"E) Bologna itself and its urban fabric can be considered as a landscape symbol because, despite its monuments and so on, the main aspect that makes Bologna stand in the comparison with other cities is its urban planning. The will to preserve its medieval pattern throughout the centuries had always been part of citizens sensibilities. This includes materials, colours and many other features. Meanwhile in Europe at the end of the XIX century was developing a sense of discard to the past urban set up, Bologna instead found its own way to renew itself respecting its origins. The best way to experience Bologna in fact is to take a walk around the city center, enjoy its porches and be amazed by the continuity of its glimpses despite built in different periods.[https://www.google.com/maps/place/44%C2%B029'37.9%22N+11%C2%B020'33.8%22E/@44.4890181,11.3380066,4000m/data=!3m1!1e3!4m23!1m16!4m15!1m6!1m2!1s0x477fd4bd7c322c71:0x6fe47d839a5ea470!2sVia+Piella,+4,+I-40126+Bologna,+Italia!2m2!1d11.3450024!2d44.4980451!1m6!1m2!1s0x477fd498e951c40b:0xa2e17c015ba49441!2sBologna+BO!2m2!1d11.3426162!2d44.494887!3e2!3m5!1s0x0:0x0!7e2!8m2!3d44.4938479!4d11.3427105 BOLOGNA’S URBAN FABRIC]

</gallery>

== Assignment 4 - Your Landscape Democracy Challenge ==
*You can read more details about this assignment [[Assignment_4:_Your_Landscape_Democracy_Challenge_(2019)|here]]
*Each group member will specify a landscape democracy challenge in his/her environment

=== Landscape Democracy Challenge 1 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 2 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 3 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 4 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Your Democratic Change Process ===

<gallery caption="Add Title" widths="600px" heights="300px" perrow="1">
Image:Your_Democratic_Change_Process_Slide1.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide2.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide3.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide4.jpg|caption: ...
</gallery>

=== Reflection ===
* ....
* ....
* ....

Conclusion:
* ....
* ....
* ....

=== Your references ===
* ...
* ...
* ...

----
[[Category:Landscape Democracy Working Group 2019]]

LED Online Seminar 2019 - Working Group 5

2019-05-06T13:32:58Z

Gianmarco.gianni: /* Step 2: Define your readings */

'''--> Back to [[LED_Online_Seminar_Working_Groups_2019|working group overview]]'''

''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

<div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed;
bottom:32px; left:2%; z-index:9999; padding:0; margin:0;"><span style="color:blue;
font-size:8pt; font-face:verdana,sans-serif; border:0.2em outset #ceebf7;
padding:0.1em; font-weight:bolder; -moz-border-radius:8px; ">
[[#top| Back to the Top ]]</span></div>

== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape & deocracy visual menifesto From Nafiz Rahat+.jpg|Nafiz's manifesto
Image:LD2.jpg|Haris's manifesto
Image:Amala manifesto.jpeg|Amala's manifesto
Image: Manifesto Gianmarco Gianni.jpg|Gianni's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''

Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene." In: The Interpretation of Ordinary Landscapes: Geographical Essays, edited by D. W. Meinig and John Brinckerhoff Jackson, 33-48. New York: Oxford University Press. [Gianmarco]

'''B: Concepts of Participation'''

Hester, Randolph (2012): Evaluating Community Design, Landscape Journal [Gianmarco]

'''C: Community and Identity'''

'''D: Designing'''

Smith, Nicola Dawn(2012): Design Charrette: A Vehicle for Consultation or Collaboration [Gianmarco]

'''E: Communicating a Vision'''

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: ...'''
*......
*.......
*.......

'''Author 2: ...'''
*......
*.......
*.......

'''Author 3: ...'''
*......
*.......
*.......

'''Author 4: ...'''
*......
*.......
*.......

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: ... ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape Symbol Nafiz Rahat part1.JPG|Hadis Park, Khulna, Bangladesh
One of the historical park in Khulna city Bangladesh. In 1925 Mahatma Gandhi gave his speech in this park.
Later after independence this park became unused, dirty place & a zone of criminal activity day by day.
In 2011, Khulna City Corporation (KCC) took innitiative steps to intervent the park based on the demand of Khulna city people.
After intervention it is now one of the successful urban public space. Every evening people use to come & enjoy themselves with beautiful landscapes. Moreover, this is also a place for showing the respect to shahid minar for martyrs who has sacrified their life for mother language.
File:Solar Park Khulna Bangladesh.jpg|Solar Park, Khulna, Bangladesh. Which is also a good example of successful urban public space. People are coming frequently to pass their time & walk through the waterfront.
File:United nation park, Khulna, Bangladesh.jpg|United nation park in Khulna Bangladesh. Last intervention has turned the park into successful urban public space. A landscape should belong to all walk of people. This is one of the examples.

</gallery>

=== Landscape Symbols Author 2: AMALA ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:33.jpg|WAYANAD TREE HOUSES:generally built by the tribes to guard them against the attacks of the wild animals.The quaint thatch roofs and bamboo walls , locally sourced materials, contain all domestic comforts and are designed to utilize natural spring water that flows down from the surroundings hills and uses solar energy as a power source.ECO FRIENDLY TREE HOUSES:Connect with nature.Increase the level of outdoor activity.Travelers can also have the benefit of exhilarating nature beauty deep in the verdant woods to discover the prosperity of the flora and fauna of the area
Image:BEKAL.jpg|a symbol of "the Observation Tower" which is a rarity.It was an important military station for TIPU SULTHAN-the king and a land where history meshes with myths and legends-been famous for its diversity in culture, history and language.The vast natural landscapes, beaches, tribal population and its folk arts and music compose a heaven out of this place. landscape symbolise blending with nature.The Fort appears to have been built up from the sea since almost three fourth of its exteriors is drenched and the waves continually stroke the citadel.
Image:symbol_yourname_photovoice3|add a caption (one paragraph max) description of the symbolism, interpretation, as well as geo-location
</gallery>

=== Landscape Symbols Auther 3: ... ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
=== Landscape Symbols Author 4: ... ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:symbol_yourname_photovoice1|add a caption (one paragraph max) description of the symbolism, interpretation, as well as geo-location
Image:symbol_yourname_photovoice2|add a caption (one paragraph max) description of the symbolism, interpretation, as well as geo-location
Image:symbol_yourname_photovoice3|add a caption (one paragraph max) description of the symbolism, interpretation, as well as geo-location
</gallery>

=== Gianmarco Gianni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:moglie pescatore.jpg|'''FISHERMAN WIFE''' - (44°04'54.6"N 12°34'36.2"E) In Rimini is possible to find this statue made of bronze, placed at the tip of the dock facing the open sea. The statue represent a woman with children on the shore waiting for her husband fishing in the sea. The scene is drammatic.The woman is aiming a point on the horizon trying to figure out where the husband fishing boat is, probably hoping to to see him coming back safely to the port. Till the XIX century this kind of risks were a big concern for families, in fact the sails of the fishing boats were all different from each other in order to make them recognizable from the shore. Each boat had its own particular sign on the sail, smartphones and GPS weren’t available back then. Fishing had always been part of Rimini's culture since it's on the coast, but in the last years it started losing its identity because of massive tourism from all over Europe. This sculpture wants to remember us our past, our origins, the respect for tough jobs such as fishing and most of all the respect for the sea as a force of nature and as a resource.[https://www.google.com/maps/place/Monumento+Alle+Mogli+Dei+Marinai/@44.081666,12.5765574,73m/data=!3m1!1e3!4m5!3m4!1s0x132cc4806f827853:0xef4c79f1205a9784!8m2!3d44.0817554!4d12.5766695 FISHERMAN WIFE]
File:Finestrella via piella.jpg|'''FINESTRELLA DI VIA PIELLA''' - (44°29'54.8"N 11°20'43.1"E)The Finestrella from Bologna can be considered as a symbol because it gives us a view from the past and remember us that we should preserve our environment and cultural background against an easy and irresponsible progress. Bologna between the XIII and XVII century was famous for the production of fabrics made of silk and had 15 watermills that were providing energy to move the mules. These watermills were powered by many rivers passing through the city. The city should’ve looked like an inland Venice. During the ‘50s the local administration decided to cover all the rivers and to release wastewater into them in the name of a quick progress. Since that moment Bologna changed completely its aspect. Only in 1998 the local administration started a new project with the intent to regain that lost beauty. The river we can see through the window is the Fiume Reno that was uncovered and cleaned from the dirt. Moreover the small window was placed to create an inspiring point of view and to give the sense of what it should’ve been.[https://www.google.com/maps/place/Finestrella/@44.4985072,11.3463505,102a,35y,272.51h,44.18t/data=!3m1!1e3!4m12!1m6!3m5!1s0x0:0x2929ff96df8e4709!2sFinestrella!8m2!3d44.4985406!4d11.3453312!3m4!1s0x0:0x2929ff96df8e4709!8m2!3d44.4985406!4d11.3453312 FINESTRELLA DI VIA PIELLA]
File:bolognasfabric.jpg|'''BOLOGNA’S URBAN FABRIC''' - (44°29'37.9"N 11°20'33.8"E) Bologna itself and its urban fabric can be considered as a landscape symbol because, despite its monuments and so on, the main aspect that makes Bologna stand in the comparison with other cities is its urban planning. The will to preserve its medieval pattern throughout the centuries had always been part of citizens sensibilities. This includes materials, colours and many other features. Meanwhile in Europe at the end of the XIX century was developing a sense of discard to the past urban set up, Bologna instead found its own way to renew itself respecting its origins. The best way to experience Bologna in fact is to take a walk around the city center, enjoy its porches and be amazed by the continuity of its glimpses despite built in different periods.[https://www.google.com/maps/place/44%C2%B029'37.9%22N+11%C2%B020'33.8%22E/@44.4890181,11.3380066,4000m/data=!3m1!1e3!4m23!1m16!4m15!1m6!1m2!1s0x477fd4bd7c322c71:0x6fe47d839a5ea470!2sVia+Piella,+4,+I-40126+Bologna,+Italia!2m2!1d11.3450024!2d44.4980451!1m6!1m2!1s0x477fd498e951c40b:0xa2e17c015ba49441!2sBologna+BO!2m2!1d11.3426162!2d44.494887!3e2!3m5!1s0x0:0x0!7e2!8m2!3d44.4938479!4d11.3427105 BOLOGNA’S URBAN FABRIC]

</gallery>

== Assignment 3 - Role Play on Landscape Democracy "movers and shakers" ==
*You can read more details about this assignment [[Assignment_3:_Role_Play_on_Landscape_Democracy_"movers_and_shakers"_(2019)|here]]

== Assignment 4 - Your Landscape Democracy Challenge ==
*You can read more details about this assignment [[Assignment_4:_Your_Landscape_Democracy_Challenge_(2019)|here]]
*Each group member will specify a landscape democracy challenge in his/her environment

=== Landscape Democracy Challenge 1 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 2 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 3 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 4 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Your Democratic Change Process ===

<gallery caption="Add Title" widths="600px" heights="300px" perrow="1">
Image:Your_Democratic_Change_Process_Slide1.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide2.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide3.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide4.jpg|caption: ...
</gallery>

=== Reflection ===
* ....
* ....
* ....

Conclusion:
* ....
* ....
* ....

=== Your references ===
* ...
* ...
* ...

----
[[Category:Landscape Democracy Working Group 2019]]

LED Online Seminar 2019 - Working Group 5

2019-05-06T13:32:35Z

Gianmarco.gianni: /* Step 2: Define your readings */

'''--> Back to [[LED_Online_Seminar_Working_Groups_2019|working group overview]]'''

''Dear working group members. This is your group page and you will be completing the template gradually as we move through the seminar. Good luck and enjoy your collaboration!''

<div id="BackToTop" class="noprint" style="background-color:#DDEFDD; position:fixed;
bottom:32px; left:2%; z-index:9999; padding:0; margin:0;"><span style="color:blue;
font-size:8pt; font-face:verdana,sans-serif; border:0.2em outset #ceebf7;
padding:0.1em; font-weight:bolder; -moz-border-radius:8px; ">
[[#top| Back to the Top ]]</span></div>

== Assignment 1 - Reading and Synthesizing Core Terminology ==

*You can read more details about this assignment [[Assignment_1:_Reading_and_Synthesizing_Core_Terminology (2019)|here]]
*Readings are accessible via the [[Resources_and_Literature_Landscape_and_Democracy|resources page]]

=== Step 1: Your Landscape Democracy Manifestoes ===

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Landscape & deocracy visual menifesto From Nafiz Rahat+.jpg|Nafiz's manifesto
Image:LD2.jpg|Haris's manifesto
Image:Amala manifesto.jpeg|Amala's manifesto
Image: Manifesto Gianmarco Gianni.jpg|Gianni's manifesto
</gallery>

=== Step 2: Define your readings ===
*Please add your readings selection for the terminology exercise before '''April 24''':

'''A: Landscape and Democracy'''
Meinig, D. W. (1979): "The Beholding Eye: Ten Versions of the Same Scene." In: The Interpretation of Ordinary Landscapes: Geographical Essays, edited by D. W. Meinig and John Brinckerhoff Jackson, 33-48. New York: Oxford University Press. [Gianmarco]

'''B: Concepts of Participation'''
Hester, Randolph (2012): Evaluating Community Design, Landscape Journal [Gianmarco]

'''C: Community and Identity'''

'''D: Designing'''
Smith, Nicola Dawn(2012): Design Charrette: A Vehicle for Consultation or Collaboration [Gianmarco]

'''E: Communicating a Vision'''

=== Steps 3 and 4: Concepts Selection and definition ===
* Each group member selects three relevant concepts derived from his/her readings and synthesize them/publish them on the wiki by '''May 15, 2019'''
* Group members reflect within their groups and define their chosen concepts into a shared definition to be posted on the wiki by '''June 12, 2019.'''
* Other group members will be able to comment on the definitions until '''June 30, 2019'''
*Each group will also report on their process to come to a set of shared definitions of key landscape democracy concepts on the wiki documentation until '''July 12, 2019'''

'''Concepts and definitions'''

'''Author 1: ...'''
*......
*.......
*.......

'''Author 2: ...'''
*......
*.......
*.......

'''Author 3: ...'''
*......
*.......
*.......

'''Author 4: ...'''
*......
*.......
*.......

=== Step 5: Reflection ===

=== Step 6: Revised manifestoes ===
*please look again at your initial manifestoes and update them with any new aspects/prespectives you have taken up during this seminar

<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
Image:Revised_manifest.jpg|Author's updated manifesto
</gallery>

== Assignment 2 - Your Landscape Symbols ==
*You can read more details about this assignment [[Assignment_2:_Your_Landscape_Symbols_(2019)|here]]

=== Landscape Symbols Author 1: ... ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:Landscape Symbol Nafiz Rahat part1.JPG|Hadis Park, Khulna, Bangladesh
One of the historical park in Khulna city Bangladesh. In 1925 Mahatma Gandhi gave his speech in this park.
Later after independence this park became unused, dirty place & a zone of criminal activity day by day.
In 2011, Khulna City Corporation (KCC) took innitiative steps to intervent the park based on the demand of Khulna city people.
After intervention it is now one of the successful urban public space. Every evening people use to come & enjoy themselves with beautiful landscapes. Moreover, this is also a place for showing the respect to shahid minar for martyrs who has sacrified their life for mother language.
File:Solar Park Khulna Bangladesh.jpg|Solar Park, Khulna, Bangladesh. Which is also a good example of successful urban public space. People are coming frequently to pass their time & walk through the waterfront.
File:United nation park, Khulna, Bangladesh.jpg|United nation park in Khulna Bangladesh. Last intervention has turned the park into successful urban public space. A landscape should belong to all walk of people. This is one of the examples.

</gallery>

=== Landscape Symbols Author 2: AMALA ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:33.jpg|WAYANAD TREE HOUSES:generally built by the tribes to guard them against the attacks of the wild animals.The quaint thatch roofs and bamboo walls , locally sourced materials, contain all domestic comforts and are designed to utilize natural spring water that flows down from the surroundings hills and uses solar energy as a power source.ECO FRIENDLY TREE HOUSES:Connect with nature.Increase the level of outdoor activity.Travelers can also have the benefit of exhilarating nature beauty deep in the verdant woods to discover the prosperity of the flora and fauna of the area
Image:BEKAL.jpg|a symbol of "the Observation Tower" which is a rarity.It was an important military station for TIPU SULTHAN-the king and a land where history meshes with myths and legends-been famous for its diversity in culture, history and language.The vast natural landscapes, beaches, tribal population and its folk arts and music compose a heaven out of this place. landscape symbolise blending with nature.The Fort appears to have been built up from the sea since almost three fourth of its exteriors is drenched and the waves continually stroke the citadel.
Image:symbol_yourname_photovoice3|add a caption (one paragraph max) description of the symbolism, interpretation, as well as geo-location
</gallery>

=== Landscape Symbols Auther 3: ... ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
=== Landscape Symbols Author 4: ... ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
Image:symbol_yourname_photovoice1|add a caption (one paragraph max) description of the symbolism, interpretation, as well as geo-location
Image:symbol_yourname_photovoice2|add a caption (one paragraph max) description of the symbolism, interpretation, as well as geo-location
Image:symbol_yourname_photovoice3|add a caption (one paragraph max) description of the symbolism, interpretation, as well as geo-location
</gallery>

=== Gianmarco Gianni ===
<gallery caption=" " widths="150px" heights="150px" perrow="5">
File:moglie pescatore.jpg|'''FISHERMAN WIFE''' - (44°04'54.6"N 12°34'36.2"E) In Rimini is possible to find this statue made of bronze, placed at the tip of the dock facing the open sea. The statue represent a woman with children on the shore waiting for her husband fishing in the sea. The scene is drammatic.The woman is aiming a point on the horizon trying to figure out where the husband fishing boat is, probably hoping to to see him coming back safely to the port. Till the XIX century this kind of risks were a big concern for families, in fact the sails of the fishing boats were all different from each other in order to make them recognizable from the shore. Each boat had its own particular sign on the sail, smartphones and GPS weren’t available back then. Fishing had always been part of Rimini's culture since it's on the coast, but in the last years it started losing its identity because of massive tourism from all over Europe. This sculpture wants to remember us our past, our origins, the respect for tough jobs such as fishing and most of all the respect for the sea as a force of nature and as a resource.[https://www.google.com/maps/place/Monumento+Alle+Mogli+Dei+Marinai/@44.081666,12.5765574,73m/data=!3m1!1e3!4m5!3m4!1s0x132cc4806f827853:0xef4c79f1205a9784!8m2!3d44.0817554!4d12.5766695 FISHERMAN WIFE]
File:Finestrella via piella.jpg|'''FINESTRELLA DI VIA PIELLA''' - (44°29'54.8"N 11°20'43.1"E)The Finestrella from Bologna can be considered as a symbol because it gives us a view from the past and remember us that we should preserve our environment and cultural background against an easy and irresponsible progress. Bologna between the XIII and XVII century was famous for the production of fabrics made of silk and had 15 watermills that were providing energy to move the mules. These watermills were powered by many rivers passing through the city. The city should’ve looked like an inland Venice. During the ‘50s the local administration decided to cover all the rivers and to release wastewater into them in the name of a quick progress. Since that moment Bologna changed completely its aspect. Only in 1998 the local administration started a new project with the intent to regain that lost beauty. The river we can see through the window is the Fiume Reno that was uncovered and cleaned from the dirt. Moreover the small window was placed to create an inspiring point of view and to give the sense of what it should’ve been.[https://www.google.com/maps/place/Finestrella/@44.4985072,11.3463505,102a,35y,272.51h,44.18t/data=!3m1!1e3!4m12!1m6!3m5!1s0x0:0x2929ff96df8e4709!2sFinestrella!8m2!3d44.4985406!4d11.3453312!3m4!1s0x0:0x2929ff96df8e4709!8m2!3d44.4985406!4d11.3453312 FINESTRELLA DI VIA PIELLA]
File:bolognasfabric.jpg|'''BOLOGNA’S URBAN FABRIC''' - (44°29'37.9"N 11°20'33.8"E) Bologna itself and its urban fabric can be considered as a landscape symbol because, despite its monuments and so on, the main aspect that makes Bologna stand in the comparison with other cities is its urban planning. The will to preserve its medieval pattern throughout the centuries had always been part of citizens sensibilities. This includes materials, colours and many other features. Meanwhile in Europe at the end of the XIX century was developing a sense of discard to the past urban set up, Bologna instead found its own way to renew itself respecting its origins. The best way to experience Bologna in fact is to take a walk around the city center, enjoy its porches and be amazed by the continuity of its glimpses despite built in different periods.[https://www.google.com/maps/place/44%C2%B029'37.9%22N+11%C2%B020'33.8%22E/@44.4890181,11.3380066,4000m/data=!3m1!1e3!4m23!1m16!4m15!1m6!1m2!1s0x477fd4bd7c322c71:0x6fe47d839a5ea470!2sVia+Piella,+4,+I-40126+Bologna,+Italia!2m2!1d11.3450024!2d44.4980451!1m6!1m2!1s0x477fd498e951c40b:0xa2e17c015ba49441!2sBologna+BO!2m2!1d11.3426162!2d44.494887!3e2!3m5!1s0x0:0x0!7e2!8m2!3d44.4938479!4d11.3427105 BOLOGNA’S URBAN FABRIC]

</gallery>

== Assignment 3 - Role Play on Landscape Democracy "movers and shakers" ==
*You can read more details about this assignment [[Assignment_3:_Role_Play_on_Landscape_Democracy_"movers_and_shakers"_(2019)|here]]

== Assignment 4 - Your Landscape Democracy Challenge ==
*You can read more details about this assignment [[Assignment_4:_Your_Landscape_Democracy_Challenge_(2019)|here]]
*Each group member will specify a landscape democracy challenge in his/her environment

=== Landscape Democracy Challenge 1 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 2 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 3 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Landscape Democracy Challenge 4 ===
<gallery caption="Give a title to your challenge" widths="150px" heights="150px" perrow="5">
Image:yourname_challenge_1.jpg|caption: why did you select this case?
Image:yourname_challenge_2.jpg|caption: what is the issue/conflict (1)
Image:yourname_challenge_3.jpg|caption: what is the issue/conflict (2)
Image:yourname_challenge_4.jpg|caption: who are the actors?
</gallery>
'''Your references:'''
*...
*...

=== Your Democratic Change Process ===

<gallery caption="Add Title" widths="600px" heights="300px" perrow="1">
Image:Your_Democratic_Change_Process_Slide1.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide2.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide3.jpg|caption: ...
Image:Your_Democratic_Change_Process_Slide4.jpg|caption: ...
</gallery>

=== Reflection ===
* ....
* ....
* ....

Conclusion:
* ....
* ....
* ....

=== Your references ===
* ...
* ...
* ...

----
[[Category:Landscape Democracy Working Group 2019]]

LED Online Seminar 2019 - Working Group 5

2019-05-02T13:41:16Z